THE JOHN HOBBS COLLECTION OF ENGLISH & CONTINENTAL FURNITURE PART II

AN ITALIAN ROCOCO WHITE-PAINTED SIDE TABLE Circa 1740 The shaped marble top above a cavetto molding and a scrolled apron centered by a shell,

A SOUTH ITALIAN ROCOCO WALNUT AND PARQUETRY BUREAU-BOOKCASE Possibly Sicilian, circa 1750 The shaped broken pediment with molded cornice above

A NORTH ITALIAN EARLY ROCOCO WALNUT EBONY BOXWOOD MARQUETRY AND PARQUETRY COMMODE Possibly by Pietro Piffetti (1700-1770), Turin, stamped twic

A NORTH ITALIAN ROCOCO GRAY BLUE AND RED-PAINTED MIRROR Veneto, circa 1750 The plates in three sections, within a frame with scroll, rocaille

A PAIR OF SOUTH GERMAN ROCOCO BLUE AND WHITE-PAINTED TERRACOTTA URNS ON STANDS After a design by Franz Xaver Haberman (1721-1796), Augsburg, m

A SOUTH GERMAN ROCOCO WHITE-PAINTED AND PARCEL-GILT COMMODE Inspired by the designs of Francois Cuvilliés (1695-1768), possibly carved by Joha

A PAIR OF NORTH ITALIAN ROCOCO polychrome- decorated AND PARCEL-GILT WROUGHT-IRON AND TOLE LANTERNS Venice, circa 1720 Each pierced and taperi

AN ITALIAN ROCOCO GILTWOOD MIRROR Circa 1740 The rectangular plate within a molded frame set overall with acanthus-sheathed scrolls, foliage a

AN ITALIAN ROCOCO GILTWOOD CONSOLE Circa 1740 The serpentine brêche violette marble top above a molded frieze and a pierced acanthus-sheathed

A PAIR OF NORTH ITALIAN EARLY ROCOCO GILTWOOD ARMCHAIRS Possibly Verona, circa 1730 Each molded and scrolled frame with acanthus and rocaille-

A PAIR OF SOUTH ITALIAN ROCOCO WHITE-PAINTED CONSOLE TABLES Naples, circa 1750 Each serpentine verde antico marble top with molded edge above

A NORTH ITALIAN ROCOCO CALAMANDER PARQUETRY AND MARQUETRY COMMODE Circa 1750 The serpentine marble top above a crossbanded frieze, two short a

A PAIR OF ITALIAN ROCOCO GILTWOOD CONSOLE TABLES Circa 1755 Each eared serpentine mottled liver and white marble top with Siena marble torus-m

A SET OF FOUR ITALIAN TRANSITIONAL POLYCHROME-PAINTED PARCEL-GILT AND SILVERED ARMCHAIRS Circa 1770 Each pierced tapering rectangular back wit

A GEORGE III GILT-BRASS-MOUNTED MAHOGANY BRACKET CLOCK The dial and movement signed Higgs y/Diego Evans/Bolst Real/Londres, circa 1770 The mov

A NORTH ITALIAN TRANSITIONAL POLYCHROME-PAINTED MARBleIZED AND PARCEL-SILVERED CREDENZA Venice, circa 1760 The shaped marbleized top with a pl

AN ITALIAN NEOCLASSIC STYLE GILTWOOD SIX-LIGHT CHANDELIER 19th century Each reeded and acanthus-sheathed scrolled arm with fluted and leaf-she

A PAIR OF ITALIAN NEOCLASSIC GILTWOOD TROPHIES 19th century Each in the form of a helmet sheathed with scrolling acanthus and scallop shells,

AN ITALIAN EARLY NEOCLASSIC GILTWOOD CONSOLE Circa 1765 The serpentine nero antico marble top with molded edge above a stop-fluted frieze hung

AN ITALIAN NEOCLASSIC SILVERED SIX-LIGHT CHANDELIER Circa 1770 Each acanthus-sheathed double-scrolled arm with Greek key block terminal set wi