Hollywood Auction 43

(Paramount, 1927) Three gelatin silver linen backed 8 x 11 in. key book prints of Dorothy Gish; with key book number 1021-131, 1021-133 and 1021-148 i

Gelatin silver matte double-weight 8 x 10 in. print of Lillian Gish by Hartsook Studio; with imprint on the negative. Very fine.

Gelatin silver matte borderless double-weight 10- ½ x 13 in. print of Paulette Goddard by A.L. Whitey Schafer; with photographer rubber stamp o...

Gelatin silver semi-gloss double-weight 11 x 14 in. file print of Corrine Griffith by Edwin Bower Hesser; with photographer rubber stamp on the verso.

(Columbia, 1947) Two gelatin silver glossy 8 x 10 in. prints of Rita Hayworth from The Lady from Shanghai by Robert Coburn; with ©-D-1126-275 a...

(20th Century-F0x, 1951) Gelatin silver matte borderless 10- ¾ x 13- ¾ in. (on 16 x 20 in. 4-ply board mount) print of Susan Hayward from ...

Gelatin silver semi-gloss double-weight 1 x 4 in. print of Doris Hill by Eugene Robert Richee; with blind embossed stamp, photographer and Paramount P

Gelatin silver glossy 8 x 10 in. print of Leslie Howard at this residence by Scotty Welbourne; with photographer rubber stamp on the verso. Fine; wit

Gelatin silver matte double-weight 11 x 14 in. print of Dixie Lee by Edwin Bower Hesser. Fine; with light silvering at the edges.

Two gelatin silver semi-gloss double-weight 11 x 14 in. prints of Gwen Lee by Ruth Harriet Louise; with blind embossed stamp, photographer and M-G-M r

Gelatin silver textured matte borderless double-weight 8 x 10 in. print of Carole Lombard by Wm. E. Thomas; with Pathé rubber stamp on the vers...

Gelatin silver semi-gloss 8 x 10 in. print of Carole Lombard by Eugene Robert Richee; with portrait number P1202-418 in India ink on the negative and

(Paramount, 1936) Gelatin silver glossy 8 x 10 in. print of Carole Lombard from Swing High, Swing Low by Eugene Robert Richee; with key book number 11

Gelatin silver glossy 8 x 10 in. print of Ida Lupino by Otto Dyar; with portrait number P1653-344 in India ink on the negative. Very fine; with light

Gelatin silver glossy double-weight 8 x 10 in. print of Joan Marsh by Clarence Sinclair Bull; with blind embossed stamp, photographer and M-G-M rubber

Gelatin silver semi-gloss double-weight 10 x 13 in. print of Joan Marsh by Clarence Sinclair Bull; with blind embossed stamp, photographer and M-G-M r

Gelatin silver semi-gloss double-weight 8 x 10 in. print of Robert Montgomery from Fast and Loose by Laszlo Willinger; with photographer, M-G-M and po

(Columbia, 1957) Three gelatin silver glossy 8 x 10 in. prints of Kim Novak from Jeanne Eagels and Pal Joey by Robert Coburn; with photographer and Co

(Hal Roach/M-G-M, 1925-38) 19 Gelatin silver glossy 8 x 10 in. prints of Our Gang from The First Seven Years and other film shorts by Stax Graves; wit

(Hal Roach/M-G-M, 1925-38) Eleven gelatin silver glossy 8 x 10 in. prints of Our Gang by Nelson Evans and Stax Graves; with photographer rubber stamp

(Mary Pickford Cp./UA, 1920) Gelatin silver matte double-weight with deckled edges 7- ½ x 9- ¼ in. custom print of Mary Pickford from Suds...

(Paramount, 1929) Gelatin silver glossy 7- ½ x 9- ½ in. print of William Powell from The Greene Murder Case by Eugene Robert Richee; with ...

(First National, 1930) Gelatin silver glossy double-weight 11 x 14 in. print of Basil Rathbone from The Flirting Widow by Elmer Fryer; with blind embo

(Paramount, 1930) Gelatin silver matte double-weight 11 x 14 in. print of Ginger Rogers from Young Man of Manhattan by Bert Longworth. Fine; with cre

(M-G-M, 1934) Gelatin silver semi-gloss double-weight 10 x 13 in. print of Norma Shearer from The Barretts of Wimpole Street by George Hurrell; with p

(M-G-M, 1934-35) Two gelatin silver semi-gloss double-weight 8 x 10 in. file prints of Norma Shearer from Riptide and Romeo and Juliet by George Hurre

(M-G-M, 1936) Two gelatin silver semi-gloss double-weight 8 x 10 in. file prints of Norma Shearer from Romeo and Juliet by George Hurrell; with photog

Silver bromide matte 9 x 12 in. (on 15 x 20 in. 4-ply board mount) exhibition print of Ann Sothern by Ernest A. Bachrach; with photographer signature

Gelatin silver glossy 8 x 10 in. print of Stella Stevens by Mal Bulloch; with photographer rubber stamp on the verso. Very fine; with handling at the

(Universal, 1933) Gelatin silver glossy double-weight 10- ¾ x 13- ½ in. print of Gloria Stuart from Sweepings and The Kiss Before the Mirr...

(Famous Players-Lasky/Paramount, 1925) Gelatin silver glossy linen backed 8 x 10 in. key book print of Gloria Swanson as Salomé from Stage Stru...

(Famous Players-Lasky/Paramount, 1922) Three gelatin silver semi-gloss (one linen backed) 8 x 10 in. key book prints of Gloria Swanson from Husband’s

Gelatin silver matte double-weight with deckled edges 7- ½ x 9- ½ in. custom print of Constance Talmadge by James Abbé; with photogra...

Gelatin silver textured semi-gloss double-weight 10- ½ x 13- ½ in. custom print of Norma Talmadge by Melbourne Spurr. Excellent.

(20th Century-Fox, 1967) Five gelatin silver glossy 8 x 10 in. key book prints of Sharon Tate from Valley of the Dolls; with key book number 4628-3, 4

(Columbia, 1969) Five gelatin silver glossy 8 x 10 in. production key book prints of Sharon Tate from The Wrecking Crew; with key book number 3888, 46

(Columbia, 1942-55) Thirteen (eleven double-weight) gelatin silver glossy 8 x 10 in. prints of Three Stooges by Ed Cronenweth and Shirley V. Martin; w

Gelatin silver semi-gloss double-weight 8 x 10 in. print of Robert Taylor by Stephen McNulty; with photographer and M-G-M rubber stamp and portrait nu

(Warner Bros., 1956) Two gelatin silver glossy 8 x 10 in. key book prints of Elizabeth Taylor from Giant by Bert Six; with key book number 403-755 and

(Paramount, 1929) Two gelatin silver semi-gloss (one linen backed) 7- ½ x 9- ½ and 8 x 10 in. prints of Jean Arthur from The Mysterious Dr...

Gelatin silver glossy 8 x 10 in. print of Anna May Wong by Jack Freulich; with photographer imprint on the negative and paper caption on the verso. F

(Paramount, 1934 and 1938) Five gelatin silver glossy 8 x 10 in. key book prints of Anna May Wong from Limehouse Blues and Dangerous to Know by Eugene

Gelatin silver semi-gloss double-weight 10 x 13 in. print of Anna May Wong by Ruth Harriet Louise; with blind embossed stamp, photographer and M-G-M r

30 x 40 in. (on 16-ply wood board mount with 1 x ¾ in. brace) exhibition print on Kodak Mural R paper of Carole Lombard by George Hurrell. Ver...

(M-G-M, 1932) 60 x 78 in. (on 16-ply wood board mount with 1- ¾ x ¾ in. full brace) exhibition print on Kodak Mural R paper of Joan Crawfo...

(M-G-M, 1933) 20 x 24 in. (on 16-ply wood board mount) exhibition print on Kodak Mural R paper of Greta Garbo from Queen Christina by Clarence Sinclai

(Paramount, 1934) 20 x 24 in. (on 16-ply wood board mount with 1 x ¾ in. brace) exhibition print on Kodak Mural R paper of Claudette Colbert fr...

(RKO, 1936) 20 x 24 in. (on 16-ply wood board mount) exhibition print on Kodak Mural R paper of Katharine Hepburn from Mary of Scotland by Ernest A. B

(M-G-M, 1935) 40 x 60 in. (on 16-ply wood board mount with 1 x ¾ in. brace) exhibition print on Kodak Mural R paper of Greta Garbo from Anna Ka...

(Paramount, 1942) Black-and-white 8 x 10 in. camera negative on safety film of Ingrid Bergman from Casablanca by Otto Dyar; with EASTMAN-SAFETY-KODAK

Black-and-white 8 x 10 in. camera negative on nitrate film of Clara Bow by Eugene Robert Richee; with P755-315 in India ink and retouching. Fine; wit

Black-and-white 8 x 10 in. camera negative on nitrate film of Clara Bow by Eugene Robert Richee; with P755-334 in India ink and retouching. Very fine

Two black-and-white 8 x 10 in. camera negatives on nitrate film of Clara Bow by Eugene Robert Richee; with P755-346 and P755-355 in India ink and reto

Two black-and-white 8 x 10 in. camera negatives on nitrate film of Clara Bow by Eugene Robert Richee; with P755-358 and P755-363 in India ink and reto

Two black-and-white 8 x 10 in. camera negatives on nitrate film of Clara Bow by Eugene Robert Richee; with P755-364 and P755-398 in India ink and reto

Black-and-white 8 x 10 in. camera negative on nitrate film of Clara Bow by Eugene Robert Richee; with P755-418 in India ink and retouching. Very fine

Two black-and-white 8 x 10 in. camera negatives on nitrate film of Clara Bow by Eugene Robert Richee; with P755-447 and P755-448 in India ink and reto

Black-and-white 8 x 10 in. camera negative on nitrate film of Clara Bow by Eugene Robert Richee; with P755-467 in India ink and retouching. Very fine

(Paramount, 1927) Black-and-white 8 x 10 in. camera negative on nitrate film of Clara Bow from Wings by Eugene Robert Richee; with P755-468 in India i

Black-and-white 8 x 10 in. camera negative on nitrate film of Clara Bow by Eugene Robert Richee; with P755-476 in India ink and retouching. Favorite

Two black-and-white 8 x 10 in. camera negatives on nitrate film of Clara Bow by Eugene Robert Richee; with P755-488 and P755-497 in India ink and reto

Black-and-white 8 x 10 in. camera negative on nitrate film of Clara Bow by Eugene Robert Richee; with P755-498 in India ink and retouching. Favorite

(Warner Bros., 1951) Black-and-white 5 x 7 in. camera negative on safety film of Marlon Brando by John Engstead; with 51 in India ink on the border an

Three black-and-white 8 x 10 in. camera negatives on nitrate film of Nancy Carroll by Eugene Robert Richee; with P959-153, P959-154 and P959-157 in In

Four black-and-white 8 x 10 in. camera negatives on nitrate film of Nancy Carroll by Eugene Robert Richee; with P959-171, P959-172, P959-174 and P959-

Black-and-white 8 x 10 in. camera negative on nitrate film of Claudette Colbert by Otto Dyar; with CLAUDETTE COLBERT in PARAMOUNT PICTURES and P1090-1

(Paramount, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Claudette Colbert from Cleopatra by Eugene Robert Richee; with EASTMAN

Four black-and-white 8 x 10 in. camera negatives on nitrate film of Claudette Colbert by Eugene Robert Richee; with EASTMAN-NITRATE-KODAK etched on th

Two black-and-white 8 x 10 in. camera negatives on nitrate film of Claudette Colbert by Eugene Robert Richee; with EASTMAN-NITRATE-KODAK etched on the

Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford by Clarence Sinclair Bull; with EASTMAN-KODAK etched on the border, JOAN C

Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford by Clarence Sinclair Bull; with EASTMAN-NITRATE-KODAK etched and FEB 12 33

(M-G-M, 1930) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from Our Blushing Brides by George Hurrell; with EASTMAN-NIT

(M-G-M, 1930) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from Our Blushing Brides by George Hurrell; with EASTMAN-KOD

(M-G-M, 1930) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from Our Blushing Brides by George Hurrell; with EASTMAN-NIT

(M-G-M, 1930) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from Paid by George Hurrell; with MG-11078 MGM in India ink

(M-G-M, 1931) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from Possessed; with EASTMAN-NITRATE-KODAK etched on the bor

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from Grand Hotel by George Hurrell; with MG-21130 MGM in Ind

(M-G-M, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from Today We Live; with EASTMAN-NITRATE-KODAK etched on the

(M-G-M, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford and Franchot Tone from Dancing Lady by George Hurrell; with

Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford by George Hurrell; with MG-21115 in India ink and extensive retouching. V

(M-G-M, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Joan Crawford from Chained by George Hurrell; with JOAN CRAWFORD-METRO GOL

(Paramount, 1930) Black-and-white 8 x 10 in. camera negative on nitrate film of Frances Dee from The Playboy of Paris by Otto Dyar; with EASTMAN-NITRA

(Paramount, 1930) Two black-and-white 8 x 10 in. camera negatives on nitrate film of Frances Dee from The Playboy of Paris by Otto Dyar; with EASTMAN-

(Las Vegas, 1953) Two black-and-white 2- ¾ x 4- ½ in. camera negatives on safety film of Marlene Dietrich by John Engstead; with KODAK-SAF...

(UA, 1957) Two black-and-white 5 x 7 in. camera negatives on safety film of Marlene Dietrich by John Engstead; with KODAK-SAFETY-FILM etched and 11 an

(Paramount, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Marlene Dietrich from Shanghai Express by Eugene Robert Richee; with A

(Paramount, 1936) Black-and-white 8 x 10 in. camera negative on safety film of Marlene Dietrich from Desire by Eugene Robert Richee; with KODAK-SAFETY

(Universal, 1939) Black-and-white 8 x 10 in. camera negative on safety film of Marlene Dietrich from Destry Rides Again by Ray Jones; with EASTMAN-KOD

(M-G-M, 1929) Black-and-white 8 x 10 in. camera negative on nitrate film of Greta Garbo from The Kiss by Clarence Sinclair Bull; with AUG 27 29 PUB 52

(M-G-M, 1931) Black-and-white 8 x 10 in. camera negative on nitrate film of Greta Garbo from Mata Hari by Clarence Sinclair Bull; with EASTMAN-NITRATE

(M-G-M, 1926) Black-and-white 8 x 10 in. camera negative on nitrate film of Greta Garbo from Flesh and the Devil by Bert Longworth; with EASTMAN-KODAK

(M-G-M, 1926) Black-and-white 8 x 10 in. negative on safety film of Greta Garbo from The Temptress by Ruth Harriet Louise; with EASTMAN-SAFETY-KODAK e

(M-G-M, 1926) Black-and-white 8 x 10 in. negative on safety film of Greta Garbo from The Temptress by Ruth Harriet Louise; with EASTMAN-SAFETY-KODAK e

(M-G-M, 1927) Black-and-white 8 x 10 in. negative on safety film of Greta Garbo from Love by Ruth Harriet Louise; with EASTMAN-SAFETY-KODAK etched on

(M-G-M, 1927) Black-and-white 8 x 10 in. negative on safety film of Greta Garbo from Love by Ruth Harriet Louise; with EASTMAN-SAFETY-KODAK etched on

(M-G-M, 1930) Black-and-white 8 x 10 in. camera negative on nitrate film of Greta Garbo from Anna Christie by Clarence Sinclair Bull; with AUG 18 30 P

(M-G-M, 1931) Black-and-white 8 x 10 in. camera negative on nitrate film of Greta Garbo from Susan Lenox by Clarence Sinclair Bull; with JUL 8 31 PUB

(M-G-M, 1942) Black-and-white 8 x 10 in. camera negative of safety film of Judy Garland from Presenting Lily Mars by Eric Carpenter; with EASTMAN-SAFE

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from The Secret Six by Clarence Sinclair Bull; with DEC 16 30

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Jean Harlow from Red Headed Woman by Clarence Sinclair Bull; with EASTMAN-