Old Master Drawings, Prints before 1900, Watercolours & Miniatures

Carlo Baratta (1754-1815), attributed to, The Coronation of the Virgin, pen and brown ink, grey wash, on paper, mounted, 29.4 x 19.6 cm, collector&#...

Claude Louis Desrais (1746-1816), circle of, A satyr catching a nymph, pen and brown ink, wash, over indications in lead, black framing lines, on pape

Sir Joshua Reynolds (Devonshire 1723-1792 London) "The Affectionate Brothers", stipple engraving by Francesco Bartolozzi (Florence 1727-18...

A collection of sheets, 17th to 19th centuries, about 53 sheets in different techniques, among them several works by E. Riepenhausen after William Hog

Deodat Roger (Vienna 1726-1821) A fisherman at a river bank, brush and black ink, wash, on paper, signed and dated D. Roger 1799, 39.5 x 50 cm, framed

Johann Gottfried Seutter (1717-1800) The Wedding at Cana, copper engraving after the painting by Paolo Caliari detto Paolo Veronese (1528-1588), inscr

German artist, 18th century., Peasants harvesting corn, inscribed at lower margin Leopold Tichy Fecit, Agosto, brush and black ink, wash, on paper, bl

Anton Tischbein (Haina 1720-1784 Hamburg) An allegory: Fortune and Heroism defeating Evil and Envy, with Time sleeping, signed at lower right A. Tisch

Tiberius Domenicus Wocher (Mimmenhausen/Salem 1728-1799 Reute/Waldsee) Two pen drawings, a) A pilgrim resting on a cliff, signed at lower margin T. Wo

Andreas Seidl (1760-1834), attributed to, The beheading of a saint in nocturnal torch light, pen and black ink, light brown wash, over indications in

Bernardo Bellotto (Venice 1720-1780 Warsaw) View of S. Giustina in Padova, etching, signed in the plate B. B. detto Canaleto f., 21.7 x 28.3 cm, wide

Martin Johann Schmidt called Kremser Schmidt (Grafenwörth/Krems 1718-1801 Stein/Danube) "S. Nicolaus In Ungarn zu Waizen in Dau.", et...

Johann Adam Klein (Nuremberg 1792-1875 Munich) Fifteen etchings, portraits of dogs from different series, among them "Frankisches Schübkar...

Giovanni Francesco Grimaldi (Bologna 1606-1680 Rome) A landscape with five men and two women, etching, signed in the plate Gio. fran. Grimaldi bologne

German, 2nd half 18th century, A lady, possibly a writer, reading, indistinctly inscribed at lower right, pen, brush and black ink, on vellumlike pape

French, 17th century, A full-length portrait of a gentleman, black chalk, heightened with white, on bluish paper, partly with pasted corrections added

Johann Friedrich August Tischbein (Maastricht 1750-1812 Heidelberg), attributed to, A portrait of the Duchess Anna Amalie von Sachsen-Weimar Eisenach

Jan (Johannes) Punt (Amsterdam 1711-1779) Six copper engravings from the series comprising 36 sheets, after the wall paintings in the Jesuit Church in

Anthonie Andriessen (1746-Amsterdam-1813) A wooded landscape with herders and cattle near a watering place, signed on the reverse A. Andriessen, black

Two prints, 17th century, two etchings, "View of a Port", Callot (1592-1635), follower of, and "The Grotto of the Nymph Egria", ...

Joseph Hauber (Geratsried /Immenststadt 1766-1834 Munich) The Raising of Lazarus, signed and dated at right margin Hauber fecit 1810, pen and brown in

Martin von Molitor (1759-1812 Vienna), attributed to, Travellers in a lightly wooded landscape, brush and brown and grey wash, on paper, 16.8 x 24.1 c

A collection of eight drawings, 17th to 19th centuries, different formats and conditions, unmounted, among them a View of the Chateau Chimaz, pen and

French, 18th century, A portrait of an old man, red chalk on paper, 27.2 x 19.7 cm, lightly fixed to the support on the reverse, mounted, minutely sta

Ferdinand Kobell (1740-1799), circle of, In front of an old town gate, pen and blackish brown ink, blackish brown wash, on paper, signed M. Castel fec

German, 18th century The Virgin Immaculate flanked by angels supporting towers, inscribed at lower left A x W: 1778 (?): Ber., red chalk on paper, arc

Johann David Nessenthaler (1717 Augsburg 1766) Equestrian portraits of Otto the Great and the Emperor Galba, probably a design for a book illustrati

Rembrandt Harmensz van Rijn (Leyden 1606-1669 Amsterdam) The Strolling Musicians, etching, around 1635, 14.5 x 11.9 cm, unmounted, the margins made up

Gabriel Weyer (Weier, Wyer) (1576-Nuremberg-1632) Two drawings, a) An altar scene with three figures, pen and brown ink, brush and grey wash, on paper

German, late 18th century, Cronos flying, with three attendants, pen and black ink, black wash, on paper, 22.4 x 29.2 cm, unmounted, two diagonal stai

Federico Sustris (1540-1599), attributed to, The Archangel Michael, pen, grey wash, over indications in lead, on paper, 22.4 x 15.8 cm, unmounted, lig

Austria, 18th century, A vision, red chalk on paper, 22 x 16.6 cm, mounted, stained, repaired creases, irregular margins, lightly fixed to the support

Gottfried Kneller (1646-1723), attributed to, Prince George of Denmark, pen and brown ink, watercolour, on paper, the mount with an old inscription Pr

German, around 1700, The Adoration of the Magi, pen and black ink, black wash, on paper, black framing lines, oval, inscribed at lower left L. L. P fe

South German, 18th century, Design for an altar, pen and black ink, blue wash, yellowish heightenings, over indications in lead, on paper, 51.8 x 30.3

Italy, around 1700, A male nude with a spear, pen and brown ink, brown wash, over indications in chalk, on paper, brown framing lines, 28.4 x 20.1 cm,

Stefano della Bella (Florence 1610-1664) "La Florenine à la Chasse", etching, signed in the plate St. Bella, inscribed à Paris c...

South German, around 1730, Saint Nicholas with angels and figures in adoration, design for an altar piece, pen and black ink, black wash, over indicat

Austrian, around 1800, Travellers in a mountainous landscape, inscribed at lower right Bernard Albrecht: inven, black chalk, on paper, black framing l

A collection of ten drawings, 18th century, Different dimensions and conditions, among them a drawing after Michelangelo Unterberger, A portrait of a

Antoine Watteau (1684-1721), follower of, Six red chalk drawings with figures from the Comedia del'Arte, each 12.4 x 7.9 cm, (three drawings con...

Dutch, 18th century, Shepherds with their flocks at a ford, with buildings in the background, pen and black ink, wash, black framing lines, 13.6 x 19.

Andrea Andreani (1560-1626) The Madonna and Child with a bishop, chiaroscuro woodcut, four plates, 28.5 x 22 cm, mounted and framed, trimmed along the

Andrea Mantegna (1431-1506), circle of, A battle of sea-gods, pen and brown ink, on paper, on the verso: The archangel Michael defeating the Devil, br

Albrecht Dürer (Nuremberg 1471-1528) The Nativity, copper engraving, monogrammed and dated AD 1504, trimmed along the framing lines, laid down,...

Rembrandt Harmensz van Rijn (Leyden 1606-1669 Amsterdam) The Synagogue, etching, signed and dated Rembrandt f. 1648, 7.5 x 13.2 cm, mounted, lightly f

Albrecht Dürer (Nuremberg 1471-1528) Adam and Eve, copper engraving, monogrammed and dated AD 1504, 24.5 x 19 cm, framed, laid down, trimmed an...

Rembrandt Harmensz van Rijn (Leiden 1606-1669 Amsterdam) The Bathers, etching, signed and dated in the plate Rembrandt f. 1631, 11.1 x 14 cm, lightly

Paul Troger (1698-1762), school of, Saint Anne with the Virgin and the Infant Jesus, pen and brown ink, black chalk, on paper, 31 x 19.5 cm, mounted,

Jan van Goyen (1596-1656), circle of, A river landscape, black chalk on paper, 6.4 x 17.8 cm, mounted, lightly fixed to the old support, slightly stai