20th Century Decorative Arts

Nikolai Suetin (Russian, 1897-1954), “Composition”, c. 1930; watercolor/paper, 10.5" x 8", signed.

Ilya Grigoreich Chashnik (Russian, active 1902-1929), “Suprematist Composition”, c. 1925: watercolor and gouache/thin off-white paper, 9” x 6.5”, sign

El Lissitsky (Russian, 1890-1942), “Composition”, c. 1922; gouache/paper, 5.5” x 8”, signed, and inscribed, “5.”; also signed verso; imperfections. Li

Ivan Kliun (Russian, 1870-1942), “Composition”, c. 1918; watercolor with collage/paperboard, 8.25” x 5.25”, signed and dated . Kliun first met Kazimir

Mario de Ferrante (Italian/American, 1898-1992), “Untitled”, c.1950; oil/canvas, 30" x 24", signed. Studied with Antonio Mancini in Italy ...

Mario de Ferrante (Italian/American, 1898-1992), “Untitled”, c. 1950; oil/metal, 18" x 19", signed.

Charles Turzak (American, b. 1899), “Medley of Rectangles”, c. 1950; oil/canvas, 28” x 22”, signed; label verso with title. Important Chicago modernis

Lezar Hidekel (Russian, active 1920s), “Suprematist Composition”, c. 1925; watercolor/black paper, 8” x 5.5”, signed; there is a line pencil drawing o

Herbert Bayer (Austrian/American, b. 1900), “Arrangement”, c. 1960; color print, 23” x 32.25”, pencil signed and numbered, 36/250. Bayer worked at the

Anna Kogan (Russian, 1902-1973), “Composition”, c. 1930; gouache/black paper, 11” x 9.5”, signed. Kogan studied with Malevich from 1919-1922 at Vitebs

Michael Gloeckner (American, 1915-1989), “Southern Moon”, c. 1970; oil/canvas, 9” x 11”, initialed; signed, titled and dated verso. Gloeckner painted

Michael Gloeckner (American, 1915-1989), “Abstracted Scene”, c. 1970; oil/canvas, 4” x 8”, initialed.

Michael Gloeckner (American, 1915-1989), “Cornwell Landscape”, c. 1970; oil/canvas, 8” x 10”, initialed; signed, titled and dated verso.

Eda Sterchi “Upward Thought”, c. 1960; oil/canvas wrapped around a board, 18” x 15”, identified on label verso from Arizona State Fair. Sterchi was we

E. Oscar Thalinger (American, 1885-1965), “Tomorrow and Tomorrow”, c. 1961; oil/board, 47.25” x 30.25”, signed; signed and dated verso. St Louis moder

Eda Sterchi “Abstract Arrangement”, c. 1957; oil/board, 20” x 16”, signed and dated.

Alberto or Diego Giacometti for Jean Michel Frank table lamp, c.1935, painted plaster form of three discs, 30.5”h, repainted, very good condition

Alberto or Diego Giacometti for Jean Michel Frank Tete de Femme table lamp, c.1935, painted plaster form of a woman, unmarked, original finish, 30.75”

George Nakashima New chairs, set of four, solid walnut frames and plank seats with hickory spindles to back, original finish, 18.5”w x 19”d x 35.5”h,

George Nakashima floor lamp, walnut base with original rag paper shade, signed on base “George Nakashima July 1976”, original finish, 16.5”dia. x 58.7