The Bob Clampett Collection

(Schlesinger, 1942) The original title cel and background from “Horton Hatches the Egg.” The title card was later changed to the Blu

(Schlesinger, 1942) The original opening credits cel and background from “Horton Hatches the Egg,” directed by Bob Clampett and adap

(Schlesinger, 1942) A multi-layer cel and multi-layer background of Horton, a barker, and a crowd from “Horton Hatches the Egg.” Wit

(Schlesinger, 1942) An original hand-painted production cel of Mayzie and a background from “Horton Hatches the Egg.” With an image

(Schlesinger, 1942) An original hand-painted production cel of Horton and a background from the Merrie Melodies short “Horton Hatches the Egg

(Schlesinger, 1942) An original hand-painted production cel of Horton and a background from “Horton Hatches the Egg.” Measuring 5.5

(Schlesinger, 1942) A multi-layer cel of a seasick Horton from the Merrie Melodies short “Horton Hatches the Egg,” directed by Bob C

(Schlesinger, 1942) A pair of cels of the flying baby elephant and a production background from “Horton Hatches the Egg.” With image

(Schlesinger, 1942) A multi-layer cel of Horton from the Merrie Melodies short “Horton Hatches the Egg.” With an image size from 2.2

(Schlesinger, 1942) A colorful multi-layer cel of animals laughing at Horton from “Horton Hatches the Egg.” With image sizes ranging

(Schlesinger, 1942) An original hand-painted production cel of Mayzie from “Horton Hatches the Egg.” With an image size of 8.75

(Schlesinger, 1942) An original hand-painted production cel of Horton from the Merrie Melodies short “Horton Hatches the Egg.” With

(Schlesinger, 1942) An original hand-painted production cel of a trio of hunters from the Merrie Melodies short “Horton Hatches the Egg.

(Schlesinger, 1942) An original hand-painted multi-layer cel of three Hunters from the Merrie Melodies short “Horton Hatches the Egg.

(Schlesinger, 1930s-40s) A photograph of the Leon Schlesinger Animation Studio, located at 1351 Van Ness Ave in Hollywood. Measuring 8” x 10

(Schlesinger, 1939) A collection of nine production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki

(Schlesinger, 1939) A collection of six production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki a

(Schlesinger, 1939) A collection of seven production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki

(Clampett, 1940-50s) A collection of stationery and business cards from four of Bob Clampett’s offices after he left Leon Schlesinger Product

(Clampett, 1940s) A page of graphite drawings by Bob Clampett of Hamlet and Jigger, “The Dumbest Hossfly in the Movies.” Clampett in

(Clampett, 1946) A character model sheet of Bob Clampett’s Charlie Horse, star of “It’s a Grand Old Nag.” Model sh

(Clampett, 1946) A character model sheet of Hay-dy La Mare, the female lead and love interest of Charlie Horse of Bob Clampett’s sole Republi

(Republic, 1960s-80s) A graphite drawing and hand-painted non-production cel of Charlie Horse, the star of the Republic short “It’s

(Clampett, 1947) A large collection of 61 storyboards for the Bob Clampett-directed film “It’s a Grand Old Nag.” The short

(Clampett, 1950s) A concept art presentation for a proposed animated project starring Harold Lloyd. Bob Clampett and Harold Lloyd, who were personal f

(Clampett, 1930s-60s) A one-of-a-kind stop-motion puppet of Charlie McCarthy, paired with a walk cycle photo. The puppet with a metal interior armatur

(Clampett, 1940s-50s) An original "Time for Beany" title card painting, from a time in the series with no surviving episodes. Title cards ...

(Clampett, 1949-50s) Three photo prints of Bob Clampett puppeteering Cecil the Seasick Sea Serpent. The photos are marked with grease pencil to crop t

(Clampett, 1950) A “Time for Beany” scrapbook compiled by the show’s creator Bob Clampett. Clippings cover early mentions o

(Clampett, 1953-54) A custom hard-cover book with 55 of Bob Clampett’s personal, production-used scripts for “Time for Beany,

(Clampett, 1950) A behind-the-scenes photograph taken during the filming of “Time for Beany” for Life magazine. Pictured is Stan Fre

(Clampett, 1950) A photograph taken during the filming of “Time for Beany” for Life Magazine. Pictured are several members of the st

(Clampett, 1950s) A photograph taken backstage at “Time For Beany,” featuring puppeteer Joan Gardner, who performed Beany’s

(Chesterfield, 1952) A script page from the February 13, 1952 episode of “The Bing Crosby Show for Chesterfield” signed by Bing Cros

(Clampett, 1960s-80s) A display of Bob Clampett with his characters Beany and Cecil, the puppet stars of “Time for Beany.” Measuring

(Clampett, 1949-55) A screen-used “Time for Beany” Cecil the Sea Sick Sea Serpent puppet. Cecil was voiced and puppeteered by Stan F

(Clampett, 1949-55) A screen-used Beany Puppet from “Time for Beany.” Beany was performed by voice acting legend, Daws Butler in his

(Clampett, 1949-55) A screen-used Captain Huffenpuff puppet from “Time for Beany.” Huffenpuff, Captain of “The Leakin

(Clampett, 1949-1955) A screen-used puppet of Clowny from “Time for Beany.” Many secondary character puppets for the series were mad

(Clampett, 1949-55) A screen-used puppet of Dishonest John from “Time for Beany.” Dishonest John was inspired by Larry Martin, Bob C

(Clampett, 1949-55) A screen-used puppet of Hunny Bear from “Time for Beany.” Many secondary character puppets for the series were m

(Clampett, 1949-55) The Leakin’ Lena from “Time for Beany.” This ramshackle, not-quite-seaworthy vessel took Beany, Cecil,

(Clampett, 1949-55) An original “Time for Beany” screen-used Cecil puppet with tired eyes constructed of paper. Due to the low budge

(Clampett, 1949-55) A screen-used puppet of Cecil the Sea Sick Sea Serpent from “Time for Beany.” Throughout the series, Cecil was v

(Clampett, 1949-1955) A screen-used “Time for Beany” puppet of Cecil after an explosion. Throughout the show's seven-year run, it wa

(Clampett, 1950) An original drawing used in the production of “Time for Beany” to create the sculpt for the head of the Beany puppe

(Clampett, 1949-55) An original, production-used Beany wax sculpt used to create the rubber head of the puppet in “Time for Beany.”

(Clampett, 1949-55) An original, production-used Capt Huffenpuff wax sculpt used to create the rubber head of the puppet in “Time for Beany.

(Clampett, 1949-55) An original, production-used Dishonest John wax sculpt used to create the rubber head of the puppet in “Time for Beany.

(Clampett, 1950s) A plaster cast of a puppeteer's arm, etched with “The Golden Arm” by Bob Clampett along with his name and a copyri