Torex October 2006

1916 PCGS MS-64. This is a fully struck and strongly lustrous piece with light golden toning

1916 PCGS MS-63. This is a fully struck and strongly lustrous piece with light golden tan toning

1916 ICCS MS-60. Pale golden toning

1917 ICCS MS-64. This is a fully struck and strongly lustrous piece with light golden toning

1918 ICCS MS-63. Pale golden toning

1918 ICCS MS-63. Pale golden toning

1919 NGC MS-64. Dark toning accents

1919 ICCS MS-63. Light-medium toning

1919, 1938 and 1938 Doubled 3, all CCCS MS-60. Plus 1953 Shoulder Fold CCCS MS-63 Cameo. Four pieces, the 1919 medium toned, the others pale

1920 ICCS MS-63. Pale golden toning

1921 ICCS MS-62. Light rim toning

1928 ICCS MS-62. Light golden toning

1928, two light to light-medium toned pieces, both CCCS AU-55

1928 light-medium toned and 1929 pale toned, both CCCS AU-50. Plus 1919 light-medium toned CCCS EF-45 and 25 Cents 1918 pale toned CCCS EF-40

1929 ICCS MS-65. This is a fully struck and strongly lustrous pale golden toned piece. It is tied as the second highest graded by ICCS

1929 PCGS MS-64. This is a strongly struck piece with great lustre and rather flawless surfaces that are attractively toned in pale golds

1930 PCGS MS-64. This is a strongly struck piece with great lustre and rather flawless surfaces that are attractively toned in pale golds

1930 ICCS MS-63. Light golden toning

1930 PCGS MS-63. Light golden toning

1930 ICCS MS-62. Light golden toning

1931 ICCS MS-64. Light golden toning

1932 ICCS MS-63. Light-medium toning

1933 NGC MS-66. This is a strongly struck piece with great lustre beneath a medium mauve and olive toning. It is the solo highest graded by NGC

1935 PCGS MS-64. A strongly struck piece with great lustre and an attractive light golden toning

1935 ICCS AU-50. Near untoned

1936 PCGS MS-64. Light-medium toning

1936 ICCS MS-63. Light golden toning

1936 PCGS MS-63. Light golden toning

1936 PCGS MS-63. Pale golden toning

1936 ICCS MS-62. Light golden toning

1937 Mirror PCGS SP-65. Attractive light-medium multicoloured toning

1937 Mirror PCGS SP-64. Attractive medium gun-metal toning

1937 ICCS MS-65. Great lustre with beautiful light-medium golden olive and amber toning

1937 ICCS MS-65. Great lustre with beautiful light-medium amber and blue toning

1937 ICCS MS-65. Great lustre with attractive light-medium olive and blue toning

1937 ICCS MS-65. Great lustre with light-medium golden mauve and blue toning

1938 ICCS MS-63. Pale golden toning

1938 ICCS MS-63 pale toned and 1949 ICCS MS-62 with attractive light-medium toning

1939 ICCS MS-65. A fully struck piece with great lustre and near flawless pale golden toned surfaces. It is tied as the second highest graded by ICCS

1939 ICCS MS-65. A fully struck and strongly lustrous piece and near flawless pale golden toned surfaces. It is tied as the second highest graded by I

1939 ICCS MS-65. A fully struck and strongly lustrous piece with near flawless light-medium golden amber toned surfaces. Tied as the second highest by

1940, 1950 and 1953 No Shoulder Fold, all ICCS MS-62. Plus 1945, 1946 and 1947 Maple Leaf, all ICCS MS-63. Total six pale to lightly toned pieces

1941, 1942 and 1952, all ICCS MS-63. Total three pale to lightly toned pieces

1943 ICCS MS-65. A fully struck piece with great lustre and beautifully toned with pale golden centres framed by light-medium ambers, blues and violet

1944, 1951 and 1956 Dot, all ICCS MS-64. Plus 1999P ICCS MS-65, the 1944 with medium toning

1946 pale toned with clashed a die and 25 Cents 1945 lightly toned, both ICCS MS-63

1947 ICCS MS-65. A fully struck and near untoned piece with great lustre. It is tied highest by ICCS

1947, two pieces, both Choice to Gem Uncirculated, one with frosty lustre and pale golden toning, the other mirror and near untoned

1947 Maple Leaf ICG MS-65. Pale toned

1947 Maple Leaf ICG MS-65 pale toned plus 1983 ICG PL-68 and 2001P ICG MS-64. Three pieces