Hollywood Auction 43

(Paramount, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Carole Lombard from Now and Forever by Eugene Robert Richee; with EAST

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Myrna Loy from The Mask of Fu Manchu by Clarence Sinclair Bull; with EASTM

Black-and-white 8 x 10 in. camera negative on nitrate film of Myrna Loy by George Hurrell; with MG644539 in India ink and retouching. Very fine; with

(Paramount, 1924) Four black-and-white 8 x 10 in. camera negatives on nitrate film of William Powell from Dangerous Money by Donald Biddle Keyes and E

(Paramount, 1946 and 1948) Four black-and-white 8 x 10 in. camera negatives on safety film of Lizabeth Scott from The Strange Love of Martha Ivers and

(Paramount, 1926) Two black-and-white 8 x 10 in. camera negatives on nitrate film of William Powell from The Runaway by Eugene Robert Richee; with P75

Four black-and-white 8 x 10 in. camera negatives on safety film of Lizabeth Scott from Dark City by Bud Fraker; with ODAK-SAFETY etched on the border

(M-G-M, Oct., 1929) Black-and-white 8 x 10 in. camera negative on nitrate film of Norma Shearer from The Divorcee by George Hurrell; with EASTMAN- KOD

(M-G-M, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Norma Shearer from Riptide by George Hurrell; with EASTMAN-NITRATE-KODAK e

(M-G-M, Oct., 1929) Black-and-white 8 x 10 in. camera negative on nitrate film of Norma Shearer from The Divorcee by George Hurrell; with EASTMAN- KOD

(M-G-M, Oct., 1929) Black-and-white 8 x 10 in. camera negative on nitrate film of Norma Shearer from The Divorcee by George Hurrell; with EASTMAN- KOD

(M-G-M, 1934) Black-and-white 8 x 10 in. copy negative on safety film of Norma Shearer from Riptide by George Hurrell; with EASTMAN-NITRATE-KODAK etch

Black-and-white 8 x 10 in. camera negative on safety film of Ann Sheridan by George Hurrell; with EASTMAN-SAFETY-KODAK etched on the border, A.S.486 i

(M-G-M, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Norma Shearer from Riptide by George Hurrell; with EASTMAN-NITRATE-KODAK e

Black-and-white 8 x 10 in. camera negative on safety film of Ann Sheridan by George Hurrell; with EASTMAN-SAFETY-KODAK etched on the border, A.S.732 i

Black-and-white 8 x 10 in. camera negative on safety film of Ann Sheridan by Scotty Welbourne; with EASTMAN-SAFETY-KODAK etched on the border and exte

(Paramount, 1944) Two black-and-white 8 x 10 in. camera negatives on safety film of Barbara Stanwyck from Double Indemnity by Bud Fraker; with EASTMAN

(M-G-M, 1932) Black-and-white 8 x 10 in. camera negative on nitrate film of Johnny Weissmuller by Tarzan, the Ape Man; with MG-19635 MGM in India ink

(M-G-M, 1933) Black-and-white 8 x 10 in. camera negative on nitrate film of Johnny Weissmuller by Tarzan and His Mate; with EASTMAN-NITRATE-KODAK etch

(CBS, 1942) Two black-and-white 8 x 10 in. camera negative on safety film of Orson Wells by Ted Allan; with EASTMAN-SAFETY-KODAK etched on the border

(Paramount, 1931) Black-and-white 8 x 10 in. camera negative on nitrate film of Anna May Wong from Daughter of the Dragon by Otto Dyar; with AFGA NITR

(Paramount, 1931) Black-and-white 8 x 10 in. camera negative on nitrate film of Anna May Wong from Daughter of the Dragon by Otto Dyar; with AFGA NITR

(Paramount, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Anna May Wong from Limehouse Blues by Otto Dyar; with EASTMAN-NITRATE-

(Paramount, 1934) Black-and-white 8 x 10 in. camera negative on nitrate film of Anna May Wong from Limehouse Blues by Otto Dyar; with EASTMAN-NITRATE-

(Paramount, 1920) (7) Gelatin silver prints, 8 x 10” (made as contact prints at the time from 8 x 10” negatives) representing John Barrymore as both

(Universal Pictures, 1923) (2) Vintage platinum prints, 7.25 x 9.25”, depicting Lon Chaney in full character makeup, which he himself designed for th

(Universal Pictures, 1923) (16) Gelatin silver prints 8 x 10”, various glossy and matte, single- and double-weight, some sepia. Representing a range

(United Artists, 1922, 1927) (9) Gelatin silver glossy prints, 8 x 10”, including portraits of Douglas Fairbanks Sr. in Robin Hood (4), and both portr

(MGM, 1930) (2) Gelatin silver semi-gloss double-weight 10 x 13” portrait prints of Greta Garbo by George Hurrell for her second talking film, Romanc

(United Artists, 1926) (32) Silver bromide double-weight prints, (5) measuring 7 x 9” with hand-deckled edges and Mary Pickford’s own “OK” and initia

(Paramount, 1922) (9) Silver gelatin prints 8 x 10”, majority are contact prints from 8 x 10” negatives, all depicting Rudolph Valentino; (3) from Bl

(RKO, 1931) (24) Gelatin-silver glossy prints, 8 x 10”, comprising the detailed set construction of the entire town of Osage, Oklahoma Territory, for

(MGM, 1944) (13) Gelatin silver prints, 8 x 10” documenting the interior sets for the George Cukor-directed film Gaslight, starring Ingrid Bergman an

Collection of (5) gelatin silver glossy 8 x 10” prints from various studios, ranging in age from 1927 to 1963, depicting famous monsters of filmland w

(Gilbert and Sullivan Films, 1939) (39) silver bromide 12 x 15” semi-gloss prints on individual backing-paper mounts, comprising an elaborate, compre

(MGM, 1931) Gelatin silver semi-gloss double-weight 10 x 13” print by Clarence Sinclair Bull of Trader Horn cast members Harry Carey, Edwina Booth, D

(RKO, 1935) Gelatin silver matte borderless double-weight 15 x 20 in. (image size 10 ½ x 13 ¼ in.) exhibition print (custom mounted onto ...

(RKO, 1935) Gelatin silver matte borderless double-weight 15 x 20 in. (image size 10 ½ x 13 ¼ in.) exhibition print (custom mounted onto ...

(RKO, 1935) Gelatin silver matte borderless double-weight 15 x 20 in. (image size 10 ½ x 13 ¼ in.) exhibition print (custom mounted onto ...

Gelatin silver glossy 10.5 x 14” portrait print of Linda Darnell, affixed to 16 x 20” cream-colored presentation mat which is inscribed by Darnell in

Gelatin silver buff matte double-weight 10 ¾ in. x 13 ½ in. print of Dolores Del Rio by George F. Cannons. Inscribed in blue ink, “To Mis...

Silver bromide double-weight matte print, 8 x 10” with photographer Hartsook’s blindstamp, hand-signed in fountain pen by Betty Grable, and inscribed

Handsome, leather-bound 8vo with decorated endpapers, 241 pp, with owner’s name embossed in gold on front cover. Legendary Hollywood and Haute-Couture

Gelatin silver matte double-weight 10 ¾ in. x 13 ¾ in. print of Norma Shearer by George Hurrell. Inscribed in blue ink, “To Miss Doris Mi...

Manuscript handwritten letters (2) in ballpoint and pencil, each on both sides of a single sheet, and both written to the same recipient concerning th

(Warner Bros., 1959) Gelatin silver matte doubleweight 8 x 10” print with neat and personal ballpoint inscription from John Wayne to his frequent co-

(MGM, 1966) Gelatin silver glossy 8 x 10” print of Natalie Wood in bed in a teddy negligee, nearly revealing an entire breast, which she has inscribe

Autograph Letter Signed, One page, Quarto, on “Trocadero Vaudevilles Headed by Sandow” letterhead stationery, dated “April 7, 1896.” It reads (in ful

Large collection of approx. 19,000+ signed checks from various historical and entertainment personalities from the collection of renowned collector Ol

Martin Charnin autograph manuscript lyrics to “Tomorrow” from the Broadway production of Annie