Hollywood Auction 43

(MGM, 1939) Wood stock with painted metal barrel, bayonet, and workings, with “Oz” crest of a crowned fish neatly painted in gold, black, and silver

The Wizard of Oz vintage clothbound book signed to Jack Haley’s son by virtually entire cast and crew including Judy Garland and Toto. (MGM, 1939) A

Cast cement slab measuring 29 ½ in. x 36 in. x 3 in., which was preserved by an employee of Grauman’s Chinese Theater on March 14, 1935 after S...

Cloth-bound heavy volumes (18) distributed within the film industry, from production through distribution to exhibition, which serve as the definitive

(MGM, 1946) Margaret O’Brien’s principal and signature wardrobe for this film consisted of this entire ensemble offered here together: a medium brown

(Warner Bros., 1947) Three-piece costume consisting of a brown wool tail coat with internal Warner Bros. tag handwritten, “Date 4-47 Prod 682 Name Err

(Republic Pictures, 1941) Considered by nearly every fan of the serial genre to be one of the finest ever produced, and most entertaining to watch ev

Porcelain enamel over 35 x 36” metal place-marker sign from Niles, California which highlights the location of the first west-coast movie studio north

“Artist Proof” and paint guide model of Boris Karloff as the Monster from Frankenstein. Painstakingly hand-painted with the use of paint brush and ai

“Artist Proof” and paint guide model of Lon Chaney Sr. as the Phantom of the Opera. Painstakingly hand-painted with the use of paint brush and air br

Created as a concept piece for a Showcase Project this figure contains motion sensors and voice chip which, when activated, makes a moaning sound and

Painted 24 x 36” sheet-metal on wood frame declaring the separation of the original and only “bowler hat” shaped Brown Derby Restaurant from the chain

Watercolor, airbrush, and gouache in black, white, and graytones on 19 x 24” 4-ply illustration board, being the camera logo art shot during the credi

Enamel paint and art-enhanced 16 x 20” black & white photograph mounted on 4-ply matboard, being the camera logo art shot during the credit sequ...

Gouache and pencil on 20 x 25” 1-ply art paper mounted to 20 x 26.5” 8-ply matboard, being the color camera logo art shot during the credit sequence f

(2) watercolor, airbrush, and gouache in black, white, and graytones, one on 19 x 24” and the other 20 x 24” 4-ply illustration board, representing tw

(3) watercolor, airbrush, and gouache in black, white, and graytones, two on 19 x 24” and the other 20 x 24” 4-ply illustration board, representing th

(2) watercolor, airbrush, and gouache in black, white, and graytones, one on 19 x 24” and the other 20 x 24” 4-ply illustration board, representing tw

(MGM, 1941) Grey wool single breasted coat worn by Spencer Tracy as “Dr. Jekyll” in Dr. Jekyll and Mr. Hyde. Internal “Metro-Goldwyn-Mayer” tag is ha

(Warner Bros., 1942) Black leather laced tap shoes with cap toe and built in 1 ½” heel lifts, likely custom-cobbled for Cagney specifically as...

(Selznick, 1945) Original matte painting rendered in white paint on black illustration board from the film, Spellbound. This is the icy view outside t

(20th Century Fox, 1947) Santa Claus figure and (8) reindeer fashioned of wire armature and painted paper mache, all approx. 10” high, with 4 x 4” gi

(Warner Bros., 1949) Original title art for The Fountainhead by Chesley Bonestell, accomplished in tempera, graphite, airbrush on photo transfer appli

(Eagle-Lion Films, 1950) This signature space suit was used as a promotional piece by the production company, Eagle-Lion Films, for the films Destina

(Columbia, 1948) 10 in. x 13 in. b/w photograph with animation overlay featuring the “Man of Steel” in flight. From the 1948 serial starring Kirk Aly

(Warner Bros., 1992) A collection of props from Batman Returns including a 6 in. x 14 in. swatch of fabric-backed rubberized nylon material used to cr

The first Siegel & Shuster published story featuring Superman. Appearing five years before Action Comics #1, this was the first “Superman” stor...

(Columbia, 1950) Shortly before George Reeves would make Superman a household name on television, Kirk Alyn was the first actor to physically embody

(Columbia, 1950) This retro-futuristic rocket ship fashioned in the style of Flash Gordon and Buck Rogers, is seen in the climactic closing chapter (f

(Columbia Pictures, 1951) Pencil and gouache on 12 x 33.5” 4-ply illustration board, signed in white pen & ink by Harper Goff. Goff enjoyed an ...

(Republic Pictures, 1952) Fuselage constructed of fiberglass, with fins and turret of balsa wood, painted matte silver for special effects filming, a

(MGM, 1952) Pale silk dress with bright pink and purple floral pattern worn by Madge Blake “Dora Bailey” in Singin’ in the Rain. It features hook-and

Little Oscar white cotton chef jacket sized for a small person with white buttons along the front closure and an applied rectangular “Oscar Meyer” log

(MGM, 1956) Floor-length regal yellow-gold woolen cape with large gold fleur-de-lis applied throughout made for actor Roger Moore in his role as “Prin

(MGM, 1953) Fuchsia dance costume completely covered with elaborate bugle beads, sequins and bugle bead fringe and worn by Ann Miller as “Lois Lane ‘B

(MGM, 1956) Fantastic silk tunic and pants worn by Walter Pidgeon as “Dr. Morbius” when he was giving the tour of the super advanced Krell alien compl

(Warner Bros. 1957) This is the fabric from the tail section of the Mantz replica used in the 1957 film, Spirit of St. Louis, starring Jimmy Stewart.

(Warner Bros., 1957) Tan leather aviator flight helmet worn by James Stewart in his role as “Charles Lindbergh” in The Spirit of St. Louis. It featur

(MGM, 1959) Unique art-director’s keybook of scene storyboards and set-construction blueprint miniatures, 156 pp and measuring 8 x 21”, each page lai

(MGM, 1959) Unique art-director’s keybook of scene storyboards and set-construction blueprint miniatures, 156 pp and measuring 8 x 21”, each page lai

(MGM, 1959) Original design concept painting accomplished in tempera on a 16 ½ in. x 30 in. leaf of artist’s illustration board, depicting the ...

Collection of (27) original gelatin silver 8 x 10” and 7 x 9.5” prints from five different MGM historical epic films of the 1950’s, which art director

(MGM, 1959) Extensive archive of (100+) reference materials for location scouting and set construction for the 1959 version of Ben-Hur, from the coll

(MGM, 1959) Prop leg iron consisting of a hinged metal ankle cuff with locking mechanism attached to a length of resin chain and mount, seen in the me

(MGM, 1959) Roman centurian metal short sword, metal scabbard and suede leather belt used in the ship scene by Jack Hawkins in his role as “Quintus Ar

(MGM, 1959) Roman officer helmet worn by Duncan Lamont who played “Marius” in the film. The ornate metal helmet features hinged temple guards with le

(MGM, 1959) Original MGM art department blueprints (7) detailing conversion of Pirates’ Galley ships into other versions to conserve prop constructio

Polished and brushed aluminum “Watson” brand monocular-type cinematographer’s viewfinder with custom engraved nameplate of Billy Wilder. Hanging from

Oil on artist’s board measuring 29 ¾ in. x 15 ½ in. Bonestell’s printed notes appear on verso: “Our galaxy from a hypothetical planet 400...

(Columbia, 1962) Dark red striped robe with ornate brocade design along the collar, front hem and cuffs, worn by Anthony Quinn as “Auda Abu Tayi.” It

Chesley Bonestell (1888-1986) was a true pioneer in the field of popularizing the future of space travel through his beautifully rendered yet prescien

(United Artists, 1963) An original WWII-era jacket featuring L&H Nathan label sewn inside with the name “Pleasance” handwritten on the artist’s

(Warner Bros., 1964) Collection of ten (10) original hand-drawn storyboards, accomplished in pencil and ink on leaves of 6 in. x 7 ¼ in. artist...

(MGM, 1965) (2) Pencil, pen & ink, and colored pencil on 29.5 x 41.5” architectural renderings for the key set (the poker suite) of the Steve M...

Christmas at Liberace’s, Columbia CL 589 LP, inscribed by Liberace in black ink, “To President-elect and Mrs. John F. Kennedy – a very merry Christmas

(Columbia, 1956) Five puppetted columns used in the dramatic sequence when the military fires its electromagnetic/ultrasonic weapon causing the flying

(20th Century Fox, 1965) Frustrated by the rigid standards and institutional-styled uniforms which her employer imposes upon his children now in her

(TCF, 1966) Desk name plaque of Derek Flint’s nemesis, “Malcolm Rodney,” played by Edward Mulhare in the hilarious James Bond spoof, Our Man Flint, st

(MGM, 1967) From the personal collection of art director Edward Carfagno, a file containing (134) gelatin silver 8 x 10” set continuity stills, (a fe

(Paramount, 1968) In Roman Polanski’s masterpiece of gothic horror in a contemporary time setting, a struggling actor played by John Cassavetes sells

(TCF, 1968) This screen-worn background gorilla mask features prosthetic grade glass eyes and hand-punched human hair. It exhibits some restoration a

(TCF, 1968) This lifesize figure of Charlton Heston as the doomed astronaut, Taylor, from Planet of the Apes, is a museum quality piece made entirely

(TCF, 1968) This complete screen used orangutan costume is mounted on a custom flexible mannequin boasting a stunning silicon head of Dr. Zaius (made

(TCF, 1968) This complete screen used male chimpanzee costume is mounted on a custom flexible mannequin boasting a stunning silicon head of Lisa’s hus

(TCF, 1968) Hero gorilla costume from Planet of the Apes, including pants, tunic, leather vest, leather gauntlet gloves hero bandolier with wallets, a

(TCF, 1968 and 1970) Tan leather gauntlet gloves worn by Maurice Evans in his signature role as “Dr. Zaius.” Both with glyphs on the top of the hands

(TCF, 1968) Attributed to Buck Kartalian who played “Julius.” Internal Western Costume Co. tag. Original felt patch present on the front, onto which

(TCF, 1968 and 1970) Constructed of wood and metal accepts, this scroll block was used by the Orangutans and as set dressing through the Planet of the

(TCF, 1972) Complete set of Ape jumpsuits including one excessively rare gold Orangutan and one rare red Gorilla jumpsuit. Chimps wore the more commo

(TCF, 1970) Rifle stock comprising two custom-shaped metal shells encasing a World War II M1 carbine with leather strap secured by front and rear clas

Constructed of fiberglass and painted to appear like solid carve rock, AMC recreated this chair for a Planet of the Apes press conference in 1998. Me

(TCF, 1970) Brown canvas backpack with purple straps and circular resin cap atop the cover flap. An incredibly rare relic from the film, this being o

(20th Century Fox, 1970) In this well-received sequel to the 1968 Planet of the Apes, mutant humans live underground and fight to regain human control

Aside from Roddy McDowall, no other actor has appeared in more of the classic Planet of the Apes movies than Natalie Trundy (this may be explained in

(MGM, 1968) Due to the lack of production material from '2001', the makers of '2010' had to rely on photographic material to recreat...

(MGM, 1968) Due to the lack of production material from 2001, the makers of 2010 had to rely on photographic material to recreate elements from the or

(TCF, 1970) Original storyboard, hand-drawn by Akira Kurosawa in pencil on an 8 ½ in. x 11 in. leaf of Tokyo Prince Hotel stationery, featuring...

(20th Century Fox, 1974) Enamel on glass of the co-starring credit for Mel Brooks repertory player Teri Garr, who portrayed the sexy lab assistant “I

(Universal Pictures, 1971) Gouache on heavyweight illustration board, 13 x 30” panoramic format storyboard painting for the Robert Wise directed film

(Unproduced remake) Original sculpture, not a casting, of the Gillman by Sandy Collora. This Gillman appears more fishlike in profile with pronounced

(Warner Bros., 1976) Special converted .38 cal C & B revolver with 8 in. barrel, firearm #195795, accompanied by a color copy of the Stembridge...

(Warner Bros., 1976) Signature wide brown leather belt with gold metal buckle worn by Clint Eastwood as “Josey Wales.” Internal tape is handwritten,

(Walt Disney, 1971) Custom tailored shirt for Roy Snart, who played “Paul.” Internal Machin, Shirtmaker, Lost Angeles label states “Tailored especial

(TCF, 1977) 6 ½ in. long X-Wing study model from ILM used for blocking out visual effects shots of the Death Star trench run. Constructed of w...

(TCF, 1980, 1983) Hero screen-worn metal pendant worn by Yoda in Star Wars: Episode V – The Empire Strikes Back and Episode VI – Return of the Jedi.

Design study drawing for the Danbury Mint Limited Edition Star Wars pewter chess set. Accomplished in pencil on a 14 in. x 17 in. leaf of artist’s ve

Design study drawing for the Danbury Mint Limited Edition Star Wars pewter chess set. Accomplished in pencil on a 14 in. x 17 in. leaf of artist’s ve

Design study drawing for the Danbury Mint Limited Edition Star Wars pewter chess set. Accomplished in pencil on a 14 in. x 17 in. leaf of artist’s ve

Design study drawing for the Danbury mint Limited Edition Star Wars pewter chess set. Accomplished in pencil on a 14 in. x 17 in. leaf of artist’s ve

Design study drawing for the Danbury Mint Limited Edition Star Wars pewter chess set. Accomplished in pencil on a 14 in. x 17 in. leaf of artist’s ve

(TCF, 1977) Collection of (7) different and (1) duplicate studio-issued iron-on/sew-on patches, from 2 x 3” to 3 x 5.5”, for employees of George Lucas

(TCF, 1980) Signature long black sleeveless underrobe worn by David Prowse as “Darth Vader” in Star Wars: Episode V – The Empire Strikes Back. Intern

(TCF, 1977) This miniature gun tower was screen-used during the attack on the Death Star and other Death Star surface shots of the film. These gun tow

(TCF, 1977) Jacket worn by Princess Leia’s guards during the final scenes of the film, when Han, Luke and Chewbacca are awarded the Alderaanian medal

(TCF, 1977) Jacket worn by Princess Leia’s guards during the final scenes of the film, when Han, Luke and Chewbacca are awarded the Alderaanian medal

(TCF, 1983) This machined 7 ½ in. long handle was used as an animation rig on the Rancor puppet. The small chain link was machined out of plas...

(TCF, 1999) Peasant costume worn by Natalie Portman as “Padme” including rough spun gray tunic with integral blue belt tie and red fabric emblem, blue

(TCF, 1983) Pair of surface elements, gun tower and turret from the Death Star in Return of the Jedi. Constructed of plastic, carved rigid foam and s

(MGM, 1982) The script for Poltergeist was constantly changing and improving as Spielberg would edit from the storyboards using his drawings and notat

(TCF, 1977) Constructed of fiberglass, this production helmet was acquired from Shepperton Design Studios and comes with a letter of provenance from