20th Century Decorative Arts - Session 3

Roberto Antonio Sebastian Echauren Matta (1911-2002), Chilean UNTITLED, Colour etching and aquatint; signed and numbered 29/35 in pencil to margin<

Meret Oppenheim (1913- ), Swiss UNTITLED (Shapes Transforming in Boxes), Colour lithograph; signed and numbered 78/99 in pencil to margin. Image

Victor Vasarely (1908-1997), French/Hungarian UNTITLED (Optic Square), Colour silkscreen; signed and numbered 13/15 H.C. in pencil to margin Ima

ErtÈ (Romain De Tirtoff) (1892-1990), Russian B (from the Alphabet), Colour silkscreen; signed, titled and numbered, Trial Proof in pencil, sta...

ErtÈ (Romain de Tirtoff) (1892-1990), Russian SUMMER AND WINTER (Si Vous Restez au Pays Du Soleil...), Colour silkscreen with embossing; signed...

Mark Kostabi (1960- ), American THE BLOSSOMING OF VULNERBILITY, Colour silkscreen; signed and numbered 11/56 in pencil 42” x 30” — 106.7 x 76.2

ErtÈ (Romain de Tirtoff) (1892-1990), Russian BYZANTINE (From Jewelled Gowns), Colour silkscreen with embossing; signed and numbered 145/300 in...

ErtÈ (Romain de Tirtoff) (1892-1990), Russian PEARLS AND DIAMONDS (From Jewelled Gowns), Colour silkscreen with embossing; signed and numbered ...

Theophile Alexandre Steinlen (1859-1923), Swiss/ French LES DEUX CARTEGES..., Lithograph; signed and titled in the plate, numbered 2/20 in pencil t

Fernand Mourlot (Publisher), French Portfolio: 52 AFFICHES D’EXPOSITIONS VII, With 52 lithograph posters by Picasso, Cocteau, Le Corbusier, Foujita

Marc Chagall (1887-1985), Russian/ French CHEVAL BRUN (THE SORREL HORSE), PARIS, 1952 (M61), Colour lithograph; stamped signature. Framed 15” x

After Marc Chagall (1887-1985), Russsian/ French LE CLOWN, Colour lithograph; bears Marc Chagall signature in pen and ink lower right, numbered 133

Marc Chagall (1887-1985), Russian/ French MEETING OF RUTH AND BOAZ (From The Bible), Colour lithograph 13.8” x 10.5” — 35.1 x 26.7 cm. Est. $

Bernard Buffet (1928-1999), French EGLISE, Colour lithograph; signed in the plate upper right, numbered 254/375 in pencil to margin. Image 17” x

After Georges Braque (1882-1963), French STAINED GLASS WINDOW, Colour lithograph; signed in the plate, signed and numbered 42/175 in pencil 29.2

After Pablo Picasso (1881-1973), Spanish TOROS EN VALLAURIS, 1957; TOROS, Two colour silkscreens after the lino-cuts, each signed and dated 1957 an

Pablo Picasso (1881-1973), Spanish L’ATELIER DE CANNES (The Cannes Studio) (Frontispiece: DANS L’ATELIER PICASSO) Colour lithograph; dated 7.4.56 i

Joan Miro (1893-1983), Spanish SLUMBERS (M271), Colour lithograph, signed and numbered HC in pencil. Framed 13.5” x 20” — 34.3 x 50.8 cm. Pro

Maximilian Kurzweil (1867-1916), Austrian THE DREAM OF ICARUS, Colour woodcut; signed in pencil Image 6.1” x 6.3” — 15.5 x 15.9 cm. Provenanc

After Lawrence (Sir) Alma-Tadema (1836-1912), British THE SIESTA, Hand-coloured engraving with remarque on chine colle by Leopold Lowenstein (1842-

Paul Adolphe Rajon (1843-1888), French PORTRAIT OF LAWRENCE (SIR) ALMA-TADEMA, Etching; signed and titled in the plate. Published by The British an

After Alphonse Marie Mucha (1860-1939), Czechoslovakian JEWELLERY DESIGNS; STATUARY STUDIES; VIGNETTES OF LADIES, Three engravings, one sepia and t

After Dante Gabriel Rossetti (1828-1882), British DANTE’S DREAM, Black and white photograph; blind-stamped, Berlin, lower left. Mounted on support,

After Edward Coley (Sir) Burne-Jones (1833-1898), British FALSE MERCURY (The Dream-god showing happy dreams of home to sleeping mariners at sea), C

After Edward Coley (Sir) Burne-Jones (1833-1898), British MERLIN AND VIVIEN, Engraving with remarque by Adolphe Lalauze (1838-1906) Image 10.8”

After George Frederick Watts (1817-1904), British ORPHEUS AND EURYDICE, Engraving with remarque by John Watkins (fl.late 19th/early 20th Century)<b

Frederick Hollyer (1837-1933), British HEAD STUDY (After Edward Coley (Sir) Burne-Jones), Platinum print from the original drawing; stamped, “Copyr

Frederick Hollyer (1837-1933), British HEAD STUDY WITH CLOSED EYES (After Edward Coley (Sir) Burne-Jones), Platinum print; Fredk Hollyer studio sta

After Edward Coley (Sir) Burne-Jones (1833-1898), British FLAMMA VESTALIS (1886), Etching on chine colle by Eugene Gaujean (1850-1900); signed by B

After Edward Coley (Sir) Burne-Jones (1833-1898), British THE BRIAR WOOD (From The Legend of the Briar Rose, First scene), Photogravure; signed in

Carl Otto Czeschka (1878-1960), Austrian DIE QUELLE-ALLERLEI GEDANKEN IN VIGNETTENFORM; QUELLE, Two watercolours; the first with gold ink and pen a

Emile Antoine Verpilleux (1888-1964), British SATYR WATCHING THE BATHING MAIDEN, Gouache, egg tempera and gold paint; signed lower right, titled an

William James Neatby (1860-1910), British IN A LOOKING GLASS, Watercolour and sepia pen and ink heightened with gilt paint on vellum; signed and da

Edward Coley (Sir) Burne-Jones (1833-1898), British and Workshop William Morris & Company: DESIGN FOR A STAINED GLASS WINDOW, Watercolour and pe...

James Moore (19th/20th Century), British ADRIENNE AS THE LADY OF SHALLOT: PORTRAIT OF ADRIENNE HOLDING A CANARY, A double-sided oil on canvas; the

After Frederick (Lord) Leighton (1830-1896), British THE BATH OF PSYCHE, Colour pastel on canvas; inscribed “Allon” to the selvage 53.5” x 19” —

After Alphonse Marie Mucha (1860-1939), Czechoslovakian ALLEGORY OF SPRING, Watercolour; signed L** Val lower right Sight, arched opening 31.5”

Aladar Kacziany (1887-1978), Hungarian ALLEGORY OF LOVE, Tempera on board; signed upper right. Contained in a Neo-Classical giltwood frame. 20”

Georg Rauch (1924- ), Austrian NUDE IN A WINTER LANDSCAPE, Oil on canvas; signed lower right 28.3” x 23.8” — 71.8 x 60.3 cm. See illustration

20th Century Symbolist School SEATED MUSE, Oil on board 17.5” x 13.3” — 44.5 x 33.7 cm. See illustration Est. $300/400

Dirk Ocker (1882-1958), Dutch FRIENDS, Oil on canvas 19.8” x 18” — 50.2 x 45.7 cm. Note: The artist was a member of the Group of Ten in “h

After Francisco JosÈ de Goya Y Lucientes (1746-1828), Spanish THE COLOSSUS (The Giant), Charcoal drawing 27” x 24.3” — 68.6 x 61.6 cm. Note:<

19th Century French Symbolist School DESCENT FROM THE CROSS, Oil on panel. Arched frame 9.8” x 6.5” — 24.9 x 16.5 cm. See illustration Est

Edwardian School NEW CENTURY LADIES FASHION DESIGNS, 1901-1914, Sketchbook: containing 15 watercolours with pen and ink; each titled. 10” x 7” —

Gaston Chopard (1883-1942), French BIRD OF PARADISE, Gouache; signed and dated 1925 lower right 23.5” x 21” — 59.7 x 53.3 cm. Provenance:

Kenneth Rowell (1920- ), Australian MAGNETIC ISLANDS, Collage and soft gauze construction with silk organza; signed, titled and dated 1981 to the s

Berthon, Paul Emile (1872-1909) SA TRES GRACIEUSE MAJESTE LA REINE WILHELMINE, original lithograph backed on board (as issued). 15.7” x 14.7” —

Privat-Livemont (1861-1936) ABSINTHE ROBETTE, original lithograph from “Les Maitre de L’Affiches” series. Plate 104. Printed by Imprimerie Chaix, P

Lucien Lefevre (fl. 1850’s) ABSINTHE MUGNIER, original lithograph from “Les Maitre de L’Affiches” series. Plate 135. Printed by Imprimerie Chaix

Maurice Realier-Dumas (1860-1928) CHAMPAGNE JULES MUMM & CO., original lithograph from “Les Maitre de L’Affiches” series. Plate 111. Printed by