Denver Old West Auction

Crockett stainless, narrow band spurs, with sterling overlaid, and finely engraved mountings attributed to Edward Bohlin as clearly evidenced by the u

Huge, circa 1920s, single mounted, No. 106 spurs. Mounted with period border stamped straps. Excellent condition with all original mountings and rowel

Double-mounted, elongated diamond patterned, German silver inlaid Canon City prisonmade spurs with 2 5/8” straight shanks. Upturned heart-shaped butto

Impressive pair of highly detailed, full silver, overlaid spurs with domed, jelly mold styled bands, edged with fine dots. Large sweeping bands ending

Extremely interesting and well-executed, early, double mounted spurs, showing characteristics of early California, Mexico, and even a little August Bu

One of Tom's personal, custom-made Stetsons. Marked inside the hat "Made Especially for Tom Mix." Mix gifted this hat to his friend, C...

An expansive and wonderful collection of photos and memorabilia about the famous actor and wild west performer Tom Mix compiled by John H. Nicholas wr

Great pair of Pendleton, Oregon made, studded and overlaid batwing chaps. Well marked and in fine condition.

35" long, outside pockets, 12 slotted conchos. S.C. Gallup Saddle Co, Pueblo, Co. Oversized, outside pockets with brass studded trim. 6 slotted...

Canvas lined, leather backed, 42" long, white woolies with interior pockets, basket stamped belt. Fine condition, c. 1920s-30s. Provenance: Ge...

Canvas lined and leather backed, 38” in total length, basket stamped billet. Wool in good condition, slight tear at the billet. Belt shows some frayin

Two Medicine-Valley Blackfeet (Montana) 24” x 36” Framed to 30” x 42” Oil on board Signed lower right

‘Cross Mountain’ – Blood Indian 26”x 19” Framed to 35”x 30” Pastel on paper Signed and titled lower right

Waiting for the Storyteller 24” x 36” Framed to 33” x 45” Oil on canvas Signed and dated lower right ‘94

Taking off the Chill 30”x 40” Framed to 42”x 52” Oil on board Signed lower right

Granite Ramparts 9” x 12” Field Study Oil on board Signed lower left Bill Anton

In the Home of the Mountain Gods 48” x 36” Framed to 64” x 52” Oil on canvas Signed lower left

Sunrise over the McDowells 9 1/2” x 14” Framed to 14 1/2” x 19” Oil on board Signed lower right Signed, titled, and dated 2004 on reverse

Untitled (Moonlit Stream) 10 1/4” x 13 1/4” Framed to 20 1/4” x 23 1/4” Monotype Signed lower right J.H. Sharp

Illustration on Letter 11” x 8 1/2” framed to 20” x 17 1/2” Mixed Media / Watercolor on paper Dated Nov. 14, 1970 Bold, bright colors Content refere

Indian Child with Headdress 8 1/2” x 5 1/2” framed to 14” x 11” Watercolor on artist board Signed lower right Examples of Ellka’s work seen in Buffa

Untitled (Santa Fe street scene) 16” x 20” Framed to 21 1/2” x 25 1/2” Oil on board Signed lower right

Cold Morning 14" x 25" Oil on board Signed lower right Michael Coleman Provenance: George Taylor Collection

Untitled (Charging Vaquero) 6 3/4” x 8 3/4” Framed to 11 1/2” x 13 1/2” Oil on board Signed lower left

California Cowboy 7 1/2” x 7 1/2” Framed to 15” x 15” Pen & ink on paper Signed lower right Includes copy of Harold Davidson Letter Provena...

Mustang Runners 32” x 40” Framed to 36” x 44” Oil on canvas Signed lower left Provenance: George Taylor Collection

Vaquero & Senorita 13” x 10” Framed to 22” x 18” Pair of original pastel drawings Signed lower right

Set of 6 “Westward Ho” Vintage Lithographs by Till Goodan. Created in 1939, framed by Collier a) Guardians of the Range 26” x 31”; b) Bronc Peeler 26

A fully carved Rocky Mountain Big Horn sheath, depicting scenes from the Life of Kit Carson. The horn shows good age and the carving appears period to

Pink, purple, yellow, and green quillwork strips decorating sleeves and shoulders in geometric designs, with abstract floral designs on the bib on nat

22” x 12” x 6” beaded with blue, yellow, and red geometric designs on white field. Typical bars in rectangular elements on the side panels. Tin-cone s

17” tall, green ochre dyed, native tanned hide with lane and edge beadwork, with three brass buttons up the sides and fringe at the opening with a 5-p

Multicolored geometric designs on native tanned hide with old canvas for the uppers, and hard soles. Fine condition c. 1890.

9” long, high cuff with ties, pink background, with green, white, and blue geometric designs. Some minor restoration, c. 1890.

Native tanned hide, with black, red, pink, blue, yellow and white beads; with faded purple (aniline dyed) and bright orange (natural dyed) quilled fri

Human hands with warrior on horseback in full length headdress. 43” overall, 10” x 8” beaded panel with deep blues. 6” quill extensions. Yellow ochre

11” x 7” multicolored, geometric designs on cowgirl riding gloves. Beadwork on back of hands and along fingers. Fine condition with some wear on left

36” x 7” including fringe, multicolored geometric designs on blue stained native tanned hide, with quilled slats and fringe. Good condition with quill

37” total length x 7” wide. Dark blue, pink, yellow, gold, and clear on blue field with geometric designs and mounted Indian wearing long feathered bo

Bridle with horsehair cone dangles and beautiful rosettes on each side. Excellent condition, c. 1890s.

Quilled and beaded bag with unusual building or home design. Buffalo hide slats. Some quill loss and minor restoration. 19” fringe, 41” overall length

Important, engraved, Colt Single Action, sword, and over 200 original, historical letters and documents. Many important photographs from his birth cer

a) Large heavy 1 1/2” bands with silver inlay in a chevron pattern, figure 8 shanks holding a 3 3/4” chased 8-point rowel. Embroidered straps with ste

Real working man’s felt hat in the original box. Great, gold, braided hat band with double tassles. 8” brim and 6 1/2” tall crown. Shows little use bu

13” x 7 1/2”, 17th century, iron Estribo de Cruz (Stirrup of the Cross). Cruciform stirrups date from the 1600s-1700s, deriving the name from their sh

The Mexican Sombrero worn by Robert Mitchum in The Wonderful Country, 1959. An early, most likely pre-revolution hat was further aged for the film. 9”

#6292, all matching numbers, .41 caliber rimfire, 3” barrel, strong rifling with light pitting, smooth, mustard colored frame with traces of silver on

U.S. Cavalry #81923. circa 1882, D.F.C. inspected, .45 Long Colt caliber, 7 1/2” barrel, grips in fine condition with clear crisp DFC cartouche on rig

Rare lithograph by Kurz & Allison. June 25th, 1876. – General Custer, His Two Brothers, His Nephew, And All His Men (7th Cavalry) Were Killed ...

U.S. marked Cavalry series revolver serial number 5337, 7 1/2”, .45 caliber in the known Custer Range. Ainsworth inspected throughout including the fa

Lieutenant Colonel George Armstrong Custer by William R. Howell, New York. Image taken on or about April 23, 1876. Excellent overall, very sharp and b

Special Orders – Headquarters, July 21st, 1865. Handwritten amendment made by Custer and signed in red ink. 9 3/4” x 7 3/4” trifold. Signed in ink by

U.S. issued Single Action Army in the known Custer range, shipped in a lot of 6, likely issued to the 7th Cavalry. “Artillery Model,” #5676 frame seri

Colt Single Action Army, U.S. Cavalry model, #17634, 1876, .45 LC, J inspected, very good bore, silver gray overall, 1-piece walnut grips slightly und

Serial number #105770. Factory letter states mfg. 1883, .44/40 caliber with 4” barrel. Shipped to Hartley & Graham in a shipment of 2. The rig i...

Nottage was Sheriff of Albany County – Laramie City, Wyoming Territory. This lot features his personal Colt Richards Conversion with it’s original dee

Impressive, fully floral carved, black, sterling silver mounted, San Gabriel model Edward H. Bohlin, Hollywood, California parade saddle with matching

Sterling silver repoussé, fully functional telephone, circa 1930s. This dazzling and unique Bohlin artifact is fully covered in sterling silver...

Very detailed and stunning pin for the “Los Charros” with gold accents on sterling silver. Personalized to Merle Templeton with his name and brand, bu

Tobacconist Indian. Zinc statue, 64" (h) on a 12" base. Maker’s plate cast in base, c. 1870. Professionally repainted. Captain Jack stands...

Indian Boy at Spring 24” x 29” Framed to 29” x 34” Oil on canvas Ex: Walter Bimson Collection, descended through the family. Shown: The West an

Times Have Changed 10”x 15” Framed to 19” x 24” Graphite on paper Signed with III, lower right With original title on backing paper in James’ hand

The Pilgrim 12” x 15” Framed to 19 1/2” x 22 1/2” Graphite on paper with crayon Signed with III, lower left Original notations in James’ hand included

Riding the Grub Line 15”x 10” Graphite on board Signed with III, center right

High, Wide, and Handsome 18 3/8” x 14” Graphite on board Signed lower right Will James III ~ .21 Titled at center bottom. Slight water damage at botto

A Spur Kicker 16 3/4” x 12 1/2” Graphite on board Signed lower right Will James III ~ .21 Titled at center bottom. Slight water damage at bottom.

Important Visalia Stock Saddle Co. Trophy Saddle won by Joella Mildred Irwin in 1916. Adorned with silver presentation plate and raised cursive sterli

This hat was the personal property of Robert Ripley of “Believe it or Not!” fame. It was presented to him by the 1930s-40 Hollywood bombshell, Carmen

Extremely fine, high quality, beige, John B. Stetson nutria cowboy hat, with interior leather sweatband, gold stamped: MADE BY JOHN B. STETSON ESPECIA

Only known pair of exquisite, elegant, and petite, J. Figueroa, maker-marked ladies spurs, inlaid in the dandy diamond pattern. Heel chains, original

Lamdin supplied spurs and bits to Olsen Nolte and the Visalia Stock Saddle Co. These spurs have “Olsen Nolte” marked straps with sterling buckle sets

Unmarked spurs, attributed to Figueroa. Silver inlaid on side, deep chasing on the other. Drop shanks with barrel style chap guard. The rowels are 1 3

Buffalo 9” t x 10 1/4” w x 5” d Slush Mold Sculpture Signed in base Nice even patina with some lifting of surface on the base. A very rare casting b

The “Dick Dickson Jr.” model was arguably the most popular parade saddle of the entire Edward H. Bohlin line. Intricately, fully floral carved, this e

Brown, floral carved and sterling silver, mounted Olsen Nolte, San Francisco 1930s-1940s parade saddle with matching bridle and breast collar, plus bo

Classic Arizona prisonmade multicolored red, blue, orange, black, beige, turquoise and yellow hitched and braided early 1900s headstall made with full

Early 1920s, braided, six-color (black, orange, red, yellow, beige and green), Canon City, Colorado, prisonmade, horsehair bridle. Ten tassels, unusua

Full drop shank unmarked silver inlaid spurs, attributed to Hernandez. Silver inlaid the length of the band with fine engraving. Double chains with ea

48” x 29” wavy band in center with crosses, dark red raveled yarn, cochineal dyed, light red raveled American flannel, aniline dyed, blue & ligh...

50 1/2” x 29” raveled American flannel aniline red, indigo blue, and Germantown gold, orange and green yarns with hand-spun natural white. Central ban

78" x 51" aniline dyed and natural hand-spun churro yarn. Black, white, red, orange and yellow with serrated diamonds and crosses. Good co...

Native tanned hide with beadwork panels of multicolored geometric design featuring pink, deep blue and red beads on a white field. Bow case is 37” in

Cast with cuts and file work, the head is 11” long with unsharpened 4” blade. The wood shaft measures 22 1/4”. Includes letter dated 2003 from John Ba

Very scarce silver and leather bridle. Comanche bridles are seldom seen and most of the time mistaken for the larger and more ornate Navajo bridles. T

60” x 78” in a classic, nine spot pattern with stepped and serrated diamonds and half diamonds in aniline dyed red and blue with natural white. Horizo

Early 19th century club, 29” in overall length, 5 1/5” x 1 1/4” forged blade in arrowhead shape, studded along edges with 149 brass tacks (9 others mi

Early 19th century, curly maple club, 23” overall, brass tacks. Shows shellac on surface. Remnants of iron spike at wood head.

23 1/2” long with 164 brass tacks. The original iron spike protrudes 1 1/2” from the ball head. Nice patina and two hand-drilled holes at the end. Ver

Stetson Cowboy hat worn by Clayton Moore as the Lone Ranger. White Stetson made of beaver, size 6 3/4, stamped in brim “Nudie’s / Rodeo Tailors / Nort

4 items, including the classic Nudie’s suit, worn by Clayton Moore as the Lone Ranger. a) Light blue wool shirt, with lace-up V-neck, zippered sides a

Presented to Clayton Moore by Bohlin owner, Danny Lang Jr. in 1986 and used by Moore in frequent personal appearances while portraying the Lone Range

2 pair of Justin everyday boots. 1 pair Justin snakes, size 9 1/2 D; 1 pair Justin black leather, finely stitched, size 9 1/2 D. Provenance: Clayto

French blue gabardine wool suit made by Nudie’s Rodeo Tailors for Clayton Moore’s personal appearances as the Lone Ranger. Two (2) Pieces: a) Long sle

Cadet blue gabardine wool suit made by famed tailor Manuel for Clayton Moore’s personal appearances as the Lone Ranger. Three (3) pieces: a) Long-slee

The personal Tribute rifle, by America Remembers, presented to Dawn Moore. The rifle is polished and decorated by craftsmen, specifically commissioned

Single “Lone Ranger” .45, comes with a signed laminated photograph of Clayton with Richard Nixon. Provenance: Clayton Moore Estate

a) Framed, gold 45 record “Hi-Yo Silver, Hi-Yo” with sleeve, by the Arthur Norman Singers 1958; b) Framed record, William Tell Overture on Edison reco

a) Adirondack 302 baseball bat “Personal Clayton Moore Model”, unused; b) Box including Hollywood awards, trade clippings, and paper relating to Clayt

Tonto 16 1/2”x 12 1/4” Unframed Oil on board Signed and inscribed on reverse Cover of No. 18, Feb-Apr. 1955 Includes complete comic

The Lone Ranger 19 1/2” x 14 1/4” Unframed Oil on board Signed and inscribed on reverse Cover of Dell Vol. 1 No. 94, April 1956 Includes complete c