THE JOHN HOBBS COLLECTION OF ENGLISH & CONTINENTAL FURNITURE PART II

AN ITALIAN EARLY NEOCLASSIC LIGHT BLUE-PAINTED AND PARCEL-SILVERED TRIPLE-CHAIRBACK SETTEE Circa 1770 Each shaped backrest centered with a Mer

A NORTH ITALIAN NEOCLASSIC GREEN GLASS AND MIRROR-INSET DRESSING TABLE Venice, circa 1800 The eared rectangular top with central coat of arms,

A PAIR OF SOUTH ITALIAN EARLY NEOCLASSIC GRAY-PAINTED AND PARCEL-GILT FOOT STOOLS Naples, circa 1755 Each circular seat on a conforming frame

A GEORGE III BLUE-PAINTED AND PARCEL-GILT PEDESTAL DESK After a design by Thomas Chippendale, circa 1765 The serpentine gilt-tooled red leathe

A PAIR OF NORTH ITALIAN NEOCLASSIC BLUE AND WHITE-PAINTED AND PARCEL-GILT ARMCHAIRS Turin, circa 1780 Each outcurved crestrail set to the reve

A PAIR OF ITALIAN NEOCLASSIC GILTWOOD SIDETABLES In the manner of Giovanni Battista Piranesi (1720-1778), Rome, circa 1765 Each rectangular po

AN ITALIAN NEOCLASSIC POLYCHROME-PAINTED MINIATURE THEATER Circa 1800 The arched tiled roof above a pair of doors decorated as a domed colonna

A GERMAN NEOCLASSIC WALNUT AND MARQUETRY COMMODE Circa 1780 The eared rectangular top above three breakfronted long drawers, each divided into

A NORTH ITALIAN NEOCLASSIC GILTWOOD AND WHITE-PAINTED COMMODE Signed GB, probably for Guiseppe Maria Bonzanigo (1745-1820), Turin, circa 1780

A PAIR OF ITALIAN SILVER NEOCLASSIC THREE-LIGHT CANDELABRA 19th century Each circular base with gadrooned edge rising to a short columnar pede