RR Auction: Fine Autographs & Artifacts

Ornithologist and artist (1785–1851) whose monumental pictorial studies of the birds and quadrupeds of North America take a place among the most disti

Graphic designer, painter, photographer, sculptor, and architect (1900–1985) widely recognized as the last living member of the Bauhaus. Collection of

Swiss symbolist painter (1827–1901) known best for his masterwork ‘Isle of the Dead.’ ALS in German, signed “A. Bocklin,” one page both sides, 6.75 x

Pearl-finish 7 x 4 photo of the unfinished Abraham Lincoln section of Mount Rushmore, nicely signed and inscribed in fountain pen, “Sincere greetings

TLS, two pages, 7.25 x 10.5, personal letterhead, April 15, 1931. Interesting letter to Assistant Postmaster General W. Irving Glover. In part: “Your

Important French painter (1882–1963) who, along with Picasso, was one of the seminal figures in the development of Cubism. ALS in French, signed “G. B

French Realist painter (1827–1906). Uncommon 4.25 x 6.5 cabinet photo of Breton in a half-length pose, signed and inscribed in French in black ink to

ALS in French, signed “Henri,” one page, 4.25 x 5.75, no date but circa 1938. Letter to his brother-in-law, the film critic Georges Sadoul. Cartier-Br

French photographer (1908-2004) considered the father of modern photojournalism. Postcard depicting Cartier-Bresson’s 1955 photograph ‘Paris a Vue d’O

ALS in French, one page on a 4.5 x 5.5 French ‘Carte Pneumatique,’ postmarked June 10, 1913. Letter to her biographer, art critic Achille Segard. In f

Matte-finish 7.5 x 9.5 photo of Chagall with his arms crossed, nicely signed in white artist’s pencil. Matted and framed to an overall size of 12.75 x

AQS in German on an off-white 5.5 x 3.5 card, signed at the conclusion in blue ballpoint and dated July 18, 1963. Chirico writes, in full (translated)

French landscape painter (1796–1875) identified with the Barbizon School. ALS in French, signed “C. Corot,” one page, 5.25 x 8, no date. Untranslated

Signed book: The Unspeakable Confessions of Salvador Dali. Later printing. NY: William Morrow and Company, 1976. Hardcover with dust jacket, 6.5 x 9.5

Color postcard depicting Dali’s 1932–1933 surrealist painting entitled ’Meditation on a Harp,’ 4 x 6, signed in the upper right in blue ballpoint. In

Ballpoint signature, “tian dior,” on an off-white 3.5 x 2 card affixed to a larger sheet. Some irregular toning and slight soiling, otherwise fine con

ALS in French, signed “G. Eiffel,” two pages on two adjoining sheets, 4 x 5.25, Rue de Prony letterhead, August 18, 1882. Untranslated letter sending

Important French post-Impressionist painter (1848–1903) recognized for his experimental use of color and synthetist style. In 1891, he traveled to Tah

Impressive oversized ink sketch drawn for the front page of the entertainment section of the New York Times in 1979, accomplished by Hirschfeld on a 2

American pop artist (1960–2010) who began his career in Andy Warhol’s ‘Factory.’ Limited edition printer’s proof silkscreen artwork portraying Ludwig