20th Century Decorative Arts - Session 3

Roberto Antonio Sebastian Echauren Matta (1911-2002), Chilean UNTITLED, Colour etching and aquatint; signed and numbered 29/35 in pencil to margin<

Meret Oppenheim (1913- ), Swiss UNTITLED (Shapes Transforming in Boxes), Colour lithograph; signed and numbered 78/99 in pencil to margin. Image

Victor Vasarely (1908-1997), French/Hungarian UNTITLED (Optic Square), Colour silkscreen; signed and numbered 13/15 H.C. in pencil to margin Ima

ErtÈ (Romain De Tirtoff) (1892-1990), Russian B (from the Alphabet), Colour silkscreen; signed, titled and numbered, Trial Proof in pencil, sta...

ErtÈ (Romain de Tirtoff) (1892-1990), Russian SUMMER AND WINTER (Si Vous Restez au Pays Du Soleil...), Colour silkscreen with embossing; signed...

Mark Kostabi (1960- ), American THE BLOSSOMING OF VULNERBILITY, Colour silkscreen; signed and numbered 11/56 in pencil 42” x 30” — 106.7 x 76.2

ErtÈ (Romain de Tirtoff) (1892-1990), Russian BYZANTINE (From Jewelled Gowns), Colour silkscreen with embossing; signed and numbered 145/300 in...

ErtÈ (Romain de Tirtoff) (1892-1990), Russian PEARLS AND DIAMONDS (From Jewelled Gowns), Colour silkscreen with embossing; signed and numbered ...

Theophile Alexandre Steinlen (1859-1923), Swiss/ French LES DEUX CARTEGES..., Lithograph; signed and titled in the plate, numbered 2/20 in pencil t

Fernand Mourlot (Publisher), French Portfolio: 52 AFFICHES D’EXPOSITIONS VII, With 52 lithograph posters by Picasso, Cocteau, Le Corbusier, Foujita

Marc Chagall (1887-1985), Russian/ French CHEVAL BRUN (THE SORREL HORSE), PARIS, 1952 (M61), Colour lithograph; stamped signature. Framed 15” x

After Marc Chagall (1887-1985), Russsian/ French LE CLOWN, Colour lithograph; bears Marc Chagall signature in pen and ink lower right, numbered 133

Marc Chagall (1887-1985), Russian/ French MEETING OF RUTH AND BOAZ (From The Bible), Colour lithograph 13.8” x 10.5” — 35.1 x 26.7 cm. Est. $

Bernard Buffet (1928-1999), French EGLISE, Colour lithograph; signed in the plate upper right, numbered 254/375 in pencil to margin. Image 17” x

After Georges Braque (1882-1963), French STAINED GLASS WINDOW, Colour lithograph; signed in the plate, signed and numbered 42/175 in pencil 29.2

After Pablo Picasso (1881-1973), Spanish TOROS EN VALLAURIS, 1957; TOROS, Two colour silkscreens after the lino-cuts, each signed and dated 1957 an

Pablo Picasso (1881-1973), Spanish L’ATELIER DE CANNES (The Cannes Studio) (Frontispiece: DANS L’ATELIER PICASSO) Colour lithograph; dated 7.4.56 i

Joan Miro (1893-1983), Spanish SLUMBERS (M271), Colour lithograph, signed and numbered HC in pencil. Framed 13.5” x 20” — 34.3 x 50.8 cm. Pro

Maximilian Kurzweil (1867-1916), Austrian THE DREAM OF ICARUS, Colour woodcut; signed in pencil Image 6.1” x 6.3” — 15.5 x 15.9 cm. Provenanc

After Lawrence (Sir) Alma-Tadema (1836-1912), British THE SIESTA, Hand-coloured engraving with remarque on chine colle by Leopold Lowenstein (1842-

Paul Adolphe Rajon (1843-1888), French PORTRAIT OF LAWRENCE (SIR) ALMA-TADEMA, Etching; signed and titled in the plate. Published by The British an

After Alphonse Marie Mucha (1860-1939), Czechoslovakian JEWELLERY DESIGNS; STATUARY STUDIES; VIGNETTES OF LADIES, Three engravings, one sepia and t

After Dante Gabriel Rossetti (1828-1882), British DANTE’S DREAM, Black and white photograph; blind-stamped, Berlin, lower left. Mounted on support,

After Edward Coley (Sir) Burne-Jones (1833-1898), British FALSE MERCURY (The Dream-god showing happy dreams of home to sleeping mariners at sea), C

After Edward Coley (Sir) Burne-Jones (1833-1898), British MERLIN AND VIVIEN, Engraving with remarque by Adolphe Lalauze (1838-1906) Image 10.8”

After George Frederick Watts (1817-1904), British ORPHEUS AND EURYDICE, Engraving with remarque by John Watkins (fl.late 19th/early 20th Century)<b

Frederick Hollyer (1837-1933), British HEAD STUDY (After Edward Coley (Sir) Burne-Jones), Platinum print from the original drawing; stamped, “Copyr

Frederick Hollyer (1837-1933), British HEAD STUDY WITH CLOSED EYES (After Edward Coley (Sir) Burne-Jones), Platinum print; Fredk Hollyer studio sta

After Edward Coley (Sir) Burne-Jones (1833-1898), British FLAMMA VESTALIS (1886), Etching on chine colle by Eugene Gaujean (1850-1900); signed by B

After Edward Coley (Sir) Burne-Jones (1833-1898), British THE BRIAR WOOD (From The Legend of the Briar Rose, First scene), Photogravure; signed in

Carl Otto Czeschka (1878-1960), Austrian DIE QUELLE-ALLERLEI GEDANKEN IN VIGNETTENFORM; QUELLE, Two watercolours; the first with gold ink and pen a

Emile Antoine Verpilleux (1888-1964), British SATYR WATCHING THE BATHING MAIDEN, Gouache, egg tempera and gold paint; signed lower right, titled an

William James Neatby (1860-1910), British IN A LOOKING GLASS, Watercolour and sepia pen and ink heightened with gilt paint on vellum; signed and da

Edward Coley (Sir) Burne-Jones (1833-1898), British and Workshop William Morris & Company: DESIGN FOR A STAINED GLASS WINDOW, Watercolour and pe...

James Moore (19th/20th Century), British ADRIENNE AS THE LADY OF SHALLOT: PORTRAIT OF ADRIENNE HOLDING A CANARY, A double-sided oil on canvas; the

After Frederick (Lord) Leighton (1830-1896), British THE BATH OF PSYCHE, Colour pastel on canvas; inscribed “Allon” to the selvage 53.5” x 19” —

After Alphonse Marie Mucha (1860-1939), Czechoslovakian ALLEGORY OF SPRING, Watercolour; signed L** Val lower right Sight, arched opening 31.5”

Aladar Kacziany (1887-1978), Hungarian ALLEGORY OF LOVE, Tempera on board; signed upper right. Contained in a Neo-Classical giltwood frame. 20”

Georg Rauch (1924- ), Austrian NUDE IN A WINTER LANDSCAPE, Oil on canvas; signed lower right 28.3” x 23.8” — 71.8 x 60.3 cm. See illustration

20th Century Symbolist School SEATED MUSE, Oil on board 17.5” x 13.3” — 44.5 x 33.7 cm. See illustration Est. $300/400

Dirk Ocker (1882-1958), Dutch FRIENDS, Oil on canvas 19.8” x 18” — 50.2 x 45.7 cm. Note: The artist was a member of the Group of Ten in “h

After Francisco JosÈ de Goya Y Lucientes (1746-1828), Spanish THE COLOSSUS (The Giant), Charcoal drawing 27” x 24.3” — 68.6 x 61.6 cm. Note:<

19th Century French Symbolist School DESCENT FROM THE CROSS, Oil on panel. Arched frame 9.8” x 6.5” — 24.9 x 16.5 cm. See illustration Est

Edwardian School NEW CENTURY LADIES FASHION DESIGNS, 1901-1914, Sketchbook: containing 15 watercolours with pen and ink; each titled. 10” x 7” —

Gaston Chopard (1883-1942), French BIRD OF PARADISE, Gouache; signed and dated 1925 lower right 23.5” x 21” — 59.7 x 53.3 cm. Provenance:

Kenneth Rowell (1920- ), Australian MAGNETIC ISLANDS, Collage and soft gauze construction with silk organza; signed, titled and dated 1981 to the s

Berthon, Paul Emile (1872-1909) SA TRES GRACIEUSE MAJESTE LA REINE WILHELMINE, original lithograph backed on board (as issued). 15.7” x 14.7” —

Privat-Livemont (1861-1936) ABSINTHE ROBETTE, original lithograph from “Les Maitre de L’Affiches” series. Plate 104. Printed by Imprimerie Chaix, P

Lucien Lefevre (fl. 1850’s) ABSINTHE MUGNIER, original lithograph from “Les Maitre de L’Affiches” series. Plate 135. Printed by Imprimerie Chaix

Maurice Realier-Dumas (1860-1928) CHAMPAGNE JULES MUMM & CO., original lithograph from “Les Maitre de L’Affiches” series. Plate 111. Printed by

Henri-Gabriel Ibels (1867-1936) AFFICHES ARTISTIQUES PIERREFORT, original lithograph from “Les Maitre de L’Affiches” series. Plate 102. Printed

Alphonse Mucha (1860-1939) LORENZACCIO, original lithograph from “Les Maitre de L’Affiches” series. Plate 114. Printed by Imprimerie Chaix, Pari

Toulouse-Lautrec, Henri de (1864-1901) MAY MILTON; CONFETTI; AU CONCERT, a group of 3 lithographs from “Les Affiches de Toulouse-Lautrec” series. P

Toulouse-Lautrec, Henri de (1864-1901) TROUPE DE MADAME EGLANTINE, this well-known poster was done at the request of Lautrec’s friend Jane Avril, w

Binder, Joseph (1898–1972) NEW YORK WORLD’S FAIR 1939, a colour lithograph poster of classic Art Deco design. Binder was awarded first prize for th

Redon, Georges (1869-1943) SOCIETE GENERALE, a colour lithograph poster from 1911. Laid down. Framed. 43.7” x 31” — 111 x 78.7 cm. See illust

Leroux, Auguste (1871-1954) DE LA DEFENSE NATIONAL SOUSCRIVEZ, a colour lithograph poster printed by Josef Charles, Paris. Laid down on card. Frame

Steinlen, Theophile Alexandre (1859-1923) 1916 LA TRIENNALE, a two colour lithograph poster for the French Art Exposition in 1916. Printed by Lapin

Feracci, A. PLAYTIME [1967], a large movie poster for this classic Jacques Tati film. 63” x 47” — 160 x 119.4 cm. See illustration Est. $2

[ART NOUVEAU BINDINGS]. 8vo, a group of 12 Art Nouveau bindings by Talwin Morris, Rennie Mackintosh and others of the Glasgow group. See illustrati

A. Weinberger a green cloth notebook with a relief copper decorative plate of a man, woman and cherub signed by A. Weinberger. Closes and latches w

Abbott Pattison (1916- ), American THREE FIGURES , Bronze with painted decoration; signed, titled to paper label. Raised on a rectangular wood base

20th Century School EXPRESSIONIST NUDE SEATED ON A ROCK, Gilt bronze 9.8” — 24.8 cm. See illustration Est. $200/300

20th Century School EXPRESSIONIST NUDE PLAYING WITH CUPID, Bronze sculpture with gold/green patination Height 17” — 43.2 cm. Est. $200/300

Monogramme S** M** (20th Century) CROUCHING NUDE, Dark brown patinated bronze; signed with adjoined initials and numbered 2/12. Raised on a black m

20th Century School MALE NUDE TORSO, Dark brown patinated bronze. Raised on a green stone base Overall Height 10.3” — 26 cm. Est. $100/200

20th Century School THE DANCER, Gilt bronze sculpture. Raised on a black marble base Height 18” — 45.7 cm. Est. $200/300

Janos Farkas (20th Century), Hungarian/American TORSO, Glazed terracotta; signed top left shoulder. Raised on a square wood base. Height 36” — 9

20th Century School STANDING FEMALE TORSO, Gold brown patinated bronze sculpture Height 20.5” — 52.1 cm. Est. $300/400

20th Century School STANDING NUDE WITH HANDS ON HER HEAD , Dark brown and gilt patinated bronze Height 18” — 45.7 cm. Est. $300/400

Nomi Faran (20th Century) , Israeli BENDING NUDE, Bronze; signed in Hebrew and numbered 3/9. Raised on a circular ebonized wood base 20” — 50.8

Jan Le Witt (1907-1975), French LES DEUX SOLEILS, Woven wall-hanging; signed and titled to label verso. 66” x 81” — 167.6 x 205.7 cm. Provena

Victor Vasarely (1908-1997), French/Hungarian SIR-RIS POSITIF (Optic Cube), Multiple; published by Editions Denise RenÈ, Paris in 1968 in an ed...

Frederick Sproston Challener (1869-1959), Canadian LAUGHING EYES, Pastel; signed and dated 1905 lower left, titled verso 20” x 14.8” — 50.8 x 37

Robert Achtemichuk (1948- ), Canadian ACROBAT (W); NUDE DANCER (E), Two etchings; each signed, inscribed, dated 1982 and numbered 6/33 in pencil to

Cara Popescu (1922-1992), Canadian CONTEMPLATION, Black/green patinated bronze; inscribed to the base with verse from Dante: Eio Ch”Alfine Di Tutti

Hans Martin Schleeh (1928-2001), Canadian TORSO, Silvered bronze; signed. Raised on a black marble pedestal base. Height of bronze 10” — 25.4 cm

Hans Martin Schleeh (1928-2001), Canadian ALPHA; UNTITLED, Two silvered bronze sculptures; each signed. Each raised on black marble bases. Bronz

Hans Martin Schleeh (1928-2001), Canadian ABSTRACT; THE THINKER; STANDING WOMAN, Three silvered bronze sculptures; each signed, one titled to label

Rhodelle Hershoran (20th Century), Canadian STANDING FEMALE NUDE, Stone carving; signed and dated 1970. Raised on a rectangular stone base 23” —

Richard Kramer (20th Century), Canadian UNTITLED (A Sculpted Freize on Stand), Bronze; signed 9.5” x 21” — 24.1 x 53.3 cm. Est. $200/300

Gordon Hammond Smith (1937- ), Canadian UNTITLED (Angled Planes), Gilt bronze; signed and numbered 1/9. Raised on a black marble base. Irregular

Hans Martin Schleeh (1928-2001), Canadian RESCUE, White marble sculpture; signed. Raised on a mottled dark stone base. Height of sculpture 14.5”

Dik Zander (1943- ), Canadian UNTITLED, Acrylic and coloured liquid sculpture; signed, dated 1973 and numbered 2/12 18” x 6” x 6” — 45.7 x 15.2

Gerald Gladstone (1929- ), Canadian UNTITLED, Acrylic and metal sculpture 10” x 11.5” — 25.4 x 29.2 cm. See illustration Est. $200/300

Gerald Gladstone (1929- ), Canadian UNTITLED (Cube), Wire and metal sculpture; signed on attached label 12” x 12” — 30.5 x 30.5 cm. Est. $

Marion Lewis (1910- ), Canadian ABSTRACT FIGURE, Glazed terracotta panel; signed and dated 1955 to the reverse Irregular shape 17” x 6.5” — 43.2

Hans Martin Schleeh (1928-2001), Canadian TORSO, Gray stone sculpture; signed. Raised on a circular black marble revolving base. 30” — 76.2 cm.<

Robert Roussil (1925- ), Canadian THE SKATERS, Wrought iron sculpture 25” — 63.5 cm. Provenance: Galerie Dresdnere, Toronto See illustr

Hans Martin Schleeh (1928-2001), Canadian ABSTRACT MOTIF, Metal relief; signed lower left 10.3” x 20” — 26 x 50.8 cm. Provenance: Galerie

Hans Martin Schleeh (1928-2001), Canadian BALLERINA, Forged iron, sheet metal and mixed-media sculpture Height 40.8” — 103.5 cm. Provenance:<

Ahmad Al-Shaikhly (1941-), Canadian SHEARED FORM-ESCALATION, Aluminum and brass sculpture, signed, titled, dated Jan. 1979 and numbered 1/3 on slat

Ahmad Al-Shaikhly (1941-), Canadian THE THEORY-SYNAPTIC CONNECTIVITY, Aluminum and copper sculpture, signed, titled, dated June 1979 and numbered 1

Ahmad Al-Shaikhly (1941- ), Canadian NATURAL HARMONICS, NO.5, Bronzed aluminum sculpture. Executed in 1976. Raised on a wood base. Height 26” —

Hans Martin Schleeh (1928-2001), Canadian COSMIC STATIC, Stone carving Height 23.5” — 59.7 cm. Provenance: Galerie Dominion, Montreal S

Hans Martin Schleeh (1928-2001), Canadian A FAMILY GROUP, Watercolour and stencil; signed lower right. Unframed. 26” x 20” — 66 x 50.8 cm. Pr

Hans Martin Schleeh (1928-2001), Canadian COURTING BIRD, Stone sculpture Height 19.8” — 50.2 cm. Provenance: Galerie Dominion, Montreal<br

Ahmad Al-Shaikhly (1941-), Canadian THE THEORY-THE KNOT, Aluminum sculpture, signed, titled, dated June 1979 and numbered 1/3 on slate base Over

Hans Martin Schleeh (1928-2001), Canadian LES VOYAGEURS, White marble sculpture. Raised on a mottled gray/black marble base Overall 18” x 25.3”

Ahmad Al-Shaikhly (1941-), Canadian RAPE III, Aluminum sculpture, signed, titled, dated February 1978 and numbered 1/3 on slate base Overall hei