Denver Old West Auction

Native American basketry, circa 1890-1910: Two Apache baskets, one 11 1/4” in diameter, other is 9 1/2”, and a large 12 1/2” diameter Pima basket. All

a) Northern Plains hard soled moccasins with bifurcated tongues. Red, white and blue beads trimmed in green. 10 1/2” long; b) Traditional Cree or Wood

A very showy bridle made for Grace H. Keith, a teacher at the Indian School in Ponca City, OK. Born in Prairie Grove, AR, she moved to Stillwater, OK

Three (3) early red Catlinite and wood pipes: a) Simple long bowl, 5 1/4” with 21" stem; b) 3 1/2” bowl with pewter inlaid rings, 22" shap...

Red pipestone or Catlinite smoking pipe head with leather ears, drilled dimples, and front half of American bison body. 2 3/4” tall x 3 3/4” long, ve

a) Blue, yellow, orange, green, and red beads on a white field, 10 1/2” long, late, heavy construction; b) Arapaho moccasins with morning star design

a) Cheyenne beaded moccasins, 6” long; b) Sioux fully beaded moccasins with American flags, 7” long; c) Sioux 6 1/4” long with diamond shape design in

6” x 8” x 6 1/2” closed coil, oval, willow basket with diamond motif. Excellent condition.

a) Pair of silver arm bands with stamped decorations, 1 3/4” wide; b) Claw scarf bolo, classic stamped design, cutout construction.

Various dates, designs, and sizes ranging from 9” to 12” with some featuring Kachina or dance figures. One with spread eagle wings. Most are mid-to-la

A selection of fine, small trays, varying in size from 6 1/2” to 9” in diameter. Mudhead face, butterfly, and other designs.

A Race with the Stork 23”x 24” Bronze 4/50 1991 Signed in bronze

Partners 14” x 13” x 6” without base Bronze with 1/2” wood base Signed in bronze, dated 1972 3/24 Includes letter from Rex Allen Jr. stating his fath

A stunning vintage set consisting of a beautiful pair of panel table lamps with Native American and woodland scenes on each glass panel, and Indian Ch

a) Brown with tooled uppers 11” x 12”, good condition; b) Black with white and red cutout eagle and mule ears, 14” x 12”, good condition; c) Tan toole

a) Dark brown with light brown and white cutout butterflies, 2” x 10 1/2”. Good condition; b) Brown with yellow and white cutout butterflies, 11 1/2”

14” high, tan and white butterfly and “MM”. Star of stage, screen and rodeo, Montie rode in 60 consecutive Pasadena Rose Parades and roped President E

3 pair of men’s leather wrist cuffs a) Star studded, very good condition; b) Diamond pattern with swelled tops, show wear but good condition; c) Very

Fine pair of bright white angora wooly chaps, canvas lined, leather backed, inside pockets, 36” long with basket stamped billet. Fine condition, c. 19

Sandhills Classic 17” x 13” Framed to 20” x 24” Oil on canvas Signed lower left, dated ‘98

Signs of Spring 8 1/2” x 11” Framed to 16 1/4” x 14 1/4” Oil on board Signed lower left, dated ‘91

Cross of the Conquistadores 35” x 23” Framed to 32” x 44” Oil on canvas Signed lower right

Hoolihan 14” x 26” Framed to 23” x 35” Oil on board Signed lower right and on reverse

Dad’s Helper 30” x 40” Framed to 38 1/4” x 48 3/4” Oil on board Signed lower left A T Cox 94 Cover of Cutting Horse Futurity & Beef Magazine

Home Land 46” x 19 1/2” Framed to 62 1/4” x 32 3/4” Watercolor on paper Signed lower right Dated on reverse 2002 Provenance: William Matthews Galle

Doorway 24” x 18” framed to 31” x 25” Watercolor Signed lower left NAC.2010.32

Sunset Council 16” x 20” Framed to 24” x 28” Watercolor Signed center left NAC.2010.35

a) Above the Valley 24” x 30” framed to 30 1/2” x 38 1/2” Oil on canvas Signed lower left Titled on reverse NAC.2010.30 b) Cumberland Gap 20 1/2” x

a) Ranchos de Taos 13” x 17” framed to 20 1/2” x 25 1/2” Oil on panel Signed lower right NAC.2010.312 b) Taos River 10” x 13” framed to 19” x 22” Oil

The Bells of Capistrano 28 1/4” x 24” Framed to 33 1/4” x 29 1/4” Oil on canvas Signed lower left Dated on reverse 1929 H1999.41.126 Exhibited: Harmse

Cavalry 16” x 12” framed to 24 1/2” x 19 1/2” Oil on canvas Signed lower right NAC.2010.33

The Afterglow on the Wasatch Eastern Shore of the Great Salt Lake 12” x 50 1/4” Oil on canvas Signed lower right with AL & 1887 Titled and si...

Buffalo Grazing the Big Open Montana 1880 Photograph 10” x 20” Framed to 17 1/2” x 27 1/2” Signed, titled and labeled in white ink Slight foxing with

Spring Drive 20” x 30”framed to 32” x 46” Lithograph Signed lower right Schenck Sept. ‘80 Numbered lower left 4/50 NAC.2010.34

Cattle Drive Through Gaviotta Pass Framed to 37 1/4” x 29 1/4” Oil on canvas Signed lower right H1999.41.112 Exhibited: Colorado Historical Society

National Western 7” x 7” x 14”, 15 3/4” with base Bronze Signed in bronze, CA – FNSS ‘057/30 NAC.2010.2

A Texas Steer 6”w x 3 1/3”h x 3 1/2”d On 8” x 2” x 5” wood base with plaque A Texas Steer – Charles M. Russell (1864-1926) Bronze Casting unknown,

The Showman 13 1/2”, 15” w/ base x 10” Bronze 12/250, 2006 25th Anniversary 2006 Buffalo Bill Art Show & Sale NAC.2010.36

Kit Carson 15”, w/ base 17” x 16” x 6” Bronze signed and dated 1999, 30/60 NAC.2010.27

Otter 15 1/2” inset into 2” wood base x 7”w x 8”d Bronze 1986 NAC.2010.22

Pushin’ Through A Drought 37” x 24” x 15” Bronze Signed in base, dated ‘05 4/30 Provenance: Jim and Maureen Nicholls Collection, Breckenridge, Color

Montana Cowboy 17 1/2” x 15”x 7” with wood base Bronze Signed in base ‘80 19/35

Pony Express 16 3/4” Bronze Signed in bronze at base Pony Express rider bronze wall plaque commissioned by Wells Fargo Company Express for the 50th an

Collection of Seven (7) original woodblock prints by Elmer Schooley. The signed woodcuts come directly from the collection of a Schooley apprentice, w

a) Sterling & 14K “Lone Star” horseshoe money clip, 2” x 1 3/4”; b) Sterling and 14K “Indian Chief” horseshoe money clip, 2” x 1 3/4”. Provenan...

a) 3-piece, 1 1/2” sterling silver Bohlin buckle adorned with raised, floral scroll designs; b) Oversized 3” x 1 3/4” let ‘er buck horse & cowbo...

Catalog style No. 658, measures 2” x 3 1/8”. Provenance: David Samuels Collection

Cat No. 659, bulldogger, trophy buckle, 2” x 3 1/4”, marked “#01 of 03 Made for David Samuels.” Unused condition, c. 1999-2000. Provenance: David Sa

Cat. No. 383, 2” x 3” filigreed, rectangular buckle marked “AK” for Bohlin’s premier silversmith Ahmad Khan who learned his trade from the renowned Bu

a) Bohlin sterling silver and 14K gold horseshoe shaped, 3-piece, 1” buckle set; b) The Masters (not Bohlin) maker-mark, sterling & 14K gold, 3 ...

Catalog Pat No. 381, 2 1/2” x 3 3/4”, oval, filigreed, trophy buckle, with 14K, pink gold, twisted rope edge, raised, pink gold, let ‘er buck cowboy i

Cat. No. 840 (Beery) heavy gauge sterling silver and 14K, 3-color gold, longhorn buckle, measuring 2 1/4” x 3 1/4”, featuring raised yellow gold longh

No. 382 let ‘er buck (horse & rider), 3-color gold, rectangular buckle, measuring 2” x 3 1/8”, with 14K yellow gold, 3-dimensional rider, and tw...

a) 1”, 3-piece heavy gauge sterling silver “lone star” buckle set, stamped “CF” for Charlie Feroze. Charlie was Ahmad Khan’s cousin who worked for Boh

Large sterling silver and 14K yellow gold, 3-piece buckle set with raised floral scroll pattern and gold rope edge. The buckle was made by Ahmad Kahn

Stunning, 14K gold and sterling silver filigreed Bohlin buckle, mounted with pink, yellow, and green gold, silver rope edge and inset with four rubies

Made for The Bohlin Company by world class silversmith Ahmad Khan, this 1”, 3-piece sterling and 14K gold buckle set features rose gold acorns surrou

Iconic, model 5A, Bohlin buckle made by Hollywood’s premier silversmith, Ahmad Khan (AK), with raised, gold, floral scroll pattern and oval shield. Un

One of only five, 1”, 3-piece, forged iron buckle sets with gun style engraving, then inlaid in gold. Commissioned for the Bohlin company by David Sam

Known as the Gary Cooper model, this Cat. Pat. 18, heavy gauge sterling silver, 3-piece buckle set with raised floral design, rubies inset in each flo

The classic, three-piece yellow, rose, and green gold, 5A pattern, ranger set with rope edge and raised, floral scroll pattern. Marked with the Bohlin

a) 1927 reprint, 8 1/2” x 5 1/2”, 80 pgs; b) 1928 rare, original 9 1/4” x 6 1/4”, 23 pgs; c) 1930 original 9 1/4” x 6”, 159 pgs; d) 1937 original 9” x

Sterling and 14K overlaid gold scroll pattern, 4-piece, 1” Edward H. Bohlin, Hollywood, Cal maker-marked buckle, two keepers and tip, mounted with fiv

Light brown, circa 1950s riding saddle. Well marked with round skirts. Built on a Bob Crosby tree with 12” swells, 2 1/2” cantle. The rigging extends

“Edward H. Bohlin, Hollywood, Cal”, maker-marked in the shield cartouche. Sterling and 14K yellow and rose gold grips, with raised gold longhorn, and

Single holster buscadero rig with wide belt and .22 caliber loops. Classic Heiser buck stitching and deep hand tooling. Double snap removable holster

Blue and pink beads on white field with lane beadwork on the tail. 15 1/2” in length x 5 3/4” wide. Bifurcated flap. On reverse in pen: “Prop of V. De

Classic shape with fully beaded front, hourglass designs in center with triangle and partial morning star on flap. Blue field with red, white, yellow

11 1/2” overall length x 2 3/4” wide. Geometric designs in green, blue, and yellow on white background, on native tanned hide with fringe at base. Goo

Beaded both sides in pink, blue and yellow stripes with beaded handle. Fringe running the length of the 7” case. Well-used trade knife included. c. 19

Turn of the century (c. 1890-1900) bridle with Spanish style ring bit. The bridle shows a combination of file, cold chisel chasing, punch stamping and

74” x 28” multicolored geometric designs on native tanned hide with hawk bells, clear tube beads and yellow stained fringe, old canvas center with 2 s

Large, plain’s style floral gloves with fringed edges. Pink and light blue flowers against bold green leaves.

60” x 2 3/4” with 3 1/4” rosettes. Beaded strip in the traditional pattern. Seed beads on native tanned hide, c. 1880s-90s.

14” x 21” multicolored, geometric beaded side panels with red and white quilled horizontal stripes. Red wool tufts on native tanned hide. Fine conditi

15” x 10” abstract floral designs in butterscotch, yellow and black on a blue field with nice 5” long fringe on native tanned hide. Fine condition, c.

16” x 8” multicolored designs with connected feathers, star and arrows on a blue field, with bull elk designs on the hands. Great patina and condition

75" x 16" when laid flat including the 16" fringe. Bold beaded panels recycled from cradle tops; thin, long fringe. Early strip on be...

a) Quilled and beaded moccasins, 5 3/4” long. Very small amount of quill work remaining. Green, yellow, red and blue line beadwork. Hard, parfleche so

Of usual form on native tanned hide with red, yellow, blue and green paint. Vintage bow and arrow. Bow case measures 40" and the quiver is 25&q...

Native tanned hide over wood shaft, beaded and painted with 26” twisted horse tail suspension at the end. Shaft with head is 20" long. Fine con...

Open top bag, 6” x 12” hide, decorated with blue and green stepped half diamonds and crosses. Fringe at the base along with a stem holder. The 18” smo

20” overall with twin drops ending in cotton and cones. Predominately yellow with wrapped reds, greens, and blues over rawhide case. Fine condition, c

10 1/2” long, yellow, red, cobalt, yellow, and trader blue on native tanned hide with hard soles. Good condition with small tear on right moccasin, c.

117” x 57” connected, hooked, and stepped diamond design with an “X” main border in red, black, tan, and white on a gray field. All hand-spun, aniline

112” x 71” All hand-spun natural and dyed yarns. Striking light and dark composition, c. mid-to-late 20th century.

49” x 59” red and blue aniline dyed 4-ply Germantown yarn. Shows evidence of actual ethnographic dance wear, c. 1900. Provenance: Ex-Pueblo 1 Galler

146” x 58” aniline dyed red, tan and orange, with natural browns and white. 2 elongated, nested cruciform shapes with feather design interiors, flanke

50” x 69” third phase variant design in aniline red and blue, with natural white and browns, and aniline yellow side cords. All hand-spun, with boxes,

123” x 65” all hand-spun with natural colors. Brown and white on gray field with serrated diamonds and half diamonds. Track design on inside border. F

92”x 52” including fringe. All aniline dyed Germantown yarns (cotton warp). Nicely woven with interesting design. Excellent condition, including fring

Classic Robert McChesney Peacock pattern spurs #654, double mounted and jeweled on one side, turned-up buttons, locking rowels on crescent shanks, ear

Swan spurs #846, with sterling overlay and ruby eyes, copper beaks, swinging buttons, 2”, 20-point iron rowels; one of Randy’s most sought-after patte

San Angelo, Texas #2083, mounted with chevrons each side of the 1” bands, 1 3/4” rowels.

Marfa Special pattern silver overlaid Texas spurs with large sawtooth rowels and two-piece Meanea style leather. Maker-marked “AW / 12 / 197.” Unused

Marked under strap button with the stylized “M,” silver overlay in stretched diamond design, 5-point star rowels with silver inlay. 2-piece basket sta

Inside marked with both C. P. Shipley and Kan City Mo. These long shank spurs have elongated diamond overlays, 8 point rowels. Overly cleaned but smo

Maker-marked “EG*” and “Magdalena Son. Mex.” 1940s-50s silver inlaid spurs. Two silver inlays on the tapered heelband, five inlays on the shank, 2”-12

Single mounted “Pitchfork” pattern spurs. All original, c. 1920s.

Classic “Texas” crooked shank spurs with 2-part, gold tone, longhorn heads over engraved silver plates. 1 1/4” bands with 2”, 5-point, Texas star rowe