Torex October 2006

1953 Shoulder Fold ICCS MS-64 Cameo. Plus 5 Cents 1953 Shoulder Fold ICCS MS-64

1953 Shoulder Fold ICCS MS-63 Heavy Cameo, 1955 ICCS MS-64 and 1961 ICCS MS-64 Heavy Cameo and 1968 Silver ICCS MS-64. Untoned to pale toned

1953 Shoulder Fold and 1954, both ICCS MS-63 Cameo and both near untoned

1954 PCGS PL-64. Pale golden toning

1954 ICCS PL-64 Cameo and 1957 ICCS PL-65. Two pale toned pieces

1955 ICCS PL-67 Ultra Heavy Cameo. This is a superbly lustrous and near flawless piece with pale golden toning. It is tied as the highest graded by IC

1955 ICCS PL-66 Ultra Heavy Cameo. A superbly lustrous, near flawless and near untoned piece

1955 ICCS PL-66 Cameo. Untoned

1955 pale toned and 1956 near untoned, both ICCS PL-65 Cameo

1956 PCGS PL-67. A superbly lustrous and virtually flawless pale toned piece with heavy cameos. It is tied as the fifth highest by PCGS

1956 ICCS PL-66 Cameo. Pale toned

1956 ICCS PL-65 Heavy Cameo. Pale toned

1956 and 1957, both ICCS PL-65 Cameo and both near untoned

1957 ICCS PL-65 Cameo and 50 Cents 1957 ICCS PL-65. Two near untoned pieces

1957 ICCS MS-65. Pale golden toning

1958 and 1959, both ICCS PL-65 Heavy Cameo and both near untoned

1958, 1961 and 1962, all ICCS PL-64 Heavy Cameo. Three near untoned pieces

1958 ICCS MS-65. Pale golden toning

1959 1963, 1964, 1966, 1969 and 1970, all ICCS PL-65 Heavy Cameo, near untoned

1959 plus 50 Cents 1959 two pieces. Total three pale toned pieces, all ICCS PL-65 Heavy Cameo

1960 ICCS PL-66 Cameo and 1965 ICCS PL-66 Heavy Cameo, near untoned

1960 ICCS PL-66 Cameo. Plus 1956 and 1962, both ICCS PL-65 Cameo. Three pale toned pieces

1961, two near untoned pieces Choice to Gem Uncirculated with heavy cameos

1962 ICCS MS-65. Pale golden toned

1963 ICCS PL-65 Ultra Heavy Cameo. Near untoned, and tied with one as the fourth highest by ICCS

1963 and 1964, both ICCS MS-65. Total of two pale toned pieces

1964 ICCS PL-65 Ultra Heavy Cameo. Untoned and tied highest graded by ICCS

1965 ICCS PL-65 Ultra Heavy Cameo. Untoned and tied second highest graded by ICCS

1965, 1966 and 1967, all ICCS MS-65. Three untoned to pale toned pieces

1968 Silver ICCS MS-65 Heavy Cameo. A near untoned example

1968 Silver ICCS MS-65 Cameo. Pale toned

1968 Silver ICCS MS-65 Cameo. Plus 1991 and 2005P Veterans, both ICCS MS-65, near untoned

1973 Large Bust ICCS SP-65. Untoned

1973 Large Bust ANACS MS-66 PL

1973 Large Bust ICCS AU-50

1973 Large Bust ICCS AU-50, Scratch. A light scratch on the portrait

1982 and 1987. Two pieces, both ICCS Proof 68 Ultra Heavy Cameo

1982, 1991 and 1992 Caribou. Three pieces, all ICCS PF-67 Ultra Heavy Cameo

1985, 1986 and 1995. Three pieces, all ICCS MS-66, Numismatic BU

1985, 1993 and 1995. Three pieces, all ICCS MS-66, Numismatic BU

1988 and 1991. Two pieces, both ICCS Proof 68 Ultra Heavy Cameo

1991 ten pieces, all ICCS MS-64

1991 ten pieces, all ICCS MS-64

1991 fourteen pieces, all ICCS MS-63

1991 fourteen pieces, all ICCS MS-63

1992 and 1995. Two pieces, both ICCS Proof 68 Ultra Heavy Cameo

1993 and 1995, both ICCS MS-66, Numismatic BU. Plus 1999P ICCS MS-65

1997 Silver ICCS PF-64 Ultra Heavy Cameo. Plus 1967 ICCS SP-65 Heavy Cameo and 1968 Nickel ICCS PL-65 Cameo, 1999P ICCS MS-64

1998 Silver, 1999 Silver and 2001 Silver, all ICCS Proof 68 Ultra Heavy Cameo, near untoned

1999 September Overstrike ICCS MS-62. Tied tenth highest by ICCS

1999 September Mule ICCS PL-63

1999 November Mule ICCS PL-64

2000 Pride Rotated Dies 90 Degrees, ICCS MS-63. Tied sixth highest by ICCS

1870 No LCW PCGS VF-35. This piece appears to have received the soft strike typical to this variety, with a flatness in Victoria’s hair and in the cen

1870 LCW ICCS MS-64. This is a fully struck piece with great lustre and rather flawless surfaces that are very attractively toned in light-medium gold

1870 LCW NGC MS-62. This is a strongly struck and nicely lustrous piece with attractive toning in medium blues ambers and magentas. It is tied with on

1870 LCW CCCS VF-30. Medium toned

1870 LCW ICCS VF-20. Medium toned

1870 LCW CCCS VF-20. Lightly toned

1870 LCW CCCS VF-20. Lightly toned

1870 LCW CCCS VF-20, Harshly Cleaned

1870 LCW VF, Cleaned

1870 LCW ICCS F-15. Lightly toned

1870 LCW CCCS F-15. Medium toned

1870 LCW CCCS F-12. Medium toned

1870 LCW CCCS F-12. Lightly toned

1870 LCW, Cleaned, 1881H, Scratches, 1892 Obverse 4 and 1900, all CCCS VG-8, lightly toned

1870 LCW EF, Whizzed. Light-medium toned

1871 CCCS G-6, Scratches, 1898 CCCS G-6, 1899, two pieces, CCCS Fair-2 and CCCS AG-3 and 1900 CCCS G-6. Total five lightly toned pieces

1871, 1911 and 1929, all ICCS VG-8. Plus 1872H ICCS VG-10. Four lightly toned pieces

1871H PCGS EF-45. This is a sharp piece with medium-dark slate toning

1871H CCCS VG-10, Rim Nicks. Light toned

1872H ICCS and PCGS MS-64 PQ+. This is a fully struck and superbly lustrous piece with near flawless surfaces that are beautifully toned in light gold

1872H ICCS EF-40. This is a sharp piece with much remaining lustre and a pale golden toning

1872H CCCS VF-20, Cleaned

1872H CCCS F-12, Rim Bumps

1881H ICCS and NGC MS-63 PQ. This is a fully struck and superbly lustrous piece with rather flawless surfaces that are beautifully toned in light gold

1881H PCGS MS-63. This is a fully struck example with great lustre and rather flawless surfaces that have a very even pale golden toning. It is tied a

1881H ICG MS-63. A fully struck and strongly lustrous piece with pale golden toned surfaces. Only three examples have been graded higher by the major

1892 Obverse 4 Norweb PCGS AU-58 and ICCS AU-55. This is a very sharp and near fully lustrous piece with rather attractive light golden tan toning. It

1892 Obverse 4 and 1898, both CCCS VG-8. Two lightly toned pieces

1892 Obverse 4, CCCS F-12 Lightly Cleaned and 1900, CCCS VG-10, Cleaned, both lightly toned

1892 Obverse 4, VG, Scratches

1900 CCCS VF-20, Mark. This lightly toned piece long ago received a heavy hit on Victoria’s cheek

1902 ICCS MS-64. This is a fully struck piece with great lustre and rather flawless surfaces that are beautifully toned in light golden olives with ir

1902 PCGS MS-64. This fully struck piece has great lustre and near flawless surfaces that are very attractively toned in light golden ambers with pale

1902 ICCS MS-60. This is a fully struck piece with great lustre and attractive toning in pale golds with light ambers toward the rims

1906 CCCS EF-40, Lightly Cleaned, Scratches. Pale golden toning with light slate rim accents

1906 ICCS VF-20. Lightly toned

1906 CCCS VF-20. Lightly toned

1909 ICCS AU-50. This is a very sharp piece with much lustre and a pale golden toning

1910 Victorian Leaves ICCS AU-55 Cleaned. A very sharp piece with light hairlining from an unfortunate cleaning. Now retoned in light golds

1910 Victorian Leaves PCGS AU-50. A sharp piece with considerable residual lustre and an attractive light golden toning with iridescent blue overtones

1910 Victorian Leaves ICCS F-15. Light-medium golden gray toning

1910 Edwardian Leaves ICCS VF-20 Scratches. Pale golden toning

1910 Edwardian Leaves CCCS VF-20, Cleaned and 1936 CCCS VF-20 Scratches. Lightly toned

1911 PCGS SP-62. A fully detailed Specimen Strike with attractive light golden toning

1911 PCGS MS-64. This is a near fully struck and strongly lustrous piece with quite flawless surfaces that are beautifully toned in light golden olive

1913 CCCS VF-20. Light-medium toning

1914 ICCS F-15. Light golden toning