Hollywood Auction 43

(Paramount, 1974) Pencil and watercolor on 15 x 20” 4-ply illustration board, executed and initialed by Theadora Van Runkle, and identified by her as

(Paramount, 1955) Pencil, pen & ink, watercolor, and gouache on 14.5 x 19” 2-ply illustration board, by Edith Head of Grace Kelly in Alfred Hit...

Original costume sketch accomplished in ink and gouache on an approx. 16 in. x 20 in. leaf of artist’s illustration paper, featuring Liberace wearing

(20th Century-Fox, 1964) Pencil, pen & ink, watercolor, and gouache on 14 x 17” illustration paper, executed and very boldly signed by Edith He...

(Warner Bros., 1963) Pencil, watercolor and gouache on 15 x 22” 2-ply illustration board, executed and boldly pencil-signed by Norma Koch, of Dean Ma

(Republic Pictures, 1954) Pencil, watercolor, and gouache on 15 x 20” 4-ply illustration board, executed and signed by Sheila O’Brien, who for severa

(King’s Road Entertainment, 1987) Pencil, watercolor, India ink and gouache on 16 x 20” 2-ply illustration board, executed and signed by Moss Mabry f

Costume sketch of historical character Evelyn Nesbit Thaw from either The Girl in the Red Velvet Swing or Ragtime. Pencil, watercolor, and glitter on

(Mirisch Corporation, 1964) Pencil and watercolor on 15 x 20” 8-ply illustration board by Bill Thomas of Kim Novak’s signature costume for Billy Wild

(MGM, 1957) Pencil, watercolor, and gouache on 15 x 22” 2-ply illustration board with fabric swatch affixed, pencil initialed on verso by Helen Rose

(TCF, 1951) Original costume design sketch by Charles Le Maire accomplished in pencil and gouache on a 15 ½ in. x 20 ¼ in. leaf of artist’...

(Paramount, 1969) Pen & ink and watercolor on special screen-printed period-style newsprint 1-ply illustration paper, 16 x 22” laid onto 18 x 2...

(Universal Pictures, 1967) Pen & ink and gouache on 8.5 x 14” vellum, mounted on 13.25 x 19.25 4-ply matboard with fabric swatch affixed, execu...

(MGM, 1958) Pencil, watercolor and gouache on 15 x 20” illustration board with fabric swatch affixed, attributed to Walter Plunkett, costume designer

(MGM, 1953) Pencil, pen & ink, watercolor, and gouache on 15 x 20” 4-ply illustration board, executed and initialed on verso by Walter Plunkett...

(Warner Bros., 1963) Pencil, watercolor and gouache on 15 x 22” 2-ply illustration board by Norma Koch of Frank Sinatra in the Robert Aldrich directe

(Paramount, 1954) Pencil and watercolor on 8-ply illustration board, 15 x 20”, executed and pencil-signed by John L. Jensen (for Edith Head) of exoti

(MGM, 1951) Pencil and watercolor on 15 x 20” illustration board of a test costume for Robert Taylor’s character “Marcus” in Quo Vadis. Herschel McCoy

(20th Century-Fox, 1944) Pencil, pen & ink, and watercolor on 15 x 20” 8-ply illustration board, executed and pencil-signed by Bonnie Cashin. T...

(20th Century-Fox, 1966) Collection of (4) original pencil and watercolor on 10 x 15” illustration board costume sketches of Asian character types fo

(20th Century-Fox, 1961) (2) Pencil, pen & ink, watercolor, and gouache designs on 11.5 x 17” 1-ply illustration paper, executed and pencil-sig...

(Fox Film Corp., 1933) Pencil, pen & ink, and gouache on 13 x 20” 2-ply illustration paper, executed and pencil-signed by Walter Plunkett of An...

(Paramount, 1963) (3) Pencil, pen & ink, watercolor, and gouache designs on 14 x 17” 1-ply illustration paper by Edith Head(one is signed in pe...

(RKO, 1955) Pencil, pen & ink, and watercolor on 15 x 20” 4-ply illustration board (Dale Robertson design, which is pencil-signed by Woulfe), a...

(Paramount, 1986) Colored pencil and chalk pastel on 19 x 24” 1-ply illustration paper, executed by Wayne Finkleman for the Eddie Murphy comedy, and

(Paramount, 1969) Pen & ink and watercolor with three fabric swatches affixed on special screen-printed period-style newsprint 1-ply illustrati...

(MGM, 1932) This is one of Greta Garbo’s most unusual films, and the only one in which she plays a blonde. The source of the screenplay was Luigi Pir

(Fox Film Corporation, 1933) Original studio mimeo, 134 pp in printed covers, final shooting script by John Balderston(from his play) dated 4/5/1933,

(Warner Bros., 1934-38) Legal-size original studio dialogue-continuity scripts (6) professionally bound in cloth (including original studio printed w

Collection of three dialogue subtitling scripts for James Cagney and Humphrey Bogart films including Roaring Twenties, Amazing Dr. Clitterhouse, and M

(Warner Bros., 1935-41) Legal-size original studio dialogue-continuity scripts (4) with extensive typed and hand-written notes for foreign-language s

(Warner Bros., 1935-39, and UA, 1931) Legal-size (7) and letter-size(1) original studio dialogue-continuity scripts with extensive typed and hand-wri

(MGM, 1935) Typed original manuscript legal-size dialogue continuity screenplay by George F. Kaufman and Morrie Ryskind (with hand-corrections to typ

(MGM, 1936) Original studio mimeo “temporary/incomplete” early draft screenplay, 41 pp in printed covers, by noted novelist and screenwriter James Hi

(Republic, 1937) Complete script, 322 pp, in protective hardcover binding. Zorro Rides Again is often cited by George Lucas and Steven Spielberg as i

Bound volume of six dialogue subtitling scripts for Bette Davis and Humphrey Bogart films of the 1930’s and 40’s, including Dark Victory and The Lette

Bound volume of five dialogue subtitling scripts for Bette Davis films of the 1930’s and 40’s, including Dashiell Hammett and Lillian Hellman’s Watch

(Gainsborough Pictures, 1938) Original studio mimeo legal-size dialogue continuity by Sidney Gilliatt and Frank Launder, 59 pp (with correct UK distr

(TCF, 1939) Complete 193pp Revised Final script, dated May 17, 1938, by Ernest Pascal and Edwin Blum. Darryl F. Zanuck’s personal copy with his penci

(MGM, 1939) Complete original script dated 10/28/1938, 162 pp with orange color corrections, in studio printed cover, for James Hilton’s Goodbye Mr.

(Vanguard Films, 1944) Original studio final shooting script, dated September 9, 1943, for SINCE YOU WENT AWAY by Margaret Buell Wilder from her own

(MGM, 1944) Complete studio script, 127 pp., in original printed cover dated 8/10/43,, with pink revision pages through 11/15/43. Gaslight is revere

(MGM, 1938) Lot consists of six charcoal production drawings of set designs, including home of Bob Cratchit, office of Marley and Scrooge, and other b

(MGM, 1944) Extensive collection of (35) individual works, a few being blueprints for set construction, but the vast majority are original hand-drawn

(MGM, 1945) Extensive collection of (25) individual works, a few being blueprints for set construction, with the rest original hand-drawn charcoal on

(RKO, 1946) Complete 134pp Final shooting script, dated March 17, 1945 (blue revision pages dated March 21), for Tomorrow Is Forever starring Orson We

(2) identical original typewriter carbons of an 8 pp screenplay rough synopsis written by actor Errol Flynn for a color adventure film to be shot unde

(MGM, 1946) Original studio mimeo “temporary/complete” early draft screenplay dated 12/7/1944 with various-dated revisions, 141 pp in printed covers,

Collection of 13 Final Scripts with original studio covers, many with blue revision pages and inserted pages of added scenes, including four (4) from

(Merrill Company Publishers, 1953) Gouache and pencil on two separate 16 x 24” 2-ply illustration boards, which have been mounted together into archi