Antique Furniture, Clocks & Scientific Instruments

Emmanuel Pierre Eugune Damoye, (1847-1916), Sur le pas de la porte, signed lower right, oil on canvas, 185 x 127.5 cm (see illustration

F** H** Knee, (late 19th/early 20th century), Extensive landscape with lake and mountains beyond, posssibly Ireland, signed lower right, oil

Attributed to Benjamin Barker of Bath (1776-1838), Study of a young girl walking in a wood, carrying a bucket, oil on panel, bears signature

Ursula Vivian Mc Cannell, (b.1923), The Harvester, oil on canvas, bears exhibition label verso dated May 5th-31st, 1962, 30.5 x 20 cm £

Edward H** Niemann, (19th/20th century), Extensive landscape with ruined castle and figures with sheep walking along a rough country track at dusk,

W** Higgins, (late 18th century), Portrait of a lady, seated half-length, wearing a tight-fitting black cap and a heavy black shawl wrapped around

Norman Wilkinson, (1878-1971), Fishing on the River Tweed, signed lower right, bears fragment of label verso for Tryon Gallery Ltd., 41/42 Do

French School, (19th century), Three ladies and a gentleman beside a fountain; Two gentleman courting a lady within a forest clearing, each o

English School, (late 19th century), Katie; A portrait of a young girl holding a shell to her ear, inscribed with title verso, and indistinctly

Claude T** Stanfield Moore, (1853-1901), Fishing boats off the Dutch coast, signed 'Moore' upon a floating barrel lower right, oil on panel,...

English School, (19th century), Fishing boats on a calm sea, oil on canvas, 26 x 36 cm £80-120

Attributed to Honrona Jackson, (20th century), First shrine on way to Maria Walchest Monastery, oil on canvas laid onto board inscribed in pe

Gilbert Scott Wright, (1880-1958), Study of a bay in a stable, signed lower right, oil on canvas, 66 x 79 cm Provenance: bears label v

V** D** H**, (19th century), Study of a countryman seated at a table drinking, signed with intials lower right, oil on panel, 16 x 13 cm <

English School, (19th century), Landscape with castle, possibly Nottingham Castle, oil on canvas, 46 x 61 cm £180-220

P** Verti, (early 20th century), Study of a lady seated on a bench within an avenue of trees on a summer's day; Study of a lady seated on a benc

Circle of Thomas Creswick, (1811-1869), Extensive highland landscape with a gentleman and his dog standing before a rocky outcrop, bears false s

Kate Keitch, (early 20th century), Interior, Hampshire Barn, signed lower right, inscribed with artist and title on a paper label verso, o

After John Constable, (1776-1837), Extensive landscape with a figure fishing in a lake, bears false signature lower left, oil on panel, 26

Pierre de Clausade, (1910-1976), Study of a river estuary, signed lower right, oil on canvas, 60.5 x 92 cm £500-700

Fred Hall, (1860-1948), Schooling the Youngsters (The Craven Hunt), signed lower left, oil on board, 42 x 67 cm Provanance: No. 20 in

Andre Bicat, (1909-1996), Abstracted landscape study, oil on board, 65 x 85.5 cm £70-90

Karl Martin Schade, late 19th/early 20th century, The Angelus, signed lower right, oil on canvas, 79 x 110 cm £500-700

Sadie Gibbs, (late 19th century), Eventide, signed and dated '94 lower left, signed and inscribed with title and date verso, oil on panel,<br

T** G**, (mid-late 19th century), The Philosopher; a charicature of a gentleman, full length in profile, peering through an eye glass at his singed

A** Stone, Gipsies going to the horse fair, Returning from the fair, oil on canvas, a pair, signed lower right, 25.5 x 38 cm £500-70

Jenny Teniers White and blue lilac, oil on canvas board, signed lower left, 58.5 x 89 cm (see illustration) £2,000-3,000

Pollentine A Venetian Capriccio oil on panel 37 x 27cm £300-500

English School, (mid 20th century), Portrait of the Hon. Mrs Reginald Fellows, inscribed with the sitter's maiden name, married name and

Carle van Loo, (1705-1765), Portrait of a young nobleman, three-quarter length, wearing a finely gold embroidered coat and holding a tricorn in his

Spanish School, (17th century), Portrait of Josepha de Venauidef, three-quarter length, wearing a finely embroidered dress further embellished with

John Hodges, London; a George III japanned longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the arch

A black-japanned longcase clock, the eight-day two-train movement with anchor escapement, and rack-strike on a bell, the brass arched dial with silver

A carved oak longcase clock, the five pillar, eight day movement with anchor escapement and rack strike on a bell, the 12 inch brass and silvered dial

An oak long case clock, the eight day four-pillar two-train movement with anchor escapement and rack strike on a bell, the arched 12inch brass dial wi

An early 20th century inlaid mahogany longcase clock, the eight day three-train movement with anchor escapement, striking the hour and chiming the qua

A 19th century oak and mahogany longcase clock, the thirty hour movement with anchor escapement and striking on a bell, the arched and painted dial wi

An oak longcase clock, the eight day two-train movement with anchor escapement and count- wheel strike on a bell, the 10 inch brass dial with silvered

A mahogany longcase clock; the eight day two-train movement with anchor escapement and rackstrike on a bell, the arched dial painted in black with scr

A mahogany longcase clock, the eight day movement with anchor escapement and rack strike on a bell, the silvered dial with Roman numerals and subsidia

W Bullock, Bath; a George III mahogany longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the painted

A 19th century oak longcase clock, the eight day movement with anchor escapementand rack strike on a bell, the arched brass 12in. dial with Roman nume

Contrejean a la Cote St. Andre, a late 19th century Comptoise pine longcase clock, the two-train movement with verge escapement and alarm, striking on

A late Victorian/Edwardian rosewood and inlaid 'Westminster' chiming table clock, the eight day three-train movement with anchor escapement,...

A Gothic tracery lancet skeleton timepiece, the eight day single-train movement with anchor escapement and fusee, the pierced and silvered chapter rin

A late Victorian brass lantern clock in the 17th century style, the eight day single-train fusee movement with anchor escapement and single pass strik

An Edwardian mahogany and pale-wood-banded lancet mantel clock, the eight day two-train movement striking on gongs, the silvered convex dial with Arab

A late Victorian black slate mantel clock, the eight day three-train movement striking the hours on a coiled gong and chiming the quarters on eight be

Ht. Marc, Paris; a late 19th century rosewood and marquetry rectangular mantel timepiece, the eight day single train movement with anchor escapement,

An Edwardian rosewood and inlaid lancet mantel clock, the eight day two-train movement with anchor escapement and striking the hours and the quarters