THE JOHN HOBBS COLLECTION OF ENGLISH & CONTINENTAL FURNITURE PART II

AN ITALIAN GILT-BRONZE SIENA MARBLE AND EBONIZED PINE FIGURAL GROUP The figures mid-18th century, the base possibly later Of three grotesque d

A NORTH ITALIAN EARLY ROCOCO POLYCHROME-DECORATED AND PARCEL-GILT DESK ARMCHAIR Veneto, circa 1730 The arched padded rectangular back above a

A NORTH ITALIAN BAROQUE STYLE GILT-BRONZE-MOUNTED MIRRORED MIRROR Venice, 19th century The bevelled rectangular plate within a stepped mirrore

A NORTH ITALIAN BAROQUE INLAID MARBLE AND GILTWOOD CENTER TABLE Probably Genoa, the top late 17th century, the base 19th century The canted re

A NORTH ITALIAN ROCOCO GILTWOOD CONSOLE TABLE In the manner of Giacomo Filippo Parodi (1630-1702), Genoa, the base circa 1700, the top late 19

AN ALPINE BAROQUE POLYCHROME-DECORATED CABINET Dated 1779 The molded marbleized rectangular cornice above a pair of paneled doors, each decora

A PAIR OF ITALIAN LATE BAROQUE GILTWOOD PICTURE FRAMES Made for the portraits of Prince Johann Wilhelm Joseph von der Pfalz, Elector of the Pa

A PAIR OF ANGLO-DUTCH LATE BAROQUE BLUE-PAINTED AND PARCEL-GILT CONSOLE TABLES Probably of a design by Daniel Marot (1661-1752), probably 1690

A PAIR OF GEORGE I STYLE GILT-GESSO WALNUT AND PARCEL-GILT SIDE TABLES Portugal, 19th century Each molded top with serpentine front decorated

AN ITALIAN EARLY ROCOCO GILTWOOD MIRROR Circa 1730 The rectangular plate within a molded foliate and scroll decorated frame, the pierced crest

TWO ITALIAN ROCOCO TWO-TONE GILTWOOD GIRANDOLES Circa 1750 Each rectangular plate within an elaborate molded and scrolled rocaille surround, s

A PAIR OF SOUTH ITALIAN ROCOCO SILVERED CONSOLE TABLES Sicily, circa 1750 Each serpentine marbleized top above a pierced scrolled rocaille apr

AN ITALIAN ROCOCO BLUE-PAINTED AND MECA (GILT-VARNISHED SILVERED) CABINET-ON-STAND Circa 1740 The scrolled cresting centered by an acanthus le

A GEORGE II GILTWOOD MIRROR After a design by Matthias Lock (c. 1710-1769), possibly Irish, circa 1745 The beveled rounded rectangular plate w

AN IRISH GEORGE II WHITE MARBLE CHIMNEYPIECE Ordered by Thomas, 4th Viscount Kenmare (1726-1795) for the Ballroom, Kenmare House, Killarney, C

A NORTH ITALIAN ROCOCO GILTWOOD MIRROR Genoa, circa 1750 The arched rectangular plate within a foliate and rocaille-decorated surround, slip s

A PAIR OF NORTH ITALIAN ROCOCO GILTWOOD SETTEES Ordered by Giacomo Filippo Carrega for the Galleria Dorata, Palazzo Carrega-Cataldi, Genoa, de

An ITALIAN ROCOCO POLYCHROME-DECORATED AND PARCEL-GILT MIRROR Circa 1750 The oval plate within a molded frame, the cresting formed of asymmetr

AN ITALIAN ROCOCO STYLE WHITE-PAINTED MARBleIZED AND PARCEL-GILT COMMODE Late 19th century The serpentine marbleized top above two conforming

A SOUTH GERMAN ROCOCO GILTWOOD PIER MIRROR Bavaria, circa 1735 The rectangular plate within a reeded and rocaille surround, the pierced cresti

AN ITALIAN ROCOCO WHITE-PAINTED SIDE TABLE Circa 1740 The shaped marble top above a cavetto molding and a scrolled apron centered by a shell,

A SOUTH ITALIAN ROCOCO WALNUT AND PARQUETRY BUREAU-BOOKCASE Possibly Sicilian, circa 1750 The shaped broken pediment with molded cornice above

A NORTH ITALIAN EARLY ROCOCO WALNUT EBONY BOXWOOD MARQUETRY AND PARQUETRY COMMODE Possibly by Pietro Piffetti (1700-1770), Turin, stamped twic

A NORTH ITALIAN ROCOCO GRAY BLUE AND RED-PAINTED MIRROR Veneto, circa 1750 The plates in three sections, within a frame with scroll, rocaille

A PAIR OF SOUTH GERMAN ROCOCO BLUE AND WHITE-PAINTED TERRACOTTA URNS ON STANDS After a design by Franz Xaver Haberman (1721-1796), Augsburg, m

A SOUTH GERMAN ROCOCO WHITE-PAINTED AND PARCEL-GILT COMMODE Inspired by the designs of Francois Cuvilliés (1695-1768), possibly carved by Joha

A PAIR OF NORTH ITALIAN ROCOCO polychrome- decorated AND PARCEL-GILT WROUGHT-IRON AND TOLE LANTERNS Venice, circa 1720 Each pierced and taperi

AN ITALIAN ROCOCO GILTWOOD MIRROR Circa 1740 The rectangular plate within a molded frame set overall with acanthus-sheathed scrolls, foliage a

AN ITALIAN ROCOCO GILTWOOD CONSOLE Circa 1740 The serpentine brêche violette marble top above a molded frieze and a pierced acanthus-sheathed

A PAIR OF NORTH ITALIAN EARLY ROCOCO GILTWOOD ARMCHAIRS Possibly Verona, circa 1730 Each molded and scrolled frame with acanthus and rocaille-

A PAIR OF SOUTH ITALIAN ROCOCO WHITE-PAINTED CONSOLE TABLES Naples, circa 1750 Each serpentine verde antico marble top with molded edge above

A NORTH ITALIAN ROCOCO CALAMANDER PARQUETRY AND MARQUETRY COMMODE Circa 1750 The serpentine marble top above a crossbanded frieze, two short a

A PAIR OF ITALIAN ROCOCO GILTWOOD CONSOLE TABLES Circa 1755 Each eared serpentine mottled liver and white marble top with Siena marble torus-m

A SET OF FOUR ITALIAN TRANSITIONAL POLYCHROME-PAINTED PARCEL-GILT AND SILVERED ARMCHAIRS Circa 1770 Each pierced tapering rectangular back wit

A GEORGE III GILT-BRASS-MOUNTED MAHOGANY BRACKET CLOCK The dial and movement signed Higgs y/Diego Evans/Bolst Real/Londres, circa 1770 The mov

A NORTH ITALIAN TRANSITIONAL POLYCHROME-PAINTED MARBleIZED AND PARCEL-SILVERED CREDENZA Venice, circa 1760 The shaped marbleized top with a pl

AN ITALIAN NEOCLASSIC STYLE GILTWOOD SIX-LIGHT CHANDELIER 19th century Each reeded and acanthus-sheathed scrolled arm with fluted and leaf-she

A PAIR OF ITALIAN NEOCLASSIC GILTWOOD TROPHIES 19th century Each in the form of a helmet sheathed with scrolling acanthus and scallop shells,

AN ITALIAN EARLY NEOCLASSIC GILTWOOD CONSOLE Circa 1765 The serpentine nero antico marble top with molded edge above a stop-fluted frieze hung

AN ITALIAN NEOCLASSIC SILVERED SIX-LIGHT CHANDELIER Circa 1770 Each acanthus-sheathed double-scrolled arm with Greek key block terminal set wi

AN ITALIAN EARLY NEOCLASSIC LIGHT BLUE-PAINTED AND PARCEL-SILVERED TRIPLE-CHAIRBACK SETTEE Circa 1770 Each shaped backrest centered with a Mer

A NORTH ITALIAN NEOCLASSIC GREEN GLASS AND MIRROR-INSET DRESSING TABLE Venice, circa 1800 The eared rectangular top with central coat of arms,

A PAIR OF SOUTH ITALIAN EARLY NEOCLASSIC GRAY-PAINTED AND PARCEL-GILT FOOT STOOLS Naples, circa 1755 Each circular seat on a conforming frame

A GEORGE III BLUE-PAINTED AND PARCEL-GILT PEDESTAL DESK After a design by Thomas Chippendale, circa 1765 The serpentine gilt-tooled red leathe

A PAIR OF NORTH ITALIAN NEOCLASSIC BLUE AND WHITE-PAINTED AND PARCEL-GILT ARMCHAIRS Turin, circa 1780 Each outcurved crestrail set to the reve

A PAIR OF ITALIAN NEOCLASSIC GILTWOOD SIDETABLES In the manner of Giovanni Battista Piranesi (1720-1778), Rome, circa 1765 Each rectangular po

AN ITALIAN NEOCLASSIC POLYCHROME-PAINTED MINIATURE THEATER Circa 1800 The arched tiled roof above a pair of doors decorated as a domed colonna

A GERMAN NEOCLASSIC WALNUT AND MARQUETRY COMMODE Circa 1780 The eared rectangular top above three breakfronted long drawers, each divided into

A NORTH ITALIAN NEOCLASSIC GILTWOOD AND WHITE-PAINTED COMMODE Signed GB, probably for Guiseppe Maria Bonzanigo (1745-1820), Turin, circa 1780

A PAIR OF ITALIAN SILVER NEOCLASSIC THREE-LIGHT CANDELABRA 19th century Each circular base with gadrooned edge rising to a short columnar pede