Denver Old West Auction

Crockett stainless, narrow band spurs, with sterling overlaid, and finely engraved mountings attributed to Edward Bohlin as clearly evidenced by the u

Huge, circa 1920s, single mounted, No. 106 spurs. Mounted with period border stamped straps. Excellent condition with all original mountings and rowel

Double-mounted, elongated diamond patterned, German silver inlaid Canon City prisonmade spurs with 2 5/8” straight shanks. Upturned heart-shaped butto

Impressive pair of highly detailed, full silver, overlaid spurs with domed, jelly mold styled bands, edged with fine dots. Large sweeping bands ending

Extremely interesting and well-executed, early, double mounted spurs, showing characteristics of early California, Mexico, and even a little August Bu

One of Tom's personal, custom-made Stetsons. Marked inside the hat "Made Especially for Tom Mix." Mix gifted this hat to his friend, C...

An expansive and wonderful collection of photos and memorabilia about the famous actor and wild west performer Tom Mix compiled by John H. Nicholas wr

Great pair of Pendleton, Oregon made, studded and overlaid batwing chaps. Well marked and in fine condition.

35" long, outside pockets, 12 slotted conchos. S.C. Gallup Saddle Co, Pueblo, Co. Oversized, outside pockets with brass studded trim. 6 slotted...

Canvas lined, leather backed, 42" long, white woolies with interior pockets, basket stamped belt. Fine condition, c. 1920s-30s. Provenance: Ge...

Canvas lined and leather backed, 38” in total length, basket stamped billet. Wool in good condition, slight tear at the billet. Belt shows some frayin

Two Medicine-Valley Blackfeet (Montana) 24” x 36” Framed to 30” x 42” Oil on board Signed lower right

‘Cross Mountain’ – Blood Indian 26”x 19” Framed to 35”x 30” Pastel on paper Signed and titled lower right

Waiting for the Storyteller 24” x 36” Framed to 33” x 45” Oil on canvas Signed and dated lower right ‘94

Taking off the Chill 30”x 40” Framed to 42”x 52” Oil on board Signed lower right

Granite Ramparts 9” x 12” Field Study Oil on board Signed lower left Bill Anton

In the Home of the Mountain Gods 48” x 36” Framed to 64” x 52” Oil on canvas Signed lower left

Sunrise over the McDowells 9 1/2” x 14” Framed to 14 1/2” x 19” Oil on board Signed lower right Signed, titled, and dated 2004 on reverse

Untitled (Moonlit Stream) 10 1/4” x 13 1/4” Framed to 20 1/4” x 23 1/4” Monotype Signed lower right J.H. Sharp

Illustration on Letter 11” x 8 1/2” framed to 20” x 17 1/2” Mixed Media / Watercolor on paper Dated Nov. 14, 1970 Bold, bright colors Content refere

Indian Child with Headdress 8 1/2” x 5 1/2” framed to 14” x 11” Watercolor on artist board Signed lower right Examples of Ellka’s work seen in Buffa

Untitled (Santa Fe street scene) 16” x 20” Framed to 21 1/2” x 25 1/2” Oil on board Signed lower right

Cold Morning 14" x 25" Oil on board Signed lower right Michael Coleman Provenance: George Taylor Collection

Untitled (Charging Vaquero) 6 3/4” x 8 3/4” Framed to 11 1/2” x 13 1/2” Oil on board Signed lower left

California Cowboy 7 1/2” x 7 1/2” Framed to 15” x 15” Pen & ink on paper Signed lower right Includes copy of Harold Davidson Letter Provena...

Mustang Runners 32” x 40” Framed to 36” x 44” Oil on canvas Signed lower left Provenance: George Taylor Collection

Vaquero & Senorita 13” x 10” Framed to 22” x 18” Pair of original pastel drawings Signed lower right

Set of 6 “Westward Ho” Vintage Lithographs by Till Goodan. Created in 1939, framed by Collier a) Guardians of the Range 26” x 31”; b) Bronc Peeler 26

A fully carved Rocky Mountain Big Horn sheath, depicting scenes from the Life of Kit Carson. The horn shows good age and the carving appears period to

Pink, purple, yellow, and green quillwork strips decorating sleeves and shoulders in geometric designs, with abstract floral designs on the bib on nat

22” x 12” x 6” beaded with blue, yellow, and red geometric designs on white field. Typical bars in rectangular elements on the side panels. Tin-cone s

17” tall, green ochre dyed, native tanned hide with lane and edge beadwork, with three brass buttons up the sides and fringe at the opening with a 5-p

Multicolored geometric designs on native tanned hide with old canvas for the uppers, and hard soles. Fine condition c. 1890.

9” long, high cuff with ties, pink background, with green, white, and blue geometric designs. Some minor restoration, c. 1890.

Native tanned hide, with black, red, pink, blue, yellow and white beads; with faded purple (aniline dyed) and bright orange (natural dyed) quilled fri

Human hands with warrior on horseback in full length headdress. 43” overall, 10” x 8” beaded panel with deep blues. 6” quill extensions. Yellow ochre

11” x 7” multicolored, geometric designs on cowgirl riding gloves. Beadwork on back of hands and along fingers. Fine condition with some wear on left

36” x 7” including fringe, multicolored geometric designs on blue stained native tanned hide, with quilled slats and fringe. Good condition with quill

37” total length x 7” wide. Dark blue, pink, yellow, gold, and clear on blue field with geometric designs and mounted Indian wearing long feathered bo

Bridle with horsehair cone dangles and beautiful rosettes on each side. Excellent condition, c. 1890s.

Quilled and beaded bag with unusual building or home design. Buffalo hide slats. Some quill loss and minor restoration. 19” fringe, 41” overall length

Important, engraved, Colt Single Action, sword, and over 200 original, historical letters and documents. Many important photographs from his birth cer

a) Large heavy 1 1/2” bands with silver inlay in a chevron pattern, figure 8 shanks holding a 3 3/4” chased 8-point rowel. Embroidered straps with ste

Real working man’s felt hat in the original box. Great, gold, braided hat band with double tassles. 8” brim and 6 1/2” tall crown. Shows little use bu

13” x 7 1/2”, 17th century, iron Estribo de Cruz (Stirrup of the Cross). Cruciform stirrups date from the 1600s-1700s, deriving the name from their sh

The Mexican Sombrero worn by Robert Mitchum in The Wonderful Country, 1959. An early, most likely pre-revolution hat was further aged for the film. 9”

#6292, all matching numbers, .41 caliber rimfire, 3” barrel, strong rifling with light pitting, smooth, mustard colored frame with traces of silver on

U.S. Cavalry #81923. circa 1882, D.F.C. inspected, .45 Long Colt caliber, 7 1/2” barrel, grips in fine condition with clear crisp DFC cartouche on rig

Rare lithograph by Kurz & Allison. June 25th, 1876. – General Custer, His Two Brothers, His Nephew, And All His Men (7th Cavalry) Were Killed ...

U.S. marked Cavalry series revolver serial number 5337, 7 1/2”, .45 caliber in the known Custer Range. Ainsworth inspected throughout including the fa