20th Century Decorative Arts

A. Bargas pin, round form in gold with Art Nouveau design of a woman's profile below soaring bats, marked Crepuscule (twilight), face is ivory, ...

Camile Fauré for Limoges enamel, attribution, portrait of a woman wearing a veil, very nice, 3.5” x 4”

Excellent Camille Fauré for Limoges vase, gourd form with a striking enameled geometric design in blue, black and white, signed inside rim, 10”...

Pierrefonds vase, attribution, four handled shape covered with a spectacular tan and brown glaze with huge turquoise and brown crystals, marked France

Sevres jardiniere, attribution, large form in a blue, yellow and green crystalline glaze with a finely detailed cameo design at top, marked, 9.75”w x

Gouda teapot and covered vessel, delicate porcelain with colorful stylized floral designs, both marked, largest is 7.5”h, both with minor chip restora

Fine Denbac vase, organic form with four open handles at bottom covered in a mottled green, gray, brown and blue glaze, marked, 8.5"h

Good Denbac vase, four handled form with a purple, brown and green crystalline glaze, signed, 10”h 450-650 xxx qqqDT5042q

Exceptional Denbac vase, two handled form with organic designs covered with a good blue, green and brown crystalline drip, signed, 10.25”h

Loetz vase, attributed to Peche, three ball feet supporting a bulbous body with ruffled rim in purple and white glass with enameled floral designs, 6”

Loetz compote, ca. 1930, three horned feet in black supporting a flaring bowl in iridescent rose colored glass with applied platinum threading, 14”dia

Loetz vase, Tango design, opaque lavender glass with applied red tendrils and red rim, 4.25”h

Loetz vase, ca. 1920, footed form with a blue decoration and applied serpent, 6”w x 4”h

Loetz vase, three color Phenomen decoration and black bottom Nr. 358, signed Loetz Austria, 13”h

Loetz vase, shell form in iridescent gold glass with gold Papillon decoration, 9”w x 5.5”h, minor chips to foot

Early Loetz vase, ca. 1895, footed shell form in iridescent gold glass with red, green and platinum Astglas decoration, 11”h

Loetz vase, three handled form in iridescent gold glass with Phenomen decoration Nr. 1/473, 7”h

Loetz vase, large form with four spiral handles, Phenomen decoration Nr. 1/473 over a pink ground, 12”h

Loetz vase, ca. 1902, dimpled form with Aeolus decoration in amber colored glass with applied iridescent threading, 10”h

Rare Loetz vase, ca. 1918-1925, Tango design, blue with four windows of yellow cut glass and applied tendrils in black, 4.5”h

Loetz vase, attribution, purple and blue pulled decoration against an opaque yellow ground, 8.5”h

Loetz vase, large form with four handles in gold glass with iridescent Astraä decoration, signed Loetz Austria, 10”h

Loetz vase, ca. 1925, footed form in Iris Blue glass, 5”h

Loetz vase, made for Rindskopf, gourd form with contoured bubbles at base in purple glass with striped and spotted design in blue, 6.5”h

Loetz vase, attribution, clear spiraling glass with pulled design in blue and green, stamped Czechoslovakia, 8”h, minor manufacturing flaw to rim

Loetz kerosene lamp attribution, bulbous base with Astraä decoration and applied medallions of bronze and iridescent glass, broad flattened sha...

Loetz vase, tapered form with a gold Papillon decoration, 10”h

Good Tiffany Studios lamp, bronze base with two arms supporting bronze and linen fold glass shades, signed Tiffany Studios New York #318, 28”w x 26”h,

Rare Tiffany Furnaces lamp, bronze base holding a tapering shade with metal mess having applied drops of molten glass in different shades of red, blue

Unusual Tiffany Studios desk lamp, three-light lily, bronze base with incised designs holding three shades in favrile glass with white opalescent str

P. Merite (French 1867-1941) sculpture, bronze bird with fine detail, covered in a excellent original patina and mounted on a marble base, 5”h x 6”w,

Sänger (German) sculpture, bronze stalking cat, good original patina, mounted on a marble base, signed, impressed foundry mark, 13”l, good deta...

Antoine-Louis Barye (French 1796-1875) sculpture, attribution, bronze, nicely detailed ostrich, signed, excellent original patina, mounted on a marble

Fine and decorative Bronze sculpture, nicely detailed antelope, artist unknown, initialed, great original patina, mounted on a marble base, 14”h, good

Bronze sculpture, unusual subject matter of a buoy at sea, original patina, unsigned, mounted on a marble base, 6”w x 4”h, nicely made

Striking Art Deco sculpture, bronze, two lifelike giraffes, excellent original patina, 9”h x 8”l, nice design and well executed

Antoine-Louis Barye (French, 1796-1875), “Tigre Marchant”, c. 1870; bronze with green patina, 8.7” x 14.8” x 3.9”, mounted on a 3” high green marble

Nice Tiffany Studios desk lamp, bronze adjustable base with its original patina, favrile glass shade with pulled design in gold covered with an overal

Good Tiffany Studios floor lamp, favrile shade with Damascene decoration, shade is 10"w and signed L.C.T., bronze base with original patina sig...

Unusual Tiffany Studios floor lamp, leaded glass shade with leaf and vine decoration, shade is 12"dia. and signed, five footed bronze base with...

Burdick trivet, round form in hammered copper with inlaid iridescent mosaic tiles attributed to Tiffany Studios, original patina, signed and dated 190

Tiffany Studios inkwell, bronze pine needle design over green and white slag glass, original patina, signed Tiffany Studios New York 847, 6.5"w

Unusual Hubert Krumeich-Remmy vase, German, nice shape with raised windblown tulips in gray, green and brown against a deep blue ground, marked, 11&...

Exceptional Wilhelm Schiller and Son vase, organic form with four open swirling handles covered in a green, red and brown glaze, marked, 12.5"h...

Good Eugene Baudin vase, organic form covered in a red, turquoise and blue matt glaze, marked, 7"h

Lenormanch vase, French, cylindrical form in a multitoned brown glaze encased by a wonderful carved bronze frame with an Art Nouveau design, great ori

Exceptional Mettlach vase, gourd form with incised stylized floral design, impressed mark, 10.5"h, beautifully glazed, designed and executed

Exceptional Zsolnay vase, round form with two feet and four handles, elaborately enameled decoration of a bird among Poppies with gold highlights, mar

Exceptional Pierrefonds vase, slender tapered form covered in a deep red and purple metallic glaze and an orange and red drip at top, marked, 16&quo...

Exceptional Raoul Larche lamp, nice original gold gilt patina on an Art Nouveau bronze figure of Loie Fuller with a dramatic flowing gown, signed, sta

Charming Twentieth Century sculpture, bronze woman with children, good original patina, artist signed, 6.5”h, well done

Nice Theodore Rivière (French 1857-1912) sculpture, bronze, woman wearing a cape, signed, 3”h, nicely detailed, excellent patina

Dramatic Art Nouveau sculpture, bronze, nude female figure in motion, artist signed, unknown mark, nice original patina, good detail, 4.5”h, excellent

J. Jozon (French 1868-1946) sculpture, French, bronze head of a girl, excellent original patina, signed, 9”h, nice Art Nouveau bronze, a pupil of Petr

D. Chiparus sculpture, carved girl in ivory on an alabaster tray, signed, 5”h

Decorative C. Vez (20th Century) sculpture, bronze, stylish designed dancer, good original patina, signed, 13”h, has a secessionist look, very nice

Wilhelm Bormann (German 1885-1938) sculpture, good bronze child with a cat resting on her shoulder, original patina, signed, 12.5”h, very nice

Exceptional Edouard Drouot (French 1859-1945) sculpture, attribution, bronze with nice detail, Pan, excellent original patina, mounted on a marble bas

Large and nicely executed Ouline (20th Century, European) sculpture, bronze, nicely executed seagull soaring over tossing waves, signed, great origina

Torolf Engstrom (Swedish, 1909-1987) sculpture, bronze, “Alskande”, good original patina, signed, paper labels, 7”h

Exceptional Harriet Frishmuth sculpture, bronze nude, signed, dated 1918, #173, great original patina, 20”h, descended from the original owner's...

Rare and fine Zsolnay vase, petite shape with two beautifully sculpted figures at the shoulder, all covered with a red glaze, marked, 3.5”h, great det

Exquisite Rozenburg vase, bulbous form with flaring square rim crafted from a delicate porcelain body, beautifully detailed painting of stylized flowe

Exceptional Zsolnay handled vessel, tapering cylindrical form with an elaborate design of oak leaves and acorns in iridescent gold with green highligh

Exceptional Tiffany Studios lamp, bronze base with its original patina supporting a leaded glass shade with colorful poppy designs overlaid on interio

L.C. Tiffany vase, flower form in gold favrile glass with iridescent purple and blue highlights held by a bronze base with green enameled designs, ori

L.C. Tiffany vase, flower form in gold favrile glass with overall iridescence, signed L.C. Tiffany Favrile 1778D, 14"h

Good Handel lamp, bronzed metal base supporting an obverse painted shade with numbeorus saiboats and windmills, shade signed Handel 5936, marked at fi

Exceptional Tiffany Studios lamp, bronze base with its original gold dore patina supporting a Greek Key design leaded glass shade, shade signed Tiffan

Emile Gruppe (American, 1896-1978), “Gloucester Fog”, c. 1960; oil/canvas, 30” x 36”, signed; titled verso. Important New England impressionist, well

Pleasant Ray McIntosh (American, b. 1897 ), “The Dunes, Indiana”, c. 1930; oil/board, 16” x 20”, unsigned; accompanied by a letter from the artist’s s

Anthony Buchta (American, early 20th century), “Bean Blossom Landmark”, c. 1930; oil/board, 16” x 20”, signed. Buchta at the Art Institute of Chicago

474. Karl C. Brandner (American, 1898-1961), “Floral Still Life”, c. 1930; oil/canvas laid down on board, 30” x 27”, signed, unframed, imperfections.

Ollie Cole (American, 20th century), “Red Barn”, c. 1950; oil/canvas, 12” x 16”, signed Cole worked in Illinois and Indiana. She studied at the Art In

Ernest Fredericks (American, 20th century), a pair of works, one pictured: “Path through Autumn Woods”, c. 1940; oil/canvas, 11” x 14”, signed; with a

James Eccles (American, 1909-1969), “Summer Day (Banana Port)”, c. 1960; oil/canvas, 20” x 24”, signed, original artist frame. Eccles worked in Chicag

Paul Turner Sargent (American, 1880-1946), “Illinois Farm”, c. 1925; oil/canvas, 20” x 28”, signed. Landscape painter from Charleston, Illinois. Sarge

Charles Francis Browne (American, 1859-1920), “Liberty Hill”, c. 1915; oil/canvas, 16” x 20”, signed. Browne studied at the Pennsylvania Academy of Fi

480. Joseph Tomanek (American, b. 1889), “Winter Landscape”, c. 1920; oil/canvas, 19” x 16” , signed. Chicago area artist, well known for his nudes. H

Kathryn Cherry (American, died 1931), “Gloucester Harbor”, c. 1920; oil/canvas laid down on board , 18’ x 16”, unsigned. Important St Louis impression

Frederick Oakes Sylvester (American, 1869-1915), “Forest Park, St Louis”, c. 1898; oil/canvas, 13” x 19”, signed, dated, and inscribed, “St Louis”; pr

Carl Krafft (American, 1884-1938), “The Camp, c. 1936; oil/canvas, 16” x 20”, signed

Alfred Jansson (American/Swedish, 1863-1931), “Summer Garden”, c. 1924; oil/canvas, 32” x 38”, signed and dated, excellent original hand-carved frame.

Carl Rudolph Krafft (American, 1884-1938), “Winter Sledding”, c. 1920; oil/canvas, 18” x 20”, signed; label from Grable’s Art Shop, Oak Park verso, or

Will Vawter (American, 1871-1941), “Brown County Landscape”, c. 1920; oil/board, 14” x 17”, unsigned, stamp on verso "Leota W. Loop Studio"...

Alexis Fournier (American, 1865-1948), “Spring Landscape”, c. 1920; oil/canvas, 24” x 20”, signed. Fournier was a member of the Roycrofters in East Au

Karl Albert Buehr (American, 1866-1952), Spring Landscape” , c. 1918; oil/canvas, 20” x 24”, signed, fine carved frame. Important Chicago landscape pa

Frank V. Dudley (American, 1868-1957), “Duneland Grasses”, c. 1930; oil/canvas, 27” x 30”, signed; Chicago Galleries Association label verso with titl

David Livingston Adam (American, 1883-1924), “Young Girl in the Shade of a Tree”, c. 1917; oil/board, 16” x 12”, signed and dated. Adam was born in Sc

Alexis Fournier (American, 1865-1948), “Old Homestead, (Birthplace of Mrs. Hermann)”, c. 1928; oil/board, 22.25” x 26”, signed; signed, titled, and da

Don Louis Ruf (American, 1905-1982), lot of four oils, one pictured: “Landscape”, c. 1940; oil/canvasboard, 16” x 20”; with three other landscapes, al

William Bauer (American, b. 1888), “Winter Landscape”, c. 1930; oil/canvas, 17” x 19”, signed. St Louis painter and illustrator. He studied with Oscar

Edward Elsperman (American, b. 1875), a lot of three oils, one pictured: “Autumn Landscape”, c. 1930; oil/canvas, 14” x 14”, signed, unframed; with tw

American School , “Bathers”, c. 1920; oil/board, 16" x 13", unsigned; in the style of John W. Bentley. Very well painted.

Henry Hobart Nichols (American, 1869-1962), “Mending the Sails”, c. 1940; watercolor/paper, 21” x 29”, signed. Nichols was President of the National A

John Cowan Templeton (American, 1880-1958), “Indiana Dunes”, c. 1930; oil/canvas 24” x 30”, signed. He worked in Chicago, Hammond (IN), and Saugatuck

Hudson Mindell Kitchell (American, 1862-1944), “Meadow Brook”, c. 1928; oil/board, 12” x 16”, signed and dated. Kitchell’s address in 1924 was New Yor

F.H. McKay (American, 20th century), “Small New England Town”, c. 1940; oil/canvas, 24” x 30”, signed.

William Clusmann (American, 1859-1927), “Landscape with Figures”, c.1900; watercolor, 18” x 12”, signed. Chicago painter. Clusmann exhibited at the Ho

Fred Nelson Vance (American, 1880-1926), “Guardian of the Banks”, c. 1923; oil/board, 20” x 16”, signed and dated; titled verso. Indiana painter. Indi