20th Century Decorative Arts - Session 3

Paul Adolphe Rajon (1843-1888), French PORTRAIT OF LAWRENCE (SIR) ALMA-TADEMA, Etching; signed and titled in the plate. Published by The British an

After Alphonse Marie Mucha (1860-1939), Czechoslovakian JEWELLERY DESIGNS; STATUARY STUDIES; VIGNETTES OF LADIES, Three engravings, one sepia and t

After Dante Gabriel Rossetti (1828-1882), British DANTE’S DREAM, Black and white photograph; blind-stamped, Berlin, lower left. Mounted on support,

After Edward Coley (Sir) Burne-Jones (1833-1898), British FALSE MERCURY (The Dream-god showing happy dreams of home to sleeping mariners at sea), C

After Edward Coley (Sir) Burne-Jones (1833-1898), British MERLIN AND VIVIEN, Engraving with remarque by Adolphe Lalauze (1838-1906) Image 10.8”

After George Frederick Watts (1817-1904), British ORPHEUS AND EURYDICE, Engraving with remarque by John Watkins (fl.late 19th/early 20th Century)<b

Frederick Hollyer (1837-1933), British HEAD STUDY (After Edward Coley (Sir) Burne-Jones), Platinum print from the original drawing; stamped, “Copyr

Frederick Hollyer (1837-1933), British HEAD STUDY WITH CLOSED EYES (After Edward Coley (Sir) Burne-Jones), Platinum print; Fredk Hollyer studio sta

After Edward Coley (Sir) Burne-Jones (1833-1898), British FLAMMA VESTALIS (1886), Etching on chine colle by Eugene Gaujean (1850-1900); signed by B

After Edward Coley (Sir) Burne-Jones (1833-1898), British THE BRIAR WOOD (From The Legend of the Briar Rose, First scene), Photogravure; signed in

Carl Otto Czeschka (1878-1960), Austrian DIE QUELLE-ALLERLEI GEDANKEN IN VIGNETTENFORM; QUELLE, Two watercolours; the first with gold ink and pen a

Emile Antoine Verpilleux (1888-1964), British SATYR WATCHING THE BATHING MAIDEN, Gouache, egg tempera and gold paint; signed lower right, titled an

William James Neatby (1860-1910), British IN A LOOKING GLASS, Watercolour and sepia pen and ink heightened with gilt paint on vellum; signed and da

Edward Coley (Sir) Burne-Jones (1833-1898), British and Workshop William Morris & Company: DESIGN FOR A STAINED GLASS WINDOW, Watercolour and pe...

James Moore (19th/20th Century), British ADRIENNE AS THE LADY OF SHALLOT: PORTRAIT OF ADRIENNE HOLDING A CANARY, A double-sided oil on canvas; the

After Frederick (Lord) Leighton (1830-1896), British THE BATH OF PSYCHE, Colour pastel on canvas; inscribed “Allon” to the selvage 53.5” x 19” —

After Alphonse Marie Mucha (1860-1939), Czechoslovakian ALLEGORY OF SPRING, Watercolour; signed L** Val lower right Sight, arched opening 31.5”

Aladar Kacziany (1887-1978), Hungarian ALLEGORY OF LOVE, Tempera on board; signed upper right. Contained in a Neo-Classical giltwood frame. 20”

Georg Rauch (1924- ), Austrian NUDE IN A WINTER LANDSCAPE, Oil on canvas; signed lower right 28.3” x 23.8” — 71.8 x 60.3 cm. See illustration

20th Century Symbolist School SEATED MUSE, Oil on board 17.5” x 13.3” — 44.5 x 33.7 cm. See illustration Est. $300/400