Torex October 2006

1871H Obverse 2 CCCS VF-20. Some remaining lustre and light to medium toning

1872H Obverse 2 PCGS MS-62. This is a fully struck piece with great lustre and a very attractive light golden amber toning

1872H Obverse 2 ICG MS-62. This is a fully struck and strongly lustrous near untoned piece

1872H Obverse 2 ICCS VF-30. Pale toned

1872H Obverse 2 ICCS VF-20 and 1894 ICCS F-12, Cleaned. Two lightly toned pieces

1872H Obverse 2 VF with rim dents and marks and 1874H, VF with a weak reverse, both pale toned

1874H PCGS MS-65. This is a fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied with two other examples as t

1874H Belzberg PCGS MS-64. This is a fully struck and strongly lustrous piece that is attractively toned in pale golds and golden light olives. It is

1874H ICCS MS-60. A fully struck and strongly lustrous pale golden toned example

1874H ICCS AU-55. A very sharp and near fully lustrous piece with attractive light to medium golden olive and magenta toning

1874H CCCS EF-40. Considerable remaining lustre and a pale golden toning

1880H Narrow ICCS VF-20. Pale golden toning with darker ambers and blues at the rims

1880H Narrow 0 Over Wide 0 ICCS F-12. Light to medium golden gray toning

1880H Narrow 0 Over Wide 0 CCCS VG-8. Medium slate toning

1880H Narrow 0 Over Wide 0 and 1889, both CCCS G-4. Two lightly toned pieces

1880H Wide 0 ICCS VG-8. Light to medium golden gray toning

1880H Wide 0 CCCS G-6. Light toning

1880H Wide 0 and 1889, both CCCS Fair, the 1880H Cleaned, Scratches. Two light toned pieces

1881H and 1882H, both CCCS F-12. Plus 1900 CCCS F-15. Three lightly toned pieces

1881H pale toned and 1883H lightly toned. Two pieces, both ICCS F-12

1882H PCGS MS-62. This is a fully struck piece with great lustre and a beautiful light golden amber toning. It is tied as the ninth highest graded by

1882H and 1892, both ICCS F-12. Two light golden gray toned pieces

1883H ICCS and PCGS MS-64. This is a fully struck piece with great lustre and rather flawless pale golden toned surfaces. It is a near first strike wi

1885 Re-engraved Straight Top 5, Pittman PCGS VF-35. Pale golden toning with light amber and blue rim accents. This is only the second example of this

1885 Curved Top 5 ICCS VF-20. This is a nice, light golden toned example

1885 Curved Top 5 CCCS VG-8. Light toned

1885 Curved Top 5 CCCS G-6 Corrosion and 1889 CCCS VG-8 Cleaned. Both lightly toned

1885 Curved Top 5 and 1893, both CCCS AG-3. Both lightly toned

1886 6 Over 3, Obverse 5, Long Bough Ends ICCS F-12. Medium slate rim toning

1886 Obverse 5, Short Bough Ends ICCS F-15. Light gold toning with medium slate accents

1887 CCCS VG-10. Light golden toning

1887 CCCS VG-8. Light-medium toning

1887 CCCS G-6. Pale toned

1887 and 1889, both CCCS G-4. Two pieces, both lightly toned

1889 CCCS G-6. Lightly toned

1889 CCCS G-6. Lightly toned

1889 CCCS G-6. Lightly toned

1889, aG. Lightly toned

1893 CCCS G-6. Lightly toned

1894 ICCS EF-45. A sharp piece with much remaining lustre and a light golden toning

1900 ICCS and PCGS MS-64. This is a fully struck piece with great lustre and near flawless surfaces that are beautifully toned in light golden tans wi

1900 PCGS MS-63. Fully struck with great lustre and rather flawless surfaces that are attractively toned in pale golds with light ambers and blues at

1900 ICCS AU-55. This is a very sharp and near fully lustrous pale golden toned piece

1900 ACG VF-35, Rim Nick. Lightly toned

1900 ICCS VF-30. Pale golden toning

1900 ICCS VF-30. Light golden toning

1902 CCCS EF-40. A very sharp, pale golden toned piece with much remaining lustre

1902H ICCS MS-63. This is a fully struck piece with great lustre and a pale golden toning

1905 PCGS MS-66. This is a fully struck and superbly lustrous piece with virtually flawless and near untoned surfaces. It is tied with one other examp

1905 ICCS VF-30. Light golden toning