TOREX February 2008

1881H F-VF. Light golden slate toning

1881H F-VF. Light golden toning

1890H Obverse 4, ICCS VG-8. Light golden gray toning and nice for the grade

1892 Obverse 4, EF. A sharp example with a light golden toning

1894 Good. Light golden toning

1898 Fine. Pale golden toning

1898 Fine. Light golden toning

1899 ICG EF-40. This is a nice VF example with light golden toning

1900 PCGS EF-40. Light golden toning

1900 ICCS VF-30. Light golden toning

1900 CCCS VF-20, Mark. There is a long-ago hit on Victoria’s cheek. Lightly toned

1900 F-VF cleaned. Lightly toned

1901 F-VF. Light golden toning

1902 PCGS MS-64. This piece has great lustre and near flawless surfaces that are very attractively toned in light golden ambers with pale blues at the

1902 ICCS VF-20. Pale toned

1903H AU. Pale toned with much lustre

1905 ICCS EF-40. A sharp example with a light golden toning, it is tied twelfth highest by ICCS

1906 ICCS EF-40. Light golden toning

1906 CCCS VF-20. Light golden toning

1909 ICCS F-15 light-medium toned and 1929 ICCS VF-30 pale toned. Two pieces

1910 Victorian Leaves, ICCS AU-55. Near fully lustrous with nice light golden toning

1910 Edwardian Leaves, ICCS AU-58. Near fully lustrous with nice light golden toning

1910 Edwardian Leaves, CCCS VF-30, Cleaned. Pale golden toned

1910 Edwardian Leaves, VF. Lightly toned

1910 Edwardian Leaves, VF. Lightly toned

1911 Fine. Lightly toned

1911 Fine. Lightly toned

1912 VF-EF, Cleaned. Pale toned

1914 ICCS AU-55. This is a very sharp and near fully lustrous pale golden toned piece. It is among the ten highest graded by ICCS

1918, 1938 two pieces and 1947 Maple Leaf. Four pale toned pieces, all VF-EF or better

1919 ICCS MS-64. Great lustre and an attractive pale golden toning. It is tied with five others as the third highest graded by ICCS

1919 ICCS MS-63. Strongly lustrous with attractive pale golden toning. Tied ninth highest by ICCS

1919 ICCS MS-63. Strongly lustrous with attractive light golden toning. Tied ninth highest by ICCS

1919 AU. Attractive pale golden toning

1919 and 1947 Maple Leaf, both VF

1929 ICCS MS-62. A strongly lustrous piece with attractive pale golden toning

1932 CCCS F-15, Rim Bump. Pale toned

1937 ICCS MS-65. This piece has great lustre and a very pale golden toning. It is newly certified and is tied with only the Mason Collection example a

1937 ICCS MS-64. Pale golden toning, it is tied as the third highest graded by ICCS

1937 NGC MS-63. Light amber toning

1937 ANACS MS-60 and 1957 two pieces, ANACS MS-65 and ANACS MS-64. All pale toned

1937, 1940, 1942 and 1951, all Uncirculated to Choice Uncirculated and beautifully toned

1939 Choice Uncirculated. Beautiful rim toning in light ambers and iridescent blues

1942 and 1943. Two pale golden toned pieces, both ICG MS-63

1944 ICG MS-63 and 1945 ICG MS-64. Two light golden toned pieces

1946 ICCS MS-64. Strongly lustrous and pale toned, it is tied as the third highest graded by ICCS

1946 Design in 6, Uncirculated. A strongly lustrous piece with light golden rim toning. This is the Full Design with Die Crack

1946 Design in 6, ICCS VF-30. Pale golden toning. This is the Full Design with Die Crack

1947 Curved 7 PCGS MS-64. Great lustre and near flawless very pale golden toned surfaces. It is tied as the fifth highest graded by PCGS

1947 Maple Leaf, Straight 7, ICCS and PCGS MS-64. Great lustre and pale golden toning. It is tied as the fifth highest graded by PCGS

1947 Maple Leaf, Straight 7, Choice Uncirculated. Light golden toning

1948 PCGS MS-64. Great lustre and pale golden toning. It is tied ninth highest graded by PCGS

1948 ICCS MS-63. Near untoned

1948 ICCS MS-62. Pale golden toning

1948 ICCS MS-60. Near untoned

1948 ICCS-AU-55. Near untoned

1948 ICCS-AU-55. Pale golden toning

1948 ICCS-AU-55. Pale golden toning

1948 ICCS-AU-55. Pale golden toning

1950 No Design ICCS MS-63. Pale toned

1950 No Design Choice Uncirculated. Attractive light amber, blue and violet rim toning

1951 ICCS SP-66. Near untoned. It is tied as the highest graded by ICCS

1951 ICCS SP-65 Pittman. Near untoned. It is among the ten highest graded by ICCS

1951 Gem Specimen. Near flawless surfaces with attractive light rim toning

1951 Choice Specimen. Lightly toned

1952 ICCS-MS-65. Lightly toned

1953 Large Date Shoulder Fold PCGS PL-67. A superbly lustrous and near flawless piece with pale golden toning. It is tied as the highest graded by PCG

1953 Large Date Shoulder Fold ICCS PL-64. Very pale golden toning

1955 NGC PL-66 light rim toning. Plus 1964 ICCS PL-66 Heavy Cameo untoned. Two pieces

1956 ICCS PL-66. Light rim toning

1958 Dot, twelve pale to lightly toned pieces, EF and better, mostly AU

1958 Dot, twelve pale to lightly toned pieces, EF and better, mostly AU

1959 ICCS PL-66 Heavy Cameo. Untoned

1960 ICCS PL-66 Heavy Cameo. Untoned

1960 ICCS PL-66 Heavy Cameo. Some light golden toning accents

1962 and 1965 two pieces, all three pieces ICCS PL-65 Heavy Cameo. Plus 1955 ICCS PL-63 Heavy Cameo and 1961 and 1965, both ICCS MS-64, the 1961 with

1962 PCGS MS-65. A beautiful light golden toned obverse and an untoned reverse. Tied as the fifth highest graded by PCGS

1963 ICCS-MS-65. Light amber and blue toned obverse and an untoned reverse. It is tied as the highest graded by ICCS

1963 ICCS-MS-65. Pale golden toning. It is tied as the highest graded by ICCS

1964 Gem Ultra Heavy Cameo Proof-Like. Superbly lustrous with light rim toning

1964 ICCS-MS-65. Light golden tan and blue toned obverse and an untoned reverse. It is tied as the highest graded by ICCS

1965 ICCS-MS-65. Superb lustre with an iridescent meduim blue toned obverse and a light-medium golden olive reverse. Tied as the highest graded by ICC

1966 ICCS-MS-65. Light amber, blue and violet toned obverse and an untoned reverse. It is tied as the highest graded by ICCS

1967. Plus 1967 Twenty-Five Cents, Ten Cents and One Cent, all ICCS-MS-65. The Cent is near full red and the silver is lightly toned. Plus 1967 Centen

1967 ICCS-SP-66 Ultra Heavy Cameo. A beautifully toned piece with peripheral light-medium iridescent blues and violets

1967 ICCS-MS-64 Heavy Cameo. A beautifully toned piece with peripheral light-medium ambers with iridescent blues and violets

1935 to 1967 Brian Cornwell’s Worst Silver Dollar Collection. For twenty-five years Brian searched diligently for the worst example of each date, down

1935 ICCS MS-66. Great lustre and near flawless surfaces with an attractive light golden olive toning. It is tied as the second highest graded by ICCS

1935 ICCS-MS-65. Beautifully toned with peripheral light ambers and magentas

1935 ICCS MS-65. Light golden toning

1935 ICCS-MS-65. Pale golden toning

1935 ICCS-MS-65. Pale golden toning

1935 ICCS-MS-65. Near untoned

1935 ICCS MS-64. Light golden toning

1935, 1937 and 1939. Three pale to lightly toned pieces, all Choice Uncirculated or better

1935 two pieces and 1949. Three pale to lightly toned pieces, all Choice Uncirculated

1935 CCCS MS-62 and 1939 CCCS MS-63. Two lightly toned pieces

1935 light golden toning, 1949 pale toned and 1952 near untoned. Three pieces, all Uncirculated to Choice Uncirculated

1935, 1936, 1939 and 1949. Four untoned to pale toned pieces, all Uncirculated

1935 NGC AU-55 and 1949 NGC AU-58. Plus Fifty Cents 1947 Maple Leaf NGC AU-58. A total of three lightly toned pieces