Torex October 2006

1916 PCGS MS-64. This is a fully struck and strongly lustrous piece with light golden toning

1916 PCGS MS-63. This is a fully struck and strongly lustrous piece with light golden tan toning

1916 ICCS MS-60. Pale golden toning

1917 ICCS MS-64. This is a fully struck and strongly lustrous piece with light golden toning

1918 ICCS MS-63. Pale golden toning

1918 ICCS MS-63. Pale golden toning

1919 NGC MS-64. Dark toning accents

1919 ICCS MS-63. Light-medium toning

1919, 1938 and 1938 Doubled 3, all CCCS MS-60. Plus 1953 Shoulder Fold CCCS MS-63 Cameo. Four pieces, the 1919 medium toned, the others pale

1920 ICCS MS-63. Pale golden toning

1921 ICCS MS-62. Light rim toning

1928 ICCS MS-62. Light golden toning

1928, two light to light-medium toned pieces, both CCCS AU-55

1928 light-medium toned and 1929 pale toned, both CCCS AU-50. Plus 1919 light-medium toned CCCS EF-45 and 25 Cents 1918 pale toned CCCS EF-40

1929 ICCS MS-65. This is a fully struck and strongly lustrous pale golden toned piece. It is tied as the second highest graded by ICCS

1929 PCGS MS-64. This is a strongly struck piece with great lustre and rather flawless surfaces that are attractively toned in pale golds

1930 PCGS MS-64. This is a strongly struck piece with great lustre and rather flawless surfaces that are attractively toned in pale golds

1930 ICCS MS-63. Light golden toning

1930 PCGS MS-63. Light golden toning

1930 ICCS MS-62. Light golden toning

1931 ICCS MS-64. Light golden toning

1932 ICCS MS-63. Light-medium toning

1933 NGC MS-66. This is a strongly struck piece with great lustre beneath a medium mauve and olive toning. It is the solo highest graded by NGC

1935 PCGS MS-64. A strongly struck piece with great lustre and an attractive light golden toning

1935 ICCS AU-50. Near untoned

1936 PCGS MS-64. Light-medium toning

1936 ICCS MS-63. Light golden toning

1936 PCGS MS-63. Light golden toning

1936 PCGS MS-63. Pale golden toning

1936 ICCS MS-62. Light golden toning

1937 Mirror PCGS SP-65. Attractive light-medium multicoloured toning

1937 Mirror PCGS SP-64. Attractive medium gun-metal toning

1937 ICCS MS-65. Great lustre with beautiful light-medium golden olive and amber toning

1937 ICCS MS-65. Great lustre with beautiful light-medium amber and blue toning

1937 ICCS MS-65. Great lustre with attractive light-medium olive and blue toning

1937 ICCS MS-65. Great lustre with light-medium golden mauve and blue toning

1938 ICCS MS-63. Pale golden toning

1938 ICCS MS-63 pale toned and 1949 ICCS MS-62 with attractive light-medium toning

1939 ICCS MS-65. A fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied as the second highest graded by ICCS

1939 ICCS MS-65. A fully struck and strongly lustrous piece and near flawless pale golden toned surfaces. It is tied as the second highest graded by I

1939 ICCS MS-65. A fully struck and strongly lustrous piece with near flawless light-medium golden amber toned surfaces. Tied as the second highest by

1940, 1950 and 1953 No Shoulder Fold, all ICCS MS-62. Plus 1945, 1946 and 1947 Maple Leaf, all ICCS MS-63. Total six pale to lightly toned pieces

1941, 1942 and 1952, all ICCS MS-63. Total three pale to lightly toned pieces

1943 ICCS MS-65. A fully struck piece with great lustre and beautifully toned with pale golden centres framed by light-medium ambers, blues and violet

1944, 1951 and 1956 Dot, all ICCS MS-64. Plus 1999P ICCS MS-65, the 1944 with medium toning

1946 pale toned with clashed a die and 25 Cents 1945 lightly toned, both ICCS MS-63

1947 ICCS MS-65. A fully struck and near untoned piece with great lustre. It is tied highest by ICCS

1947, two pieces, both Choice to Gem Uncirculated, one with frosty lustre and pale golden toning, the other mirror and near untoned

1947 Maple Leaf ICG MS-65. Pale toned

1947 Maple Leaf ICG MS-65 pale toned plus 1983 ICG PL-68 and 2001P ICG MS-64. Three pieces

1947 Maple Leaf ICCS MS-64 and 1948 ICCS MS-63. Two near untoned pieces

1948 ICCS SP-65. Superbly lustrous and near flawless surfaces with light rim toning. It is tied as the fourth highest graded by ICCS

1949 PCGS SP-65. This is a superbly lustrous and near flawless untoned piece with nice cameos on deeply mirrored fields

1949 ICCS MS-65. Near untoned

1949 ICCS MS-65. Pale golden toned

1951 ICCS SP-63 untoned and 1967 ICCS SP-65 with light-medium gun-metal toning

1952 ICCS MS-65. Near untoned

1953 No Shoulder Fold ICCS MS-65. Great lustre and near flawless surfaces with wild medium toning

1953 Shoulder Fold ICCS PL-64 Cameo. Very pale golden toning

1954 ICCS PL-66 Heavy Cameo. Lightly toned. Only one PL-66 UHC graded higher by ICCS

1954 ICCS PL-66 Cameo. Untoned

1954 PCGS PL-66. Pale toned

1954 ICCS PL-65 Heavy Cameo. Untoned

1954 ICCS PL-65 Heavy Cameo. Pale

1954, 1955 and 1956, all Very Choice or Gem Proof Like with cameos. Plus 1953 Shoulder Fold, Choice Uncirculated with cameo. Four untoned pieces

1955, 1956, 1959, 1960 and 1962, all ICCS PL-64 Heavy Cameo. Five untoned to pale toned pieces

1956 ICCS PL-66 Heavy Cameo. Untoned

1956 and 1966, both ICCS PL-65 Heavy Cameo. Plus 1959, 1960 Cameo and 1963, all ICCS PL-65 and 1958 ICCS PL-64 Heavy Cameo. A total of six untoned to

1956 ICCS MS-65 Heavy Cameo. Great lustre and near flawless and near untoned surfaces

1956 and 1969 Small Date, both ICCS MS-65 and near untoned, the 1956 with a Cameo

1957 ICCS PL-65 Heavy Cameo. Pale toned. Only three 66 HCs and one 65 UHC higher by ICCS

1957, 1958, 1959 and 1960, all ICCS MS-65. Four near untoned pieces

1958 ICCS PL-65 Ultra Heavy Cameo. A superbly lustrous, untoned piece, tied highest UHC by ICCS

1958, 1961, 1965, 1968 Nickel and 1975, all ICCS PL-65 Heavy Cameo, untoned to pale toned

1962 ICCS MS-66. This is a fully struck piece with great lustre and near flawless pale toned surfaces. It is the highest graded example by ICCS

1963 ICCS MS-65 Heavy Cameo. Untoned

1964 ICCS PL-65 Ultra Heavy Cameo. Plus 1963 and 1966, both ICCS PL-66 Heavy Cameo, 1967 ICCS SP-65 Heavy Cameo, 1969 and 1973 both ICCS PL-65 Cameo a

1964 ICCS MS-65 Heavy Cameo. Untoned

1968 Silver ICCS PL-64 Cameo. Untoned, it is tied with four as the third highest by ICCS

1975 ICG SP-69. Plus 1984, 1986 and 1987, all ICG PR-69 DCam

1981 and 1987. Two pieces, both ICCS PF-68 Ultra Heavy Cameo

1991, 1992 and 1993. Three pieces, all ICCS PF-68 Ultra Heavy Cameo

1992 ICCS MS-67, Numismatic BU. Plus 25 Cents 1992 Caribou ICCS MS-66 Numismatic BU

1995, 1999 Silver and 2001 Silver, all ICCS PF-68 Ultra Heavy Cameo

1999P NGC MS-67

1858 PCGS MS-64. This is a fully struck piece with great lustre and rather flawless surfaces that are very attractively toned in light-medium olives a

1858 ICG MS-61. A slightly softly struck example with nicely lustrous surfaces that are attractively toned in light golden tans with darker blues towa

1858 PCGS AU-58. A very sharp and near fully lustrous piece with attractive toning in medium blues, mauves and ambers

1858 ICCS AU-50. This is a very sharp piece with light golden toning with blues toward the rims

1858 ICCS VF-30. Light-medium toning

1858 CCCS VF-20, Cleaned, Scratches. Lightly toned with four long scratches on the reverse

1858, Fine. Light-medium mauve toning

1858 CCCS F-12, Cleaned. Plus 25 Cents 1886 Obverse 5, Long Stem Ends CCCS VG-10. Total two lightly toned pieces

1858 and 25 Cents 1870 Obverse 1, 0 Over 0 and 1880H Narrow 0, all CCCS VG-8. Total three lightly toned pieces, the 1858 with some darker accents

1870 Obverse 1 ICCS EF-40. Considerable remaining lustre and pale golden toning

1870 Obverse 1 CCCS EF-40. Considerable remaining lustre and light-medium toning

1870 Obverse 1 CCCS VF-30. Light-medium golden amber toning

1871 Obverse 2 ICCS VF-20. Light golden toned centres with medium blues at the rims

1871 Obverse 2 and 1872H Obverse 2, both CCCS VF-20. Two light golden toned pieces

1871H Obverse 2 ICCS and PCGS MS-64. This is a fully struck pale golden toned piece with great lustre on near flawless surfaces. The obverse is satiny