Torex October 2006

1871H Obverse 2 CCCS VF-20. Some remaining lustre and light to medium toning

1872H Obverse 2 PCGS MS-62. This is a fully struck piece with great lustre and a very attractive light golden amber toning

1872H Obverse 2 ICG MS-62. This is a fully struck and strongly lustrous near untoned piece

1872H Obverse 2 ICCS VF-30. Pale toned

1872H Obverse 2 ICCS VF-20 and 1894 ICCS F-12, Cleaned. Two lightly toned pieces

1872H Obverse 2 VF with rim dents and marks and 1874H, VF with a weak reverse, both pale toned

1874H PCGS MS-65. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied with two other examples as t

1874H Belzberg PCGS MS-64. This is a fully struck and strongly lustrous piece that is attractively toned in pale golds and golden light olives. It is

1874H ICCS MS-60. A fully struck and strongly lustrous pale golden toned example

1874H ICCS AU-55. A very sharp and near fully lustrous piece with attractive light to medium golden olive and magenta toning

1874H CCCS EF-40. Considerable remaining lustre and a pale golden toning

1880H Narrow ICCS VF-20. Pale golden toning with darker ambers and blues at the rims

1880H Narrow 0 Over Wide 0 ICCS F-12. Light to medium golden gray toning

1880H Narrow 0 Over Wide 0 CCCS VG-8. Medium slate toning

1880H Narrow 0 Over Wide 0 and 1889, both CCCS G-4. Two lightly toned pieces

1880H Wide 0 ICCS VG-8. Light to medium golden gray toning

1880H Wide 0 CCCS G-6. Light toning

1880H Wide 0 and 1889, both CCCS Fair, the 1880H Cleaned, Scratches. Two light toned pieces

1881H and 1882H, both CCCS F-12. Plus 1900 CCCS F-15. Three lightly toned pieces

1881H pale toned and 1883H lightly toned. Two pieces, both ICCS F-12

1882H PCGS MS-62. This is a fully struck piece with great lustre and a beautiful light golden amber toning. It is tied as the ninth highest graded by

1882H and 1892, both ICCS F-12. Two light golden gray toned pieces

1883H ICCS and PCGS MS-64. This is a fully struck piece with great lustre and rather flawless pale golden toned surfaces. It is a near first strike wi

1885 Re-engraved Straight Top 5, Pittman PCGS VF-35. Pale golden toning with light amber and blue rim accents. This is only the second example of this

1885 Curved Top 5 ICCS VF-20. This is a nice, light golden toned example

1885 Curved Top 5 CCCS VG-8. Light toned

1885 Curved Top 5 CCCS G-6 Corrosion and 1889 CCCS VG-8 Cleaned. Both lightly toned

1885 Curved Top 5 and 1893, both CCCS AG-3. Both lightly toned

1886 6 Over 3, Obverse 5, Long Bough Ends ICCS F-12. Medium slate rim toning

1886 Obverse 5, Short Bough Ends ICCS F-15. Light gold toning with medium slate accents

1887 CCCS VG-10. Light golden toning

1887 CCCS VG-8. Light-medium toning

1887 CCCS G-6. Pale toned

1887 and 1889, both CCCS G-4. Two pieces, both lightly toned

1889 CCCS G-6. Lightly toned

1889 CCCS G-6. Lightly toned

1889 CCCS G-6. Lightly toned

1889, aG. Lightly toned

1893 CCCS G-6. Lightly toned

1894 ICCS EF-45. A sharp piece with much remaining lustre and a light golden toning

1900 ICCS and PCGS MS-64. This is a fully struck piece with great lustre and near flawless surfaces that are beautifully toned in light golden tans wi

1900 PCGS MS-63. Fully struck with great lustre and rather flawless surfaces that are attractively toned in pale golds with light ambers and blues at

1900 ICCS AU-55. This is a very sharp and near fully lustrous pale golden toned piece

1900 ACG VF-35, Rim Nick. Lightly toned

1900 ICCS VF-30. Pale golden toning

1900 ICCS VF-30. Light golden toning

1902 CCCS EF-40. A very sharp, pale golden toned piece with much remaining lustre

1902H ICCS MS-63. This is a fully struck piece with great lustre and a pale golden toning

1905 PCGS MS-66. This is a fully struck and superbly lustrous piece with virtually flawless and near untoned surfaces. It is tied with one other examp

1905 ICCS VF-30. Light golden toning

1907 and 1910, both CCCS VF-30. Two pale toned pieces with considerable remaining lustre

1907 and 1909, both CCCS VF-20, the 1907 with Marks. Two lightly toned pieces

1908 PCGS MS-62. This is a strongly struck piece with great lustre and light golden rim toning

1910 ICCS VF-30. Light golden rim toning

1912, 1919 and 1932, all VF-EF and better. Plus Five Cents 1896 and 1915, both Fine or better. Total five pale toned pieces

1913 ICCS MS-63. This is a fully struck and strongly lustrous piece with pale golden toning

1913 ICCS MS-60. Fully struck and strongly lustrous pale golden toned piece with darker accents

1918 ICCS AU-55. Pale golden toning

1919 ICCS MS-63. Fully struck and strongly lustrous with very attractive light-medium toning

1921 CCCS VF-20. Medium rim toning

1927 ICCS EF-40. Light gold-tan toning

1928 NGC MS-63. A strongly struck piece with great lustre and attractive light-medium toning

1929 ICCS MS-63. Full strike, great lustre and pale golden toning with light blue and amber accents

1930 PCGS MS-65. A well struck piece with great lustre and rather flawless surfaces with an attractive light golden toning. It is tied as the fifth hi

1930 ICCS MS-63. Near fully struck and strongly lustrous with pale golden toning

1931 PCGS MS-63. This is a fully struck and superbly lustrous pale golden toned piece that was struck from freshly refinished dies, which have imparte

1932 ICCS MS-63. A strongly struck and nicely lustrous piece with attractive light golden toning

1933 PCGS MS-63. This is a near fully struck piece with strongly lustrous surfaces that are attractively toned in light golds with ambers toward the r

1933 ICCS MS-62. This is a near fully struck piece with strongly lustrous pale golden toned surfaces. The date is re-punched and this piece appears to

1933, 1935 and 1936. Three pieces, all VF with some residual lustre and lightly toned

1934 ICCS MS-60. Strongly struck with great lustre and pale golden toning

1935 ICCS MS-62. Strongly struck with great lustre and pale golden toning

1936 ICCS MS-63. Fully struck with great lustre and near untoned

1937 ICCS MS-64. Near untoned

1937, 1942, 1943, 1945, 1950 and 1952 Low Relief, all ICCS MS-63 and untoned to lightly toned

1938 ICCS MS-64. Fully struck with great lustre and attractive light golden amber toning

1938 ICCS MS-62. Near untoned

1938 ICCS MS-62 pale toned and 1939 ICCS MS-60 near untoned

1939 ICCS MS-64. Near untoned

1940 ICCS MS-64 Cameo. Pale toned

1941 pale toned and 1944 light rim toning. Two pieces, both ICCS MS-64

1942 NGC MS-66. This is a fully struck piece with great lustre and near flawless surfaces that are beautifully toned in light-medium golden ambers and

1942 and 1956, both ICCS MS-64. Two light-medium toned pieces

1943 light golden toning and 1945 near untoned, both ICCS MS-63 Cameo

1945 ICCS MS-65 PQ. This is a fully struck and superbly lustrous piece with near flawless surfaces that are beautifully toned in light golds with mauv

1946 ICCS MS-64. Light golden toning

1947 ICCS MS-62. Lightly toned

1947 Dot ICCS EF-40. A very sharp and near untoned piece with much remaining lustre

1947 Maple Leaf near untoned and 1949 light-medium toned obverse, both ICCS MS-64

1947 Maple Leaf ICCS MS-62 and 1948 ICCS MS-60. Two near untoned pieces

1948 ICCS MS-63. Pale golden toning

1949 PCGS SP-66. A superbly lustrous and untoned piece that is among the ten highest by PCGS

1949 PCGS MS-66. This is a fully struck piece with great lustre and an attractive medium multicoloured toning. It is tied as the second highest by PCG

1949 ICCS MS-64. Lightly toned

1951 High Relief ICCS SP-64. Superbly lustrous and near flawless with medium magenta toning

1951 Low Relief PCGS PL-66. Superbly lustrous and virtually flawless untoned surfaces with a nice cameo. It is tied as the fifth highest by PCGS

1951 Low Relief ICCS PL-64. Near untoned

1951 Low Relief ICCS PL-64. Near untoned

1952 High Relief PCGS MS-63. Pale toned

1953 Shoulder Fold ICCS PL-64 Cameo. Light amber rim toning