The Bob Clampett Collection

(Schlesinger, 1934) An original story drawing from “Buddy the Woodsman.” Buddy became Looney Tunes’ second star after Harma

(Schlesinger, 1934) A layout drawing of Buddy on the telephone from “Buddy the Dentist.” With an image size of 7.75” x 10.5

(Schlesinger, 1934) A layout drawing of Cookie on the telephone from “Buddy the Dentist.” With an image size of 7.75” x 10.

(Schlesinger, 1933-35) A collection of six photo print model sheets of Buddy and his girlfriend Cookie, with one identified as for “Buddy

(Schlesinger, 1933) Five original layout drawings from Buddy’s “That’s All Folks!” send-off at the end of the Loon

(Schlesinger 1934) An original story drawing for the Merrie Melodies “Pettin’ in the Park.” With an image size of 6.75

(Schlesinger, 1934) An original layout drawing of pigeons from “Pettin’ in the Park.” With an image size of 7” x 9

(Schlesinger, 1934) A drawing of the title card for the Merrie Melodies cartoon “Pettin’ in the Park,” directed by Bernard

(Clampett, 1934) A drawn diary sketch by Bob Clampett. Dated January 27, 1934, Clampett depicts himself taking bows for the audience (while they boo h

(Schlesinger, 1930s) An original story drawing from an unproduced Leon Schlesinger short. “Nature Man" tells his forest friends he plans ...

(Schlesinger, 1930s) An original story drawing of “Nature Man” asleep in the woods under a blanket of leaves from an unproduced Leon

(Schlesinger, 1930s) Eighteen model sheets from early Looney Tunes and Merrie Melodies cartoons, from the collection of Bob Clampett. Model sheets inc

(Schlesinger, 1930s-40s) Six model sheets from Looney Tunes and Merrie Melodies cartoons. Included in photostat form are two from “Rover

(Schlesinger, 1930s) A background of wires over a skyline at night, labeled MM#1. It’s likely this is an unused background from “I

(Schlesinger, 1934-36) A hand-painted door sign for Bob Clampett, Charles “Chuck” Jones, and Bob Cannon. From 1934 to 1936 Cannon ap

(Schlesinger, 1930s) An early group photo of Bob Clampett with his animation unit, including ten women of the Ink and Paint Department, at Warner Bros

(Clampett, 1930s-40s) A collection of four photographs featuring the crew of Leon Schlesinger Productions at the original Termite Terrace in the middl

(Clampett, 1940) A photo print of Bob Clampett and the Termite Terrace Crew from a home movie filmed there. Pictured from left to right are Virgil Ros

(Clampett, 1930s-40s) A black and white photo of Tex Avery from Bob Clampett’s personal collection. Avery and Clampett collaborated in a bug-

(Clampett, 1934) A gag drawing by Bob Clampett featuring Producer Leon Schlesinger questioning child versions of Clampett and Chuck Jones about why th

(Hee, 1935) A studio gag drawing by T. Hee, expressing his and fellow animators’ fears of losing their jobs after the arrival of Frank Tashli

(Avery, 1935) A studio gag drawing by Tex Avery featuring Bob Clampett, Chuck Jones, and himself. Accomplished in graphite and colored pencil, and mea

(Jones, 1936) A caricature by Chuck Jones of himself and Bob Clampett walking into the studio back-to-back (so no one could stab them in the back). Ev

(Clampett, 1930s) A gag “football poster” drawing by Bob Clampett. Clampett promises an afternoon game between “The Top Flo

(Cannon, 1930s-40s) A studio gag drawing by animator Robert “Bobo” Cannon of Bob Clampett, Chuck Jones, and himself. Accomplished in

(Clampett, 1930s) A gag drawing of animator Larry Martin drawn by Bob Clampett. Clampett used his caricatures of Martin as the basis for Dishonest Joh

(Clampett, 1930s) A gag drawing by Bob Clampett, inscribed “Study of Dem Coming to Work” accomplished in graphite and colored pencil

(Iwerks, 1934) A photograph of a meeting between composer Carl Stalling and animators Robert Stokes and Norm Blackburn during production of the Ub Iwe

(Schlesinger, 1934) A complete set of 64-story drawings by Bob Clampett for an unproduced Merrie Melodies cartoon. “My Sugar in Cellophane Sh

(Clampett, 1935-36) A Studio gag drawing of a gruesome Leon Schlesinger Productions Christmas party drawn by Bob Clampett. The crew is depicted releas

(Clampett, 1930s-40s) A drawing of a “Treg’s waffle iron bird” by Bob Clampett. Treg Brown was the studio’s sound

(Clampett, 1935) A photo of Bob Clampett far right with sunglasses) with a group of Leon Schlesinger Productions staff outside of the studio pitching

(Clampett, 1930s) A pair of penny-pitching gag drawings by Bob Clampett. With image sizes ranging from 7” x 11.5” to 7.5” x

(Clampett, 1937) A studio gag drawing by Bob Clampett of haggard versions of himself and Chuck Jones, compared to the sophisticated and polished artis

(Clampett, 1937) A studio gag drawing by Bob Clampett of the newly formed Looney Tunes unit led by Ub Iwerks. Dated February 3, 1937, it depicts Produ

(Schlesinger, 1934) The hand-painted title card for the Looney Tunes short “Shake Your Powder Puff.” Accomplished in cel paint on ca

(Schlesinger, 1934) An original storyboard drawing from the Merrie Melodies short, “Shake Your Powder Puff.” Accomplished in graphit

(Schlesinger, 1934) An original production drawing of fire fighting bugs from the Merrie Melodies short “Honeymoon Hotel,” directed

(Schlesinger, 1935) The title card painting for the Merrie Melodies short “The Little Dutch Plate.” The film elements for this short

(Schlesinger, 1935) A page of four storyboards for the Merrie Melodies short “Little Dutch Plate.” With an image size of 7.75

(Schlesinger, 1935) An original concept drawing from the Merrie Melodies short “Little Dutch Plate.” With an image size of 3

(Schlesinger, 1935) An original production drawing of the boy and his piggy bank from the Merrie Melodies short “Little Dutch Plate.

(Schlesinger, 1935) An original hand-painted production cel of Charlie Chaplin as a mermaid from the Merrie Melodies short “Mr. and Mrs. is t

(Schlesinger, 1936) A collection of six original production cels from the Merrie Melodies short “I Love to Singa.” All six cels feat

(Schlesinger, 1936) An original character study of Fritz the Owl from production of the Merrie Melodies short “I Love to Singa.” Wit

(Schlesinger, 1936) An original character study of Owl Jolson from production of the Merrie Melodies short “I Love to Singa.” With c

(Schlesinger 1936) An original layout drawing of Simple Simon from the Merrie Melodies short “I Love To Singa.” Measuring 9.5

(Schlesinger, 1936) An original layout drawing of Simple Simon from the Merrie Melodies short “I Love to Singa.” Measuring 9.5

(Schlesinger, 1936) A story drawing featuring the young scarecrow from the Merrie Melodies cartoon “I’d Love to Take Orders From You

(Schlesinger, 1935-37) Seven photo print model sheets from Looney Tunes and Merrie Melodies cartoons. Included are two from “The Girl on the