Torex October 2006

1951 PCGS PL-65. Pale golden toning

1951 ICCS PL-64. Near untoned

1951 PCGS PL-63. Light rim toning

1951 PCGS MS-65. This is a fully struck piece with great lustre and near flawless surfaces that are toned in light golden mauves

1951 ICCS MS-64. Pale golden toning

1951 PCGS MS-64. Light golden toning

1951, 1953 No Shoulder Fold and 1953 Shoulder Fold, all ICCS MS-63, the Shoulder Fold with light mother-of-pearl toning, the others pale

1951 Arnprior ICCS MS-60. Pale toning

1951 Arnprior ICCS AU-55. Pale toning

1952 Water Lines ICCS MS-64. A pale golden toned example

1952 Normal Waterlines CCCS MS-64. A light golden toned example

1952 Short Water Line ICCS MS-64. Pale toned with light amber and blue accents

1952 No Waterlines PCGS PL-66. Great lustre and near flawless surfaces with pale golds at the rims. It is tied sixth highest graded by PCGS

1952 No Waterlines ICCS PL-65. A pale golden toned example

1952 No Waterlines Gem Proof-Like. This is a superbly lustrous and near flawless piece with light golden amber rim toning

1952 No Waterlines ICCS PL-64. A near untoned example

1952 No Waterlines PCGS MS-66. This is a fully struck piece with great lustre and near flawless surfaces that have an attractive light golden toning.

1952 No Water Lines and 1952 Water Lines, both ICCS MS-63. Plus 1965 Small Beads Pointed 5 ICCS MS-64. Three untoned pieces

1953 No Shoulder Fold ICCS SP-64. This is a fully detailed Specimen Strike with great lustre and near flawless pale golden toned surfaces. It is tied

1953 Shoulder Fold PCGS MS-65. This is a fully struck piece with great lustre and near flawless surfaces that are toned in light golden ambers. It is

1954 ICCS PL-66 Heavy Cameo. This is a superbly lustrous and near flawless piece with pale golden toning. It is tied as the highest HC, with only thre

1954 PCGS PL-66. A superbly lustrous, near flawless and near untoned piece with a heavy cameo

1954 PCGS PL-66. Light golden toning

1954 ICCS PL-65. Near untoned

1954 ICCS PL-64 Heavy Cameo. Untoned

1954 ICCS PL-64 Heavy Cameo. Untoned

1955 Arnprior ICCS PL-65. This is a pale golden toned example

1955 Arnprior with Die Breaks ICCS MS-62. A near untoned example

1955 Arnprior with Die Breaks ICCS MS-62. A pale golden toned example

1955 Arnprior with Die Breaks ICCS MS-62 and 1955 ICCS MS-60. Two pale toned pieces

1955 ICCS PL-66. Light golden toned

1955 PCGS PL-66. Light gold rim toning

1955 ACG PL-66 Cameo. Light rim toning

1955 ICCS PL-65 Heavy Cameo. A near flawless and near untoned example

1955 ICCS PL-65 Cameo. Untoned

1955 ICCS PL-65. Near untoned

1955 PCGS PL-65. Light golden toning

1955 ICCS MS-64. Light golden toning

1956 PCGS PL-68, ICCS PL-67 Ultra Heavy Cameo. This is a fully struck and superbly lustrous piece with virtually flawless surfaces and a light golden

1956 ICCS PL-67 Ultra Heavy Cameo. This is a second fully struck and superbly lustrous piece with virtually flawless surfaces, this with very pale gol

1956 ANACS MS-67 PL. Pale toned

1956 PCGS PL-66. Lightly toned

1956 ICCS PL-65 Heavy Cameo. Untoned

1956 ICCS PL-64 Heavy Cameo. Light golden rim toning accents

1956 ICCS PL-64 Cameo. Untoned

1956 PCGS PL-64. Lightly toned

1956 and 25 Cents 1956. Two untoned pieces, both ICCS MS-63 Heavy Cameo

1957 PCGS PL-67. This is a superbly lustrous and near flawless untoned piece

1957 PCGS PL-67. This is another superbly lustrous and near flawless untoned piece

1957 ICCS PL-65 Cameo. Untoned. Only two Heavy Cameo examples graded higher by ICCS