October 2008 Torex

1937, 1946, 1953 Small Date, 1954, 1955, 1956, 1958, 1959, 1960, 1961, 1964 and 1967. Twelve pale to lightly toned pieces, all AU or better, mostly Un

1938 ICCS MS-64. A strongly lustrous, pale golden toned piece, tied as the fifth highest graded by ICCS

1938 ICCS MS-64. A strongly lustrous, pale golden toned piece, tied as the fifth highest graded by ICCS

1938 ICCS MS-63. Pale golden toned

1938 ICCS MS-63. Pale golden toned

1938 ICCS MS-63. Pale golden toned

1938 and 1954, both ICCS AU-58

1938 ICCS AU-58 and 1955 ICCS AU-55

1939 ICCS MS-65. This is a strongly struck piece with great lustre and an attractive toning in light-medium blues and ambers. It is tied with seven ot

1939 ICCS MS-64. Pale golden toning. It is tied as the ninth highest graded by ICCS

1939 ICCS MS-64. Light golden rim toning. It is tied as the ninth highest graded by ICCS

1939 ICCS MS-64. Light golden rim toning. It is tied as the ninth highest graded by ICCS

1939 ICCS MS-64. Light golden rim toning. It is tied as the ninth highest graded by ICCS

1939 ICCS MS-63. Light golden rim accents

1939, 1941, 1942, 1943, 1945, 1946 and 1950. Seven pale toned Uncirculated pieces

1940 ICCS MS-65. A strongly lustrous piece with near flawless surfaces that have an attractive light-medium multi-coloured toning. It is tied as the h

1940 ICCS MS-64. Pale golden toning

1940 ICCS MS-64. Pale golden toning

1940 ICCS MS-64. Pale golden toning

1940 ICCS MS-64. Pale golden toning

1940 ICCS and PCGS MS-64. Light rim accents

1940, 1941 and 1942. Three pale golden toned pieces, all ICCS MS-63

1940, 1942 two pieces, 1944 Near 4 and 1954 two pieces. Six pale to lightly toned pieces, all ICCS MS-60

1941 ICCS MS-65. This is a rare fully struck piece with great lustre and near flawless pale golden toned surfaces and light amber rim toning. It is ti

1941 ICCS MS-64. A pale golden toned piece that is tied as the ninth highest by ICCS

1941 ICCS MS-64. A pale golden toned piece that is tied as the ninth highest by ICCS

1941, 1942 and 1943 Far 3. Three light golden toned pieces, all ICCS MS-63

1941, 1943 Far 3, 1946, 1947 Curved 7 and 1949, all ICCS AU-50. Plus 1941, 1945 and 1954, all ICCS EF-45. Plus 1940, 1941, 1942 and 1943 Near 3, all I

1942 ICCS MS-64. Pale golden toned. It is tied as the eighth highest graded by ICCS

1942 ICCS MS-64. Pale golden toned. It is tied as the eighth highest graded by ICCS

1942, 1943 Far 3 and 1944 Far 4. Three pale to lightly toned pieces, all ICCS MS-62

1942, 1944 Far 4 and 1944 Near 4. Three pale toned pieces, all ICCS MS-62

1943 Far 3 ICCS MS-64 Cameo. Light rosy gold toning. It is tied as the seventh highest graded by ICCS

1943 Far 3 ICCS MS-64. Light rosy gold toning. It is tied as the seventh highest graded by ICCS

1943 Far 3, 1944 Near 4 and 1945 Far 5. Three pale to lightly toned pieces, all ICCS MS-63

1943 Far 3, 1945 Near 5, 1950 Design in 0, 1951 and 1952, all ICCS MS-63, the 1943 and 1952 with light-medium rim toning, the 1951 lightly toned, the

1944 Near 4 ICCS MS-65. This is a near fully struck piece with great lustre on near flawless pale golden toned surfaces. It is tied as the highest gra

1944 Near 4 ICCS MS-64. A strongly struck piece with great lustre and a pale golden toning

1944 Near 4 ICCS MS-64. A strongly struck piece with great lustre and a pale golden toning

1944 Near 4, 1945 Near 5 and 1956, all ICCS MS-62, the 1944 light-medium toned, the others pale toned

1944 Far 4 ICCS MS-65. This piece has the typical soft strike. It has great lustre and a pale golden toning and it is tied as the highest graded by IC

1944 Far 4 and 1953 Small Date, both ICCS MS-62 Cameo. Plus 1943 Far 3 ICCS MS-60 Cameo and 1945 Far 5 and 1953 Large Date No Shoulder Fold, both ICCS

1945 Near 5 ICCS MS-65, Ex Remick. This is a strongly struck piece with great lustre on near flawless surfaces, which are attractively toned in light

1945 Near 5 ANACS MS-65. This is a strongly struck piece with great lustre on near flawless surfaces, which are attractively toned in light-medium amb

1945 Near 5 ICCS MS-64. Great lustre and rather flawless surfaces with a beautiful light golden mauve toning. It is tied as the second highest graded

1945 Near 5 ICCS MS-64. A strongly struck piece with great lustre and a pale golden toning. It is tied as the second highest graded by ICCS

1945 Far ICCS MS-64. A slightly softly struck piece with great lustre and a pale golden toning. It is tied as the second highest graded by ICCS

1946 ICCS MS-64. Strongly struck with great lustre and near flawless surfaces, beautifully toned in light ambers and blues. It is tied as the fourth h

1946 ICCS MS-64. Strongly struck with great lustre and near flawless surfaces with light amber rim toning. It is tied as the fourth highest graded by

1946 ICCS MS-64. Softly struck with great lustre and near flawless surfaces with pale golden toning. It is tied as the fourth highest graded by ICCS

1946 ICCS MS-64. Softly struck with great lustre and near flawless surfaces with pale golden toning. It is tied as the fourth highest graded by ICCS

1946 ICCS MS-63. Pale golden toning

1946 Design in 6 ICCS AU-50. A near fully lustrous, pale golden toned piece

1946 Design in 6 ICCS AU-50. A near fully lustrous, pale golden toned piece

1946 Design in 6, EF. Pale golden toning

1947 Straight 7 ICCS MS-64. A typical soft strike with great lustre and near flawless pale golden toned surfaces. It is tied as the highest graded by

1947 Straight 7 ICCS MS-63. Pale golden toning

1947 Straight 7 ICCS MS-63. Pale golden toning

1947 Straight 7 ICCS MS-63. Pale golden toning

1947 Straight 7 and 1947 Curved 7, both Uncirculated and both pale golden toned

1947 Curved 7 ICCS MS-64. Near fully struck with great lustre and near flawless pale toned surfaces. It is tied as the highest graded by ICCS

1947 Curved 7 ICCS MS-63. Pale toned

1947 Curved 7 ICCS MS-62. Pale toned

1947 Curved 7 and 1947 Maple Leaf, Straight 7, both AU and both pale toned

1947 Maple Leaf Straight 7, ICCS MS-65. A slightly soft strike with great lustre on near flawless pale golden toned surfaces. It is tied with two othe

1947 Maple Leaf Straight 7 ICCS MS-64. This piece has great lustre and a light golden toned reverse. It is tied as the fourth highest graded by ICCS

1947 Maple Leaf Straight 7 ICCS MS-64. This piece has great lustre and a very pale golden toning. It is tied as the fourth highest graded by ICCS

1947 Maple Leaf Straight 7 PCGS MS-64. This piece has great lustre and a very pale golden toning. It is tied as the fifth highest graded by PCGS

1947 Maple Leaf Straight 7, ICCS MS-63

1947 Maple Leaf Straight 7, ICCS MS-62

1947 Maple Leaf Straight 7, ICCS MS-60

1947 Maple Leaf Curved 7, ICCS EF-40. With the typical soft strike, this very pale golden toned piece is tied as the sixth highest graded by ICCS

1947 Maple Leaf Curved 7 ICCS EF-40 Weak Strike. With the typical soft strike, this very pale golden toned piece is tied as the sixth highest graded b

1947 Maple Leaf Curved 7 ICCS VF-30. A pale golden toned piece with a typical soft strike

1947 Maple Leaf Curved 7 ICCS VF-20. A pale golden toned piece with a stronger than normal strike

1947 Maple Leaf Curved 7 ICCS VF-20. A pale golden toned piece with a typical soft strike

1947 Maple Leaf Curved 7 ICCS VF-20; Cleaned. A pale golden toned piece with a typical soft strike

1947 Maple Leaf Curved 7 ICCS F-15. A pale golden toned piece with a typical soft strike

1948 ICCS MS-64. Great lustre and near untoned. It is tied as the eighth highest graded by ICCS

1948 ICCS MS-64. Great lustre and near untoned. It is tied as the eighth highest graded by ICCS

1948 ICCS MS-64. Great lustre and near untoned. It is tied as the eighth highest graded by ICCS

1948 Very Choice Uncirculated, with the ICCS MS-64 certificate from which it was cut. Very pale golden toning

1948 ICCS MS-63. Very pale golden toning

1948 ICCS VF-30. Light golden toning

1948, 1947 Maple Leaf Straight 7 and 1943 Far 3, all ICCS VF-30. Plus 1947 Curved 7 ICCS VF-20. Total four pale to lightly toned pieces

1948 and 1950 No Design in 0, both VF. Plus 1939, 1945, 1946, 1947 Straight 7and 1949 Hoof Over 9, all EF. Total seven lightly toned pieces

1949 ICCS MS-65. Very strongly struck with great lustre and near flawless untoned surfaces. It is tied as the fourth highest graded by ICCS

1949 ICCS MS-64. Pale golden toning

1949 ICCS MS-64. Pale golden toning

1949 ICCS MS-64. Pale golden toning

1949 lightly toned and 1950 pale toned. Two pieces, both PCGS MS-63

1949 Hoof Over 9 ICCS MS-64. Great lustre and a typical soft strike with near flawless pale golden toned surfaces. It is the solo highest graded by IC

1950 Design in 0 ICCS MS-65. A well struck piece with great lustre and near flawless and near untoned surfaces It is tied with six as the highest grad

1950 Design in 0 ICCS MS-64. A very pale toned piece that is tied as the eighth highest by ICCS

1950 Design in 0 ICCS MS-64. A very pale toned piece that is tied as the eighth highest by ICCS

1950 Design in 0, 1951 and 1952. Three near untoned to pale toned pieces, all ICCS MS-64

1950 No Design in 0 ICCS and PCGS MS-64. Great lustre and nice light amber rim toning. It is tied as the second highest by each of ICCS and PCGS

1950 No Design in 0 ICCS MS-63. Pale toned

1950 No Design in 0 ICCS MS-63. Pale toned

1950 No Design in 0 ICCS MS-63. Pale toned