20th Century Decorative Arts

Nikolai Suetin (Russian, 1897-1954), “Composition”, c. 1930; watercolor/paper, 10.5" x 8", signed.

Ilya Grigoreich Chashnik (Russian, active 1902-1929), “Suprematist Composition”, c. 1925: watercolor and gouache/thin off-white paper, 9” x 6.5”, sign

El Lissitsky (Russian, 1890-1942), “Composition”, c. 1922; gouache/paper, 5.5” x 8”, signed, and inscribed, “5.”; also signed verso; imperfections. Li

Ivan Kliun (Russian, 1870-1942), “Composition”, c. 1918; watercolor with collage/paperboard, 8.25” x 5.25”, signed and dated . Kliun first met Kazimir

Mario de Ferrante (Italian/American, 1898-1992), “Untitled”, c.1950; oil/canvas, 30" x 24", signed. Studied with Antonio Mancini in Italy ...

Mario de Ferrante (Italian/American, 1898-1992), “Untitled”, c. 1950; oil/metal, 18" x 19", signed.

Charles Turzak (American, b. 1899), “Medley of Rectangles”, c. 1950; oil/canvas, 28” x 22”, signed; label verso with title. Important Chicago modernis

Lezar Hidekel (Russian, active 1920s), “Suprematist Composition”, c. 1925; watercolor/black paper, 8” x 5.5”, signed; there is a line pencil drawing o

Herbert Bayer (Austrian/American, b. 1900), “Arrangement”, c. 1960; color print, 23” x 32.25”, pencil signed and numbered, 36/250. Bayer worked at the

Anna Kogan (Russian, 1902-1973), “Composition”, c. 1930; gouache/black paper, 11” x 9.5”, signed. Kogan studied with Malevich from 1919-1922 at Vitebs

Michael Gloeckner (American, 1915-1989), “Southern Moon”, c. 1970; oil/canvas, 9” x 11”, initialed; signed, titled and dated verso. Gloeckner painted

Michael Gloeckner (American, 1915-1989), “Abstracted Scene”, c. 1970; oil/canvas, 4” x 8”, initialed.

Michael Gloeckner (American, 1915-1989), “Cornwell Landscape”, c. 1970; oil/canvas, 8” x 10”, initialed; signed, titled and dated verso.

Eda Sterchi “Upward Thought”, c. 1960; oil/canvas wrapped around a board, 18” x 15”, identified on label verso from Arizona State Fair. Sterchi was we

E. Oscar Thalinger (American, 1885-1965), “Tomorrow and Tomorrow”, c. 1961; oil/board, 47.25” x 30.25”, signed; signed and dated verso. St Louis moder

Eda Sterchi “Abstract Arrangement”, c. 1957; oil/board, 20” x 16”, signed and dated.

Alberto or Diego Giacometti for Jean Michel Frank table lamp, c.1935, painted plaster form of three discs, 30.5”h, repainted, very good condition

Alberto or Diego Giacometti for Jean Michel Frank Tete de Femme table lamp, c.1935, painted plaster form of a woman, unmarked, original finish, 30.75”

George Nakashima New chairs, set of four, solid walnut frames and plank seats with hickory spindles to back, original finish, 18.5”w x 19”d x 35.5”h,

George Nakashima floor lamp, walnut base with original rag paper shade, signed on base “George Nakashima July 1976”, original finish, 16.5”dia. x 58.7

George Nakashima coffee table, slab top in solid walnut with free-form edge to front and sap edge to back, butterfly joints on ends, original finish,

Mart Stam side chairs, pair, for Thonet, Germany, c.1932, tubular chromed steel frames with molded wood seat and back in rare original orange lacquer,

Marianne Brandt “Touch” desk light, model no. 2283, by Ruppelwerke Gotha, Germany, 1930, marked “Ruppel Tast-Licht D.R.W.Z. D.R.P.”, 5.5”w. x 9.5”h,

Le Corbusier, Pierre Jeanneret and Charlotte Perriand LC/4 chaise lounge, by Embru-Werke, Switzerland, c.1935, chrome-plated tubular steel frame with

Wolfgang Tumpel bowl, 1936, hammered brass fruit bowl with three round wood feet, signed with artist's studio mark, 11.5"dia., excellent co...

Rare C.F. Otto-Mueller Sistrah wall sconce, c.1932, by Sistrah Licht GMBH, nickel-plated fittings with clear and white glass, 12.5”dia. x 12.75”l, exc

Ferdinand Kramer B403 chair, by Thonet, c. 1928, bent beech wood form with original black lacquer finish, partial paper label, illustrated in Das Fran

Marcel Breuer B56 stool, by Thonet, c.1934, wood and original caned seat over tubular chromed steel frame, signed with metal Thonet tag, original fini

Das Neue Frankfurt magazines, volumes one, two and three, 1926-27 the first three issues of a rare Bauhaus publication, black and white with photos an

Le Corbusier book, Des Canon, Des Munitions? Merci Des Logis...S.V.P., monograph for the “Pavilion des Temps Nouveaux” at the 1937 International Exhib

Christian Dell Polo Popular desk lamp, by Bur Buente und Remmler, c.1931, adjustable form with uncommon brown finish, enameled tubular and sheet steel

Marianne Brandt small serving tray, for Ruppelwerke, Germany, c.1930, model no. 4356, green enameled tray with nickel-plated handles, signed, original

Ludwig Mies van der Rohe MR20 chairs, pair, by Stendig, c.1960, original woven cane seats and armrests in a tubular chromed steel frame, partial Stend

Rare Marianne Brandt “Touch” light, model no. 2283, by Ruppelwerke, Gotha, Germany, 1930, 16"h, signed “GMF DRP”, excellent condition

Lucia Moholy-Nagy photograph, portrait of Bauhaus master Hinnerk Scheper, c.1934, gelatin silver print, labeled “Scheper” verso in pencil, 6.75”w x 8.

Bauhaus vase, bulbous form in dark green glass, signed with acid etched stamp, 8"h

German vase, low broad form with enameled Deco design in white against a red body, marked "Emailika Pat. Geschutz Made in Germany" and wit...

Charlotte Perriand chairs, attribution, 1972, lightweight forms in chromium-plated tubular steel with aluminum caps to feet and brown leather sling se

Massimo Morozzi “Karonte” table, Italy, maple and mahogany woods and marble base with attached round glass top, original finish, 50”dia. x 30”h, excel

Gio Ponti bowls, by Ginori, set of four, glazed porcelain with hand-painted decoration of the four seasons, “Primavera”, “Estate”, “Autunno”, “Inverno

Osvaldo Borsani Executive desk, by Tecno, c.1958, elongated hexagonal rosewood top with original inset leather work surface and three shallow drawers,

Gambone sculpture, stylized bull, signed, 12”w x 8.5”h

Carlo di Carli table, Italy, 1950s, ebonized wood base with inset glass top, 27.5”dia. x 21”h, re-coated original finish, very good condition

Aldo Tura occasional table, Italy, 1950s, molded walnut top with fluted edge over ebonized legs with gold feet, original finish, signed with brass tag

Gambone bottle, handled form, bird figural, signed, 14”w x 10”h

Marco Zanuso “Regent” lounge chairs, pair, by Arflex, Italy, c.1958, upholstered forms with iron and wood feet, signed with metal Arflex tags, reuphol

William Freeland (American, 20th century), “Sundial”, c. 1960; construction with various materials and movable parts, 19”h x 9”w x 2”d, label on verso

Joseph Henry Sweeny (American, b.1908), “Construction”, c.1940; painted wooden sculpture, 28” high, unsigned, provenance. Sweeny studied at the Art In

1960s mobile, in the manner of Alexander Calder; welded steel rods and plates painted black, 24”h, initialed, “M.S.” on base.

1950s sculpture, in the manner of Fritz Wotruba (Austrian, 1907-1975), “Reclining Figure”, carved wood, 14”w x 9”h x 7.5”w, mounted on a 1.5” base tha