Torex October 2006

1916 ICCS MS-63. This is a fully struck and strongly lustrous piece with pale golden toning. It is tied as the seventh highest by ICCS

1916 PCGS AU-50. Light golden toning

1916 ICCS VF-30. Light-medium toning

1917 ICCS MS-63. This is a fully struck and strongly lustrous piece with pale golden toning. The obverse was struck from a rather freshly refinished d

1917 Pittman Sale, 1918, 1919 and 1931, all ICCS VF-20 with pale golden toning

1918 ICCS MS-62. This is a strongly struck piece with great lustre and a pale golden toning

1918, AU-Uncirculated. A very sharp and near fully lustrous piece with pale golden toning

1919 ICG MS-65. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It was struck from eroded and lightly pit

1919 ICCS MS-62. This is a fully struck piece with great lustre and a light golden toning

1929 NGC MS-64. This is a fully struck piece with great lustre and a light golden toning with iridescent blues at the rims. It is the solo highest gra

1931 ICCS MS-67 PQ+. This is a fully struck piece with superbly lustrous and virtually flawless surfaces that have a wonderfully balanced light amber

1932 ICCS F-12. Light-medium toning

1934 ICCS AU-55. A very sharp and near fully lustrous piece with pale golden toning

1934 ICCS AU-55. A very sharp and near fully lustrous piece with pale golden toning

1934 ICCS VF-30. Considerable remaining lustre and a light golden toning

1936, two pieces, CCCS VF-20 and CCCS F-15, both pale toned

1937 ICCS MS-63. Pale golden toning

1938 ICCS MS-62. Pale golden toning

1939 ICCS MS-64. A strongly struck piece with some of the typical weakness on the reverse. It is strongly lustrous and has a pale golden toning

1939 ICCS MS-64. A strongly struck piece with some of the typical weakness on the reverse. It is strongly lustrous and has a light golden toning

1939 ICCS MS-63. Pale golden toning

1939 CCCS MS-60, 1949 CCCS MS-62 and 1953 Small Date ICCS MS-63. Plus 25 Cents 1947 Maple Leaf CCCS MS-63. The 1953 medium toned

1940 ICCS MS-64 Cameo. A near fully struck piece with light golden toning

1940 ICCS MS-63. Near untoned

1941 NGC MS-65. A near fully struck piece with great lustre and near flawless surfaces that are attractively toned in medium orange ambers and blues w

1941 ICCS MS-63. Near untoned

1942 ICCS MS-63. Pale golden toned

1942 PCGS MS-63. Amber rim toning

1943 ICCS MS-63. Pale golden toned

1944 Near 4 ICCS MS-63. Pale toned

1944 Near 4 ICCS MS-63. Pale toned

1945 ICCS MS-63. Pale golden toned

1946 ICCS MS-64. Light golden toned

1946 ICCS MS-63. Nice multicolour toning

1946 ICCS MS-63. Amber rim toning

1946 ICCS MS-63. Light golden toned

1946 Design in 6 PCGS AU-55. This is the full design with the Die Break. A sharp piece with much remaining lustre, near untoned. Tied eighth highest b

1947 Straight 7 ICCS MS-64. This piece has a fully struck obverse with a typically soft reverse, great lustre and near flawless untoned surfaces. It i

1947 Straight 7 ICCS MS-63. A near fully struck and near untoned piece with a Doubled 7

1947 Straight Doubled 7 ICCS MS-60. An untoned piece with a different doubling than the above lot

1947 Curved 7 ICCS MS-63. A near fully struck pale golden toned piece

1947 Curved 7 CCCS MS-62. A typically struck pale golden toned piece

1947 Curved 7, 7 Over 7 CCCS MS-62. A near fully struck lightly toned piece

1947 Maple Leaf ICCS MS-63. A slightly soft strike and a Doubled 7 similar to Lot 1583 above

1947 Maple Leaf ICCS MS-63. A slightly soft strike and a Doubled 7 similar the previous lot

1947 Maple Leaf, Doubled 7, EF. A sharp piece with much remaining lustre. The 7 as in the above lot

1948 ICCS MS-64. Struck with a typical soft reverse, this piece has great lustre and near flawless surfaces and light amber rim toning. It is tied as

1948 ICCS MS-63. A slightly soft reverse, great lustre and rather flawless untoned surfaces

1948 CCCS VF-30. Pale golden toning

1948 ICCS VG-8. Lightly toned

1949 ICCS MS-63. Pale golden toning

1949 Hoof Over 9 ICCS AU-50. Untoned

1950 ICCS MS-64. Light gold rim toning

1950 and 1952, both untoned ICCS MS-64

1950 No Design ICCS MS-62. Untoned

1950 No Design ICCS MS-60. Untoned

1951 PCGS PL-66. A superbly lustrous and near flawless pale golden toned piece. It is tied as the fifth highest graded by PCGS

1951 ICCS MS-64. Plus 1952, 1953 Small Date and 1953 Large Date Shoulder Fold, all ICCS MS-63. Plus 1999P ICCS MS-64 and 2000W ICCS MS-65. The 1952 wi

1952 ICCS MS-65. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied as the highest by ICCS

1953 Large Date No Shoulder Fold ICCS MS-60. Pale golden toning

1953 Large Date, Shoulder Fold, Pittman ICCS PL-65 Cameo. Pale golden toning

1953 Large Date, Shoulder Fold ICCS MS-64. Pale golden toned

1953 Large Date, Shoulder Fold and 1955, both ICCS MS-63 with light-medium toning. Plus 1962 ICCS MS-64 Cameo and 1963 ICCS MS-63 Heavy Cameo, both ne

1953 Small Date ICCS MS-64 Heavy Cameo. Near untoned

1954 ICCS PL-65 Cameo. Near untoned

1954 PCGS PL-65. Pale golden toned

1954 ICCS PL-64 Cameo. Untoned

1954 ICCS PL-64. Untoned

1954 ICCS MS-65. This is a strongly struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by ICCS

1955 ANACS MS-67 PL. A Gem Proof-Like with a cameo and pale golden toning

1955 PCGS PL-66. Pale golden toning

1955 ICCS PL-65 Heavy Cameo. Untoned

1955 ICCS PL-63 Heavy Cameo. Plus 1957 and 1958, both ICCS PL-64 Cameo. The 1958 with pale golden toning, the others untoned

1956 ICCS PL-66. Near untoned

1956 ICCS PL-65, 1961 ICCS PL-65 Heavy Cameo and 1967 ICCS SP-65 Heavy Cameo. The 1956 with pale golden toning, the others untoned

1956 and 1973, both ICCS PL-64. Plus 1957 ICCS PL-63, 1972 ICCS PL-66, 1969 ICCS PL-63 Cameo and 1968 and 1971, both ICCS PL-64 Cameo. Total seven unt

1956 ICCS MS-65. This is a near fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied as the highest graded by

1957 NGC PL-66. Light gold rim toning

1957 ICCS PL-65 Cameo. Untoned

1957 ICCS MS-65. This is a near fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied as the highest graded by

1958 ICCS PL-65 Heavy Cameo. Untoned

1958 ICCS MS-65. This is a near fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied as the highest graded by

1959 ICCS PL-65 Heavy Cameo. Plus 1960 and 1962, both ICCS PL-66 Heavy Cameo, all untoned

1959, 1962, 1964, 1965 and 1966, all ICCS PL-65 Heavy Cameo, and all untoned

1959 ICCS MS-65. This is a fully struck piece with great lustre and near flawless and near toned surfaces. It is tied with one other as the highest gr

1960, 1961 and 1963, all ICCS PL-66 Heavy Cameo, and all untoned

1960 ICCS PL-66 Heavy Cameo. Untoned

1961 ICCS MS-65. This is a strongly struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by ICCS

1962 ICCS MS-65. This is a strongly struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by ICCS

1963 ICCS MS-65. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by ICCS

1963, 1963, 1965 and 1966, all Choice to Gem Uncirculated with cameos or heavy cameos, all untoned or nearly so

1964 ICCS PL-65 Ultra Heavy Cameo. Untoned and tied as the third highest by ICCS

1964 ICCS MS-65. This is a strongly struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by ICCS

1965 ICCS MS-65 Heavy Cameo. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by

1965 ICCS MS-65. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by ICCS

1966 ICCS MS-65. This is a strongly struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by ICCS

1967 ICCS SP-65 Heavy Cameo, 1975 ICCS SP-64 Heavy Cameo, 1978 Round Beads ICCS SP-65 and 1982 ICCS PF-67 Ultra Heavy Cameo

1967 ICCS MS-65 Heavy Cameo. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied highest graded by

1982 Type II Mule ICCS MS-63

1985 and 1988. Two pieces, both ICCS PF-68 Ultra Heavy Cameo