Torex October 2006

1873, VF cleaned. Light-medium toned

1874 ICCS VF-20. Lightly toned

1881 PCGS MS-63. This piece has a slightly soft strike, with a bit of weakness on Victoria’s braid and in the centre of the reverse. It is strongly lu

1882H ICCS MS-63. This is a fully struck piece with great lustre and rather flawless surfaces that are attractively toned in light golds. It is tied w

1882H, EF lightly cleaned. This is a very sharp example with considerable remaining lustre and a light-medium mauve toning. Lightly hairlined

1885, F-VF. Light-medium toning

1888 ICCS VF-30. This is a sharp example with considerable remaining lustre. Lightly toned

1894 ICCS and PCGS MS-62. This is a fully struck and superbly lustrous piece with first strike mirrored fields. It is beautifully toned in pale golden

1894 PCGS EF-40. A sharp, lightly toned piece with some remaining lustre

1899 Wide 99, EF-AU, scratch. This is a very sharp, pale golden toned piece with much remaining lustre. There is a dull scratch across the portrait

1899 Narrow 99 PCGS EF-45. A sharp, pale toned piece with considerable remaining lustre

1899 Narrow 99 ICCS EF-40. A sharp piece with light-medium mauve-gray toning

1900, AU-Uncirculated. This is a very sharp and virtually fully lustrous piece with pale golden toning

1900 ICCS AU-50. This is a very sharp pale golden toned piece with much lustre

1900 PCGS AU-50. This is a very sharp pale golden toned piece with much lustre

1900 ICCS EF-45. This is a sharp piece with medium dark mauve-slate toning

1900 NGC EF-45. A sharp pale golden toned piece with much remaining lustre

1900, EF-AU. Another sharp pale golden toned piece with much remaining lustre

1900, EF-AU. Another sharp pale golden toned piece with much remaining lustre

1904H PCGS MS-64. This is a fully struck piece with great lustre on near flawless surfaces that are beautifully toned in light golden mauves with irid

1904H, Uncirculated to Choice Uncirculated. Fully struck, great lustre and pale golden toning

1907 ICCS MS-63. This is a fully struck and strongly lustrous pale golden toned piece. It is tied as the third highest graded by ICCS, and was previou

1907 CCCS EF-40, Scratch. Light-medium toning with a dull scratch on Edward’s neck

1908 ICCS MS-63. This is a fully struck piece with great lustre on light golden toned surfaces. It is tied as the seventh highest graded by ICCS

1908 PCGS MS-63. This is a fully struck and strongly lustrous light golden toned piece. It is tied as the sixth highest graded by PCGS

1908, AU-Uncirculated. Near fully lustrous with attractive pale golden toning

1911 ICCS AU-58. Near fully lustrous with attractive pale golden toning

1917C PCGS MS-63. This is a fully struck and strongly lustrous pale golden toned piece

1917C PCGS MS-63. This is a fully struck and strongly lustrous piece with light medium rim toning

1918C PCGS MS-62. This is a fully struck and strongly lustrous light golden toned piece

1918C NGC AU-50. Plus Newfoundland Five Cents 1880 NGC VG-8 and 1890 ICG F-15

1919C Belzberg PCGS MS-63. This is a fully struck piece with great lustre and very attractive pale golden toning with light ambers toward the rims. It

1919C PCGS AU-53. A very sharp pale golden toned piece with much remaining lustre

Half Cent 1861 ICCS AU-55. Very sharp

One Cent 1861 Large Bud PCGS MS-63 Red and Brown. This is a fully struck and nicely lustrous piece with mirrored fields. About 25% red

One Cent 1871 ICCS MS-64 Red. Slightly softly struck on the reverse, but with fully struck obverse beads. It is about 65% red

One Cent 1871 ICCS MS-63 Red and Brown. Slightly softly struck on the reverse, but with fully struck obverse beads. It is about 40% red

1858 ICCS VF-30. Light-medium toning

1858, 1880H Obverse 1 and 1903H, all CCCS F-15. Three pale to light-medium toned pieces

1870 Wide 0 CCCS EF-40. Remaining lustre in the protected areas, light toning

1870 Wide 0 CCCS VF-20 Harshly Cleaned, medium-darkly toned obverse and 1870 Narrow 0 CCCS VF-20 Cleaned, pale toning. Plus 1872H CCCS VG-10, Small Cl

1870 Narrow 0 ICCS AU-50. A sharp, pale golden toned piece with much remaining lustre

1871 ICCS VF-30. A sharp piece with considerable remaining lustre and attractive light toning. There are two significant rim cuds from a failed collar

1871 ICCS VF-30, Scratches. A sharp piece with considerable remaining lustre and light-medium toning. The letters PP scratched into Victoria’s neck. P

1871H CCCS VF-30. Medium-dark toning

1874H ICCS MS-64. This is a fully struck piece with great lustre and near flawless surfaces that have a pale golden toning with light amber rim accent

1874H ICCS and PCGS MS-63. This is a fully struck and strongly lustrous pale golden toned piece. It is tied as the seventh highest by ICCS

1874H CCCS VF-30 and 1888 CCCS VF-20. Two lightly toned pieces

1875H CCCS VG-10. Light golden toning

1875H ICCS G-6, Planchet Flaw. A lightly toned piece with a delamination on the obverse

1880H Obverse 1 ICCS MS-62. A fully struck and nicely lustrous pale golden toned piece

1880H Obverse 2 ICCS EF-40. A light golden toned example of the scarcer obverse variety

1882H CCCS EF-40. Light gray toning

1883H ANACS VF-35. Lightly toned

1884 CCCS VG-8. Lightly toned

1884 PCGS VG-8. Medium toning

1885 CCCS F-12, Letter Obverse 4, Effigy Obverse 6, a lightly toned newly discovered hybrid. Plus 1885 Obverse 4 CCCS G-6, lightly toned

1887 CCCS F-12, Corrosion. Dark toning accents

1888 ICCS MS-63. This is a fully struck piece with great satiny lustre and near flawless surfaces that are beautifully toned in light-medium golden ol

1888 PCGS MS-63. This is a fully struck and strongly lustrous piece with rather flawless surfaces that are very attractively toned in light golds. It

1892 Large 9 Obverse 6, Good. A lightly toned example of this scarce variety

1893 Flat Top 3, Obverse 6 CCCS VF-20. Light golden gray toning

1893 Flat Top 3, Obverse 6 ICCS VF-20, Scratch. A lightly toned example with a light graze on Victoria’s neck and some broad scratches on the reverse

1894 Obverse 6 ICCS VF-30. Considerable remaining lustre and a medium mauve-gray toning

1898 Obverse 5 ICCS MS-62. This is a fully struck and nicely lustrous piece with light golden toning. The scarcer of the two obverse varieties

1898 Obverse 6 ICCS EF-40. This is a very sharp, lightly toned piece with much remaining lustre

1899 Large 99 CCCS VF-30. Dark toning

1899 Small 99 PCGS MS-66. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied with two others as t

1899 Small 99 ICCS and NGC MS-65. This is a fully struck and strongly lustrous piece with near flawless surfaces that are attractively toned in light-

1899 Small 99 PCGS MS-63. This is a fully struck, pale golden toned piece with great lustre and heavy cameos on mirrored fields

1899 Small 99 CCCS EF-40. Darkly toned

1899 Small 99 ICCS VF-30, 1910 ICCS EF-40, 1911 ICCS VF-30 and 1915 ICCS VF-20. A total of four pale toned to lightly toned pieces

1900 ICCS MS-62. Fully struck and strongly lustrous with pale golden toning

1901 Norweb ICCS MS-65. This is a fully struck piece with strongly lustrous and near flawless surfaces that are toned in light golden tans with amber

1901 PCGS MS-62. Fully struck and strongly lustrous with light golden toning

1901 CCCS EF-45. Light golden toning

1901 PCGS EF-45. Lightly toned

1902 ICCS MS-63. This is a very strongly struck piece with great lustre and pale golden toning. It is tied as the eighth highest graded by ICCS

1902 ICCS AU-58. This is a virtually fully lustrous pale golden toned piece

1902H ICCS MS-60. Pale golden toned

1903 ICCS MS-65 PQ. This is a fully struck piece with great lustre and near flawless surfaces that are attractively toned in light orange golds. It is

1903 ICCS VF-30. Light golden toning

1903 and 1908, both CCCS VF-20. Two pale to lightly toned pieces

1903 ICCS and PCGS MS-64. This is a fully struck piece with great lustre and near flawless surfaces that are attractively toned in pale golds. It is t

1903H and 1911, both CCCS EF-40. Two pale to lightly toned pieces

1904 ICCS AU-55. This is a very sharp piece with much lustre and a light-medium golden toning

1905 pale toned, 1908 pale toned and 1933 light-medium toned. Total three pieces, all CCCS VF-30, the 1908 Polished

1906 Belzberg ICCS and PCGS MS-65. This is a very strongly struck piece with great lustre and near flawless surfaces that are attractively toned in me

1906 ICCS MS-62. A nicely lustrous example with light-medium golden toning

1907 PCGS MS-62. Strongly struck with great lustre and rather flawless pale golden toned surfaces

1907 two pieces, PCGS EF-40 and ICG VF-35. Plus 1910 ICG EF-45. Total three toned pieces

1908 PCGS MS-62. A fully struck and strongly lustrous piece with light golden rim toning

1910 ICCS MS-60. Light golden toning

1911 NGC MS-64. A fully struck and strongly lustrous piece with attractive medium multi-colour toning

1911 PCGS MS-63. A fully struck and nicely lustrous piece with light golden toning

1913 Broad Leaves ANACS F-12 Details, Cleaned. Light golden-gray toning

1913 Small Leaves PCGS MS-64. A strongly struck and nicely lustrous piece with medium toning

1913 Small Leaves ICCS MS-62. A well struck and strongly lustrous piece with pale golden toning

1914 PCGS MS-65. This is a fully struck and strongly lustrous piece with light golden toning. It is tied as the fourth highest graded by PCGS

1914 ICCS AU-50 and 1929 ICCS MS-60. Two light golden toned pieces