Torex October 2006

1951 PCGS PL-65. Pale golden toning

1951 ICCS PL-64. Near untoned

1951 PCGS PL-63. Light rim toning

1951 PCGS MS-65. This is a fully struck piece with great lustre and near flawless surfaces that are toned in light golden mauves

1951 ICCS MS-64. Pale golden toning

1951 PCGS MS-64. Light golden toning

1951, 1953 No Shoulder Fold and 1953 Shoulder Fold, all ICCS MS-63, the Shoulder Fold with light mother-of-pearl toning, the others pale

1951 Arnprior ICCS MS-60. Pale toning

1951 Arnprior ICCS AU-55. Pale toning

1952 Water Lines ICCS MS-64. A pale golden toned example

1952 Normal Waterlines CCCS MS-64. A light golden toned example

1952 Short Water Line ICCS MS-64. Pale toned with light amber and blue accents

1952 No Waterlines PCGS PL-66. Great lustre and near flawless surfaces with pale golds at the rims. It is tied sixth highest graded by PCGS

1952 No Waterlines ICCS PL-65. A pale golden toned example

1952 No Waterlines Gem Proof-Like. This is a superbly lustrous and near flawless piece with light golden amber rim toning

1952 No Waterlines ICCS PL-64. A near untoned example

1952 No Waterlines PCGS MS-66. This is a fully struck piece with great lustre and near flawless surfaces that have an attractive light golden toning.

1952 No Water Lines and 1952 Water Lines, both ICCS MS-63. Plus 1965 Small Beads Pointed 5 ICCS MS-64. Three untoned pieces

1953 No Shoulder Fold ICCS SP-64. This is a fully detailed Specimen Strike with great lustre and near flawless pale golden toned surfaces. It is tied

1953 Shoulder Fold PCGS MS-65. This is a fully struck piece with great lustre and near flawless surfaces that are toned in light golden ambers. It is

1954 ICCS PL-66 Heavy Cameo. This is a superbly lustrous and near flawless piece with pale golden toning. It is tied as the highest HC, with only thre

1954 PCGS PL-66. A superbly lustrous, near flawless and near untoned piece with a heavy cameo

1954 PCGS PL-66. Light golden toning

1954 ICCS PL-65. Near untoned

1954 ICCS PL-64 Heavy Cameo. Untoned

1954 ICCS PL-64 Heavy Cameo. Untoned

1955 Arnprior ICCS PL-65. This is a pale golden toned example

1955 Arnprior with Die Breaks ICCS MS-62. A near untoned example

1955 Arnprior with Die Breaks ICCS MS-62. A pale golden toned example

1955 Arnprior with Die Breaks ICCS MS-62 and 1955 ICCS MS-60. Two pale toned pieces

1955 ICCS PL-66. Light golden toned

1955 PCGS PL-66. Light gold rim toning

1955 ACG PL-66 Cameo. Light rim toning

1955 ICCS PL-65 Heavy Cameo. A near flawless and near untoned example

1955 ICCS PL-65 Cameo. Untoned

1955 ICCS PL-65. Near untoned

1955 PCGS PL-65. Light golden toning

1955 ICCS MS-64. Light golden toning

1956 PCGS PL-68, ICCS PL-67 Ultra Heavy Cameo. This is a fully struck and superbly lustrous piece with virtually flawless surfaces and a light golden

1956 ICCS PL-67 Ultra Heavy Cameo. This is a second fully struck and superbly lustrous piece with virtually flawless surfaces, this with very pale gol

1956 ANACS MS-67 PL. Pale toned

1956 PCGS PL-66. Lightly toned

1956 ICCS PL-65 Heavy Cameo. Untoned

1956 ICCS PL-64 Heavy Cameo. Light golden rim toning accents

1956 ICCS PL-64 Cameo. Untoned

1956 PCGS PL-64. Lightly toned

1956 and 25 Cents 1956. Two untoned pieces, both ICCS MS-63 Heavy Cameo

1957 PCGS PL-67. This is a superbly lustrous and near flawless untoned piece

1957 PCGS PL-67. This is another superbly lustrous and near flawless untoned piece

1957 ICCS PL-65 Cameo. Untoned. Only two Heavy Cameo examples graded higher by ICCS

1957 ICCS PL-65. Untoned

1957 ICCS PL-65. Pale golden toned

1958 PCGS PL-67. Pale golden toning

1958 PCGS PL-67. Medium rim accents

1958 ICCS PL-66 Heavy Cameo. Light rim toning accents

1958 ICCS PL-65 Cameo. Untoned

1958 ICCS PL-65 Cameo. Near untoned

1958 and 1964. Two pieces, both Gem Proof-Like, the 1958 with light toning

1958 and 1961. Two near untoned pieces, both ICCS PL-64 Heavy Cameo

1958 PCGS MS-65. A near fully struck piece with great lustre and attractive light golden toning

1958 PCGS MS-65. A near fully struck piece with great lustre and attractive light gold-amber toning

1958 PCGS MS-64. Light golden toning

1958 PCGS MS-64. Light golden toning

1958 PCGS MS-64. Light golden toning

1959 PCGS PL-66. Near untoned

1959 ICCS PL-65 Heavy Cameo. Very light golden rim toning

1959 three untoned pieces, two ICCS PL-65 and one ICCS PL-64

1960 PCGS PL-67. A superbly lustrous and virtually flawless untoned piece with a heavy cameo. It is tied as the third highest graded by PCGS

1960 ICCS PL-66 Heavy Cameo. Near untoned and tied as the highest graded by ICCS

1960 and 1962. Two pale toned pieces, both ICCS PL-65 Heavy Cameo

1960 Gem Proof Like with a heavy cameo, untoned. Plus 1972 ICCS PL-65 Heavy Cameo

1961 PCGS PL-67. A superbly lustrous and virtually flawless untoned piece with a heavy cameo. It is tied as the highest graded by PCGS

1961 PCGS PL-67. A superbly lustrous and virtually flawless near untoned piece with a heavy cameo. It is tied as the highest graded by PCGS

1961 ICCS PL-65 Heavy Cameo and 1970 ICCS PL-65 Cameo. Two near untoned pieces

1961, 1963 and 1970. Three untoned pieces, all of them ICCS PL-65

1962 PCGS PL-66. Untoned heavy cameo

1963 PCGS PL-67. A superbly lustrous and virtually flawless piece with a heavy cameo and rim toning. It is tied as the highest graded by PCGS

1963, 1964 and 1966. Three untoned pieces, all ICCS PL-65 Heavy Cameo

1964 ICCS SP-66 Cameo. This is a fully detailed Specimen Strike with near flawless surfaces that are toned golden mauves

1964 PCGS PL-66. A superbly lustrous untoned piece with an ultra heavy cameo

1964 two pieces, ICCS PL-64 Heavy Cameo and ICCS PL-65 Cameo. Plus 1967 ICCS SP-65 Cameo. A total of three untoned pieces

1964 PCGS MS-65. This is a fully struck piece with great lustre and near flawless surfaces that are toned in light-medium golds and ambers with overto

1965 Type 1, 1965 Type 2 and 1965 Type 3, all ICCS PL-64, the Type 2 with a Cameo and the Type 1 and Type 3 with Heavy Cameos. Untoned to pale toned

1965 Type 2 PCGS PL-66. A superbly lustrous untoned piece with a heavy cameo

1965 Type 3 PCGS PL-66. A superbly lustrous untoned piece with a heavy cameo

1965 Type 4 PCGS PL-66. A superbly lustrous untoned piece with a heavy cameo

1965 Type 4 NGC PL-66 Cameo. A superbly lustrous untoned piece

1965 Type 4 ICCS MS-63 Heavy Cameo and 1965 Type 5 ICCS MS-62 Heavy Cameo, both untoned

1965 Type 5 ICCS MS-64. A near untoned piece, tied second highest graded by ICCS

1965 Type 5 ICCS MS-63 Cameo and 1966 Large Beads ICCS MS-64 Cameo, both untoned

1966 Large Beads and 1967, both ICCS MS-64 and both untoned

1967 PCGS PR-67. A superbly lustrous untoned example with a heavy cameo

1967 ANACS PF-67. A superbly lustrous untoned example with a heavy cameo

1967 ICCS SP-66 and 1971 Silver PCGS SP-66. Plus 50 Cents 1967 ICCS SP-67 Cameo. Total three pieces with light to medium toning

1967 ICCS SP-65 Heavy Cameo. Plus 1971, 1974, 1975, 1976 and 1979, all ICCS SP-65 and 1977 and 1980 ICCS SP-66. A total of eight untoned to lightly to

1967 two pieces, ICCS SP-65 Heavy Cameo and ICCS SP-63. Plus 1939 ICCS MS-62 and 1964 ICCS PL-65 Heavy Cameo. Four pale to lightly toned pieces

1967 PCGS MS-65. This is a strongly struck and superbly lustrous piece with near flawless pale golden toned surfaces. Tied sixth highest graded by PCG

1967 Rotated in Collar Double Strike, PCGS MS-62. Double struck with great lustre and pale golden toning. There was a 30o die rotation between strikes

1968 Doubled Lines Variety 1 with Doubled Date, CH Rev.-04. A sealed Royal Canadian Mint strip of five Uncirculated pieces

Nickel Dollars 1974 and 1975, both ICCS PL-65 Cameo. Plus 1976 ICCS PL-64 Cameo, 1977 and 1978, both ICCS SP-65 Cameo, 1979 ICCS SP-64, 1982 ICCS PF-6