TOREX February 2008

1871 Obverse 2, ICCS AU-50. Light golden gray toning with blues at the rims

1871H Obverse 2 CCCS EF-45. Pale tone

1871H Obverse 2 ICCS VF-20. Pale toned

1871H, 1883H, 1886, 1887 and 1911. Five lightly toned pieces, G+ to VF+, all cleaned or scratched

1872H Obverse 2, ICCS MS-63. Attractively toned in light-medium golden olives with iridescent blues toward the rims. It is tied with three other examp

1872H Obverse 2, ICCS MS-62. Strongly lustrous with nice light golden toning

1872H Obverse 2, ICCS EF-45; Cleaned

1872H Obverse 2, ICCS VF-30

1872H Obverse 2, 1901 and 1902H. Three lightly toned pieces, all ICCS VF-30

1872H Die Break V, Obverse 2 ICCS VG-10. This is the so called “Inverted A Over V”. Lightly toned

1874H, 1900 and 1901. Three light to medium toned pieces,all VF

1875H ICCS SP-63 Planchet Flaw. This piece has an even light golden toning and there is a small planchet lamination on Victoria’s cheek. A very rare S

1875H Good, Lightly toned

1880H Wide 0 ICCS MS-62. This piece has a pleasant light golden mauve toning. It is the solo highest graded by ICCS. PCGS has graded one other example

1880H Wide 0 ICCS VG-10. Pale toned

1880H Wide 0 Good. Lightly toned

1880H Narrow 0 ICCS VG-8, 1887 CCCS G-4 and 1893 ICCS G-4. Three lightly toned pieces

1881H VF-EF. Pale golden toning

1881H ICCS VF-20 and 1907 CCCS VF-20, Marks. Two pale toned pieces

1881H VF. Light-medium toned

1881H VF. Lightly toned

1881H and 1899, both F-VF. Lightly toned

1882H ICCS VF-20. Lightly toned

1883H VF-EF. Light-medium toning

1883H VF. Light-medium toning

1883H, 1892, 1899, 1901 and 1903. Five lightly toned pieces, all Fine or better

1885 ICCS G-6. Light-medium toned

1885 G-VG. Lightly toned

1886 Obverse 2, Short Bough Ends, Very Fine. Pale golden toning

1886 Obverse 4, Long Bough Ends ICCS G-4, 1887 ICCS G-6, Mark and 1891 ICCS G-6. Three lightly toned certified pieces

1886 Obverse 5, Short Bough Ends, Very Fine. Light golden toning

1887 ICCS G-4. Lightly toned

1887 Good. Lightly toned

1887 CCCS G-4 Scratches, 1890H ICCS F-12 Cleaned and 1900 CCCS VF-30 Whizzed

1888 Narrow 8s, EF-AU. Pale toned

1889 CCCS G-6 Pale toning

1891 PCGS AU-55. An attractive pale golden toned piece with much lustre

1893 Fine. Light mauve gray toning

1893 G-VG. Plus 1871 Obverse 2, F and 1894 VG-F. Three lightly toned pieces

1894 PCGS MS-63. Attractive pale golden toning. It is tied with three as the eighth highest by PCGS

1899 ICCS MS-62. Pale golden toning

1900 ICCS MS-64. Strongly lustrous with pale golden toning. It is tied fifth highest by ICCS

1900 ICCS AU-55. Light golden toning

1900 and 1934. both VF. Lightly toned

1901 PCGS MS-66, ICCS MS-65. This piece has great lustre and near flawless surfaces that are beautifully toned in a pale mauves with iridescent light

1901 ICCS MS-63. This piece has great lustre and a very pale golden toning

1901 ICCS EF-40 Cleaned

1901, 1907 and 1909. Three lightly toned pieces, all ICCS VF-20

1902 ICCS MS-62. Pale golden toning. It is among the ten highest graded by ICCS

1902 PCGS AU-58. Attractive gold toning

1902 ICCS EF-45. Pale golden toning

1902H ICCS MS-65. Attractive light golden olive toning. It is tied as the fourth highest by ICCS

1902H ICCS and PCGS MS-63. A strongly lustrous piece with attractive light toning

1902H ICCS MS-63. Pale golden toning

1902H Uncirculated. Pale golden toning

1902H ICCS AU-50. Lightly toned

1902H and 1903, both VF. Lightly toned

1903 ICCS AU-58. Near fully lustrous and beautifully toned in pale golds with blues at the rims

1903 ICCS VF-20. Very pale toned

1903 and 1908, both F-VF. Lightly toned

1904 ICCS VF-20. Lightly toned

1904 ICCS F-15. Lightly toned

1905 PCGS MS-66. A superbly lustrous piece with near flawless and near untoned surfaces. It is tied with one as the highest graded by the major servic

1905 ICCS and PCGS MS-63. This piece has great lustre and is beautifully toned with peripheral ambers and iridescent blues framing pale golden centres

1905 ICCS AU-58. A near fully lustrous example with pale golden toning and light amber rim accents

1906 Large Crown, ICCS MS-63. Great lustre and attractive light golden olive toning. It is tied as the fifth highest graded by ICCS

1906 Large Crown, ICCS MS-62. A strongly lustrous piece with light golden toning

1906 Large Crown, ICCS AU-55. A near fully lustrous piece with pale golden toning

1906 Large Crown, EF lightly cleaned, planchet flaw. There is a lamination across Edward’s face

1907 ICCS MS-62. A nicely lustrous piece with an even pale golden toning

1907 Uncirculated. A strongly lustrous piece with a very attractive light golden toning with blues, ambers and violets toward the rims

1907 ICCS VF-30. Near untoned

1908 ICCS MS-62. A nicely lustrous piece with light-medium golden slate toning

1909 ICCS MS-63. A strongly lustrous piece with a very light golden toning

1909 ICCS MS-60. Lightly toned

1909, 1910 two pieces, 1911, 1917, 1919, 1929, 1930 and 1936 Dot. Nine pale to lightly toned pieces, VG to EF, mostly VF and better, and all with prob

1910 ICCS MS-62. Light golden toning

1911 ICCS MS-63. Pale golden toning

1912 ICCS MS-64. A medium golden olive toning. It is tied as the third highest by ICCS

1913 ICCS MS-62. Pale golden toning

1913 Uncirculated, rim bump. Pale golden toning with light amber and blue accents

1914 ICCS MS-64. Great lustre and an attractive light-medium golden olive toning. It is tied with four others as the highest graded by ICCS

1914 EF. Medium brown toned

1915 ICCS EF-40. A sharp example with attractive blue and amber rim toning

1915 four pieces, 1921 three pieces, 1927 four pieces and 1936 Dot three pieces. Total fourteen pale to light-medium toned key dates, Good to Fine

1916 ICCS MS-64. Pale golden toning. It is tied as the third highest by ICCS

1917 ICCS MS-64. Light golden toning

1917 AU-Uncirculated. Pale toning

1918 ICCS MS-64. Light golden toning

1918 Uncirculated. Light olive toning

1919 ICCS MS-63. Light golden toning

1919 Uncirculated. Nice rim toning

1920 ICCS MS-62. Pale golden toning

1927 ICCS MS-64. This piece has great lustre and a pale golden toning. It is tied with only three others as the highest graded by ICCS

1927 NGC AU-50. Much remaining lustre and attractive light golden amber and blue toning

1927 VF-EF Cleaned. Pale toned

1928 ICCS MS-64. Strongly lustrous with pale golden toning. It is tied fourth highest by ICCS

1929 ICCS-MS-63. Beautifully toned with pale golden centres wonderfully framed by ambers and iridescent blues toward the rims

1930 ICCS and PCGS MS-63. Strongly lustrous with light golden toning

1930 ICCS MS-62. Pale golden toning