20th Century Decorative Arts

Nikolai Suetin (Russian, 1897-1954), “Composition”, c. 1930; watercolor/paper, 10.5" x 8", signed.

Ilya Grigoreich Chashnik (Russian, active 1902-1929), “Suprematist Composition”, c. 1925: watercolor and gouache/thin off-white paper, 9” x 6.5”, sign

El Lissitsky (Russian, 1890-1942), “Composition”, c. 1922; gouache/paper, 5.5” x 8”, signed, and inscribed, “5.”; also signed verso; imperfections. Li

Ivan Kliun (Russian, 1870-1942), “Composition”, c. 1918; watercolor with collage/paperboard, 8.25” x 5.25”, signed and dated . Kliun first met Kazimir

Mario de Ferrante (Italian/American, 1898-1992), “Untitled”, c.1950; oil/canvas, 30" x 24", signed. Studied with Antonio Mancini in Italy ...

Mario de Ferrante (Italian/American, 1898-1992), “Untitled”, c. 1950; oil/metal, 18" x 19", signed.

Charles Turzak (American, b. 1899), “Medley of Rectangles”, c. 1950; oil/canvas, 28” x 22”, signed; label verso with title. Important Chicago modernis

Lezar Hidekel (Russian, active 1920s), “Suprematist Composition”, c. 1925; watercolor/black paper, 8” x 5.5”, signed; there is a line pencil drawing o

Herbert Bayer (Austrian/American, b. 1900), “Arrangement”, c. 1960; color print, 23” x 32.25”, pencil signed and numbered, 36/250. Bayer worked at the

Anna Kogan (Russian, 1902-1973), “Composition”, c. 1930; gouache/black paper, 11” x 9.5”, signed. Kogan studied with Malevich from 1919-1922 at Vitebs

Michael Gloeckner (American, 1915-1989), “Southern Moon”, c. 1970; oil/canvas, 9” x 11”, initialed; signed, titled and dated verso. Gloeckner painted

Michael Gloeckner (American, 1915-1989), “Abstracted Scene”, c. 1970; oil/canvas, 4” x 8”, initialed.

Michael Gloeckner (American, 1915-1989), “Cornwell Landscape”, c. 1970; oil/canvas, 8” x 10”, initialed; signed, titled and dated verso.

Eda Sterchi “Upward Thought”, c. 1960; oil/canvas wrapped around a board, 18” x 15”, identified on label verso from Arizona State Fair. Sterchi was we

E. Oscar Thalinger (American, 1885-1965), “Tomorrow and Tomorrow”, c. 1961; oil/board, 47.25” x 30.25”, signed; signed and dated verso. St Louis moder

Eda Sterchi “Abstract Arrangement”, c. 1957; oil/board, 20” x 16”, signed and dated.

Alberto or Diego Giacometti for Jean Michel Frank table lamp, c.1935, painted plaster form of three discs, 30.5”h, repainted, very good condition

Alberto or Diego Giacometti for Jean Michel Frank Tete de Femme table lamp, c.1935, painted plaster form of a woman, unmarked, original finish, 30.75”

George Nakashima New chairs, set of four, solid walnut frames and plank seats with hickory spindles to back, original finish, 18.5”w x 19”d x 35.5”h,

George Nakashima floor lamp, walnut base with original rag paper shade, signed on base “George Nakashima July 1976”, original finish, 16.5”dia. x 58.7

George Nakashima coffee table, slab top in solid walnut with free-form edge to front and sap edge to back, butterfly joints on ends, original finish,

Mart Stam side chairs, pair, for Thonet, Germany, c.1932, tubular chromed steel frames with molded wood seat and back in rare original orange lacquer,

Marianne Brandt “Touch” desk light, model no. 2283, by Ruppelwerke Gotha, Germany, 1930, marked “Ruppel Tast-Licht D.R.W.Z. D.R.P.”, 5.5”w. x 9.5”h,

Le Corbusier, Pierre Jeanneret and Charlotte Perriand LC/4 chaise lounge, by Embru-Werke, Switzerland, c.1935, chrome-plated tubular steel frame with

Wolfgang Tumpel bowl, 1936, hammered brass fruit bowl with three round wood feet, signed with artist's studio mark, 11.5"dia., excellent co...

Rare C.F. Otto-Mueller Sistrah wall sconce, c.1932, by Sistrah Licht GMBH, nickel-plated fittings with clear and white glass, 12.5”dia. x 12.75”l, exc

Ferdinand Kramer B403 chair, by Thonet, c. 1928, bent beech wood form with original black lacquer finish, partial paper label, illustrated in Das Fran

Marcel Breuer B56 stool, by Thonet, c.1934, wood and original caned seat over tubular chromed steel frame, signed with metal Thonet tag, original fini

Das Neue Frankfurt magazines, volumes one, two and three, 1926-27 the first three issues of a rare Bauhaus publication, black and white with photos an

Le Corbusier book, Des Canon, Des Munitions? Merci Des Logis...S.V.P., monograph for the “Pavilion des Temps Nouveaux” at the 1937 International Exhib

Christian Dell Polo Popular desk lamp, by Bur Buente und Remmler, c.1931, adjustable form with uncommon brown finish, enameled tubular and sheet steel

Marianne Brandt small serving tray, for Ruppelwerke, Germany, c.1930, model no. 4356, green enameled tray with nickel-plated handles, signed, original

Ludwig Mies van der Rohe MR20 chairs, pair, by Stendig, c.1960, original woven cane seats and armrests in a tubular chromed steel frame, partial Stend

Rare Marianne Brandt “Touch” light, model no. 2283, by Ruppelwerke, Gotha, Germany, 1930, 16"h, signed “GMF DRP”, excellent condition

Lucia Moholy-Nagy photograph, portrait of Bauhaus master Hinnerk Scheper, c.1934, gelatin silver print, labeled “Scheper” verso in pencil, 6.75”w x 8.

Bauhaus vase, bulbous form in dark green glass, signed with acid etched stamp, 8"h

German vase, low broad form with enameled Deco design in white against a red body, marked "Emailika Pat. Geschutz Made in Germany" and wit...

Charlotte Perriand chairs, attribution, 1972, lightweight forms in chromium-plated tubular steel with aluminum caps to feet and brown leather sling se

Massimo Morozzi “Karonte” table, Italy, maple and mahogany woods and marble base with attached round glass top, original finish, 50”dia. x 30”h, excel

Gio Ponti bowls, by Ginori, set of four, glazed porcelain with hand-painted decoration of the four seasons, “Primavera”, “Estate”, “Autunno”, “Inverno

Osvaldo Borsani Executive desk, by Tecno, c.1958, elongated hexagonal rosewood top with original inset leather work surface and three shallow drawers,

Gambone sculpture, stylized bull, signed, 12”w x 8.5”h

Carlo di Carli table, Italy, 1950s, ebonized wood base with inset glass top, 27.5”dia. x 21”h, re-coated original finish, very good condition

Aldo Tura occasional table, Italy, 1950s, molded walnut top with fluted edge over ebonized legs with gold feet, original finish, signed with brass tag

Gambone bottle, handled form, bird figural, signed, 14”w x 10”h

Marco Zanuso “Regent” lounge chairs, pair, by Arflex, Italy, c.1958, upholstered forms with iron and wood feet, signed with metal Arflex tags, reuphol

William Freeland (American, 20th century), “Sundial”, c. 1960; construction with various materials and movable parts, 19”h x 9”w x 2”d, label on verso

Joseph Henry Sweeny (American, b.1908), “Construction”, c.1940; painted wooden sculpture, 28” high, unsigned, provenance. Sweeny studied at the Art In

1960s mobile, in the manner of Alexander Calder; welded steel rods and plates painted black, 24”h, initialed, “M.S.” on base.

1950s sculpture, in the manner of Fritz Wotruba (Austrian, 1907-1975), “Reclining Figure”, carved wood, 14”w x 9”h x 7.5”w, mounted on a 1.5” base tha

Alonzo Hauser (American, 20th century), “Musician”, c. 1935; plaster sculpture, 19”h, signed. Hauser studied sculpture with William Zorach at the Art

1960s sculpture, in the manner of Naum Gabo (Russian/British, 1890-1977), “Vertical Construction”, c. 1965; welded brass rods, black marble base, 33.5

Bill Barrett (American, b. 1934), “Construction”, c. 1980; welded aluminum, 31” x 25”, signed and dated. Painter and sculptor. Barrett studied at th

Bill Barrett (American, b. 1934), “Untitled”, c. 2001; bronze sculpture with mottled green patina, 42”w x 27”d x 31.5”h, signed. Painter and sculptor.

Rude Osolnik candlesticks, four, (three shown), turned wood forms in walnut, two in natural walnut, and two in original ebonized finish, walnut: 13.5”

Rude Osolnik candlesticks, set of five, turned wood forms in walnut, four in natural walnut and one in original red finish, walnut: 15.25”h, 12.25”h,

Rude Osolnik vase, hand-turned form in gum wood, signed “Osolnik Originals” and “gum”, original finish, 3.5”h, excellent condition

George Nakashima side chairs, pair, by Widdicomb, solid walnut plank seats and frames with carved hickory wood dowels to back, original finish, 18.75”

George Nakashima armchairs, pair, by Widdicomb, walnut frames and armrests with carved hickory wood dowels to back and seat, loose seat cushions uphol

George Nakashima mirror, by Widdicomb, sculptural walnut frame with top and bottom pieces that extend horizontally beyond frame, original finish, 46.2

George Nakashima sideboard and hutch, by Widdicomb, walnut, cabinet with two sliding doors which conceal four drawers and two adjustable shelves, remo

Bruno Mathsson Pernilla 3 chaise lounge, by Dux, molded birch frame with original sheepskin upholstery and tan leather headrest cushion, signed with b

Tapio Wirkkala dish, c.1954, laminated birch wood form, stamped mark, 7”l, excellent condition

Alvar Aalto vase, organic form in clear glass, engraved "Alvar Aalto 3030", 8"w x 6"

Cees Braakman DUO 3 credenza, by UMS-Pastoe, 1958, teak cabinet with four drawers and four doors, two adjustable shelves, black enameled steel base, s

Berndt Friberg vase, for Gustavsberg, c.1962, two-color blue matte glaze with geometric decoration, 5”h, incised signature, mint condition

Carl Halier vase, for Royal Copenhagen, brown matte drip glaze, dated 7-7-1933, 8.5”h, mint condition

Jorgen Mogenson stoneware vases, two, for Royal Copenhagen, carved designs under a brown glaze, marked and numbered, 6”h and 7.5”h, both mint conditio

Nils Thorsson vase, for Royal Copenhagen, decoration of sea life under a light and dark blue high-glaze, 7”h, stamped marks and numbered 21299, 7”h, m

Jais Nielsen lidded vessel, for Royal Copenhagen, celadon green high-glaze with raised decoration of portraits to sides and goat to lid, signed “Jais”

Charlotte Perriand table and stools, France, 1967, solid pine stools and pine tabletop over an enameled steel base, stools: 12”dia. x 18”h, table: 35.

Charles and Ray Eames ESU 200, first series, by Herman Miller, 1950s, birch top over center and lower shelf with black finish, three birch drawers wit

George Nelson Thin Edge beds, by Herman Miller, pair, twin size, birch frames over white enameled steel legs with birch and caned headboard, each with

George Nelson Home Office desk, by Herman Miller, no. 4658, walnut with original inset leather work surface and lift-up compartment with original leat

George Nelson occasional table, by Herman Miller, c.1955, molded walnut plywood top over brushed and enameled steel base, original finish, 18”dia. x 1

Creative Playthings Hobby Horse, by Creative Playthings, Princeton, New Jersey, 1960s, molded birch plywood form with original red painted ball, origi

Charles and Ray Eames Aluminum Group lounge chairs, pair, by Herman Miller, high-back forms with original purple wool upholstery in an aluminum frame

Charles and Ray Eames conference/dining table, by Herman Miller, c.1950, oval top in rosewood with black rubber trim to edge over aluminum and black e

George Nelson slat bench, by Herman Miller, 1960s, ebonized birch top over ebonized wood legs, original finish, signed with round metal tag, 48”w x 18

Charles and Ray Eames DKR (Eiffel tower) chairs, by Herman Miller, set of four, black wire seats and bases with original charcoal vinyl seat pads, sig

Charles and Ray Eames RKR rocking chair, by Herman Miller, c.1952, black wire seat with original vinyl and hopsack bikini seat pad over birch runners,

Charles and Ray Eames 670/671 lounge chair and ottoman, by Herman Miller, 1960s, molded rosewood plywood shell with down-filled black leather cushions

George Nelson Ball clock, by Howard Miller, 1950s, black painted wood balls on brass rods around a brass center, signed, original finish, 14"dia.

George Nelson Ball clock, by Howard Miller, chromed steel rods with original light green painted wood balls around a chromed steel center, signed, plu

George Nelson bench, by Herman Miller, white enameled metal frame with two upholstered seat cushions and one table surface, can be configured three wa

George Nelson cabinet, by Herman Miller, walnut case with primavera front, two doors with original pulls, one shelf, 34”w x 18.5”d x 30”h, original fi

George Nelson cabinet, by Herman Miller, walnut case with primavera front, four drawers with original pulls, 34”w x 18.5”d x 30”h, original finish, si

George Nelson sofa, by Herman Miller, c.1955, model no. 4678, original brown upholstery over birch wood legs, unmarked, 80”w x 34”d x 31.5”h, needs ne

Isamu Noguchi occasional/child’s table, by Knoll, white laminate top over a black enameled steel base with black wire struts, Knoll Associates paper l

Isamu Noguchi dining table, by Knoll Associates, cast-iron base with chrome-plated steel wire supports, white laminate and birch plywood top, Knoll la

Charles and Ray Eames La Fonda table, by Herman Miller, 1960s, original round marble top over chromed metal base with original white nylon glides, Her

Charles and Ray Eames La Fonda chairs, four, by Herman Miller, white molded fiberglass shells with original blue vinyl upholstery over chromed steel b

Paul McCobb stacking chairs, set of six, by St. John Seating Corp., 1950s, molded orange fiberglass seats over steel bases, all signed, 23”w x 23”d x

George Nelson slat bench, by Herman Miller, 1950s, birch top over ebonized wood legs, original finish, 72.25”w x 18.5”d x 14.25”h, very good conditio

George Nelson cabinet, by Herman Miller, walnut case with primavera front, one door and three drawers with original pulls, one adjustable shelf, 56.25

George Nelson cabinet, by Herman Miller, walnut case with primavera front, one door and five drawers with original pulls, two adjustable shelves, 56.2

Gilbert Rohde dining chairs, set of six, by Herman Miller, c.1940, five side chairs and one armchair, stained birch frames with original vinyl upholst

Gio Ponti Diamond sterling silver flatware, by Reed & Barton, 1958, 30 pieces of solid sterling, impressed marks, the set consists of master but...

Gilbert Rohde sideboard, by Herman Miller, Formal Group No. 3321, c.1940, walnut and burled walnut case with two center doors flanked by six drawers,

Gio Ponti Diamond sterling silver flatware, by Reed & Barton, 1958, 66 pieces of solid sterling, impressed marks, the set consists of twelve fou...