October 2008 Torex

1872H Inverted A Over V ICCS VF-20. An attractive lightly toned example

1872H Inverted A Over V ICCS VF-20. An attractive pale golden toned example

1872H Inverted A Over V, VF. Lightly toned

1872H Inverted A Over V ICCS G-6. Light-medium golden mauve toning

1872H Inverted A Over V ICCS G-4. Light toned

1881H ICCS and PCGS MS-64. This is a fully struck piece with strongly lustrous and near flawless surfaces that are rather attractively toned in light-

1881H EF Harshly Cleaned

1881H ICCS VF-20. Light golden gray toning

1888 Obverse 3 ICCS F-15. Lightly toned

1888 Obverse 3, F-VF. Pale toning

1888 Obverse 3 ICCS VG-10. Lightly toned

1888 Obverse 3 ICCS VG-8 Scratches. Pale golden toned with numerous shallow dull scratches

1888 Obverse 3 ICCS G-4. Lightly toned

1890H Obverse 4 ICCS EF-40. This is a sharp example with considerable remaining lustre and an attractive mother-of-pearl toning. It is tied as the nin

1890H Obverse 4, Fine. Lightly toned

1890H Obverse 4 ICCS G-6. Lightly toned

1890H Obverse 4 ICCS G-6. Lightly toned

1890H Obverse 4 ICCS AG-3. Lightly toned

1892 Obverse 4 ICCS VF-20. Light golden toned

1892 Obverse 4 ICCS VF-20. Light golden toned

1892 Obverse 4 ICCS F-12. Lightly toned

1892 Obverse 4, Fine. Lightly toned

1892 Obverse 4 ICCS VG-10 and 1899 ICCS G-6. Two pieces, both lightly toned

1894 F-VF. Rather sharp and pale golden toned

1894 ICCS VG-10. Very lightly toned

1894 ICCS VG-8. Very lightly toned

1894 ICCS G-4. Very lightly toned

1894 ICCS AG-3. Very lightly toned

1898 ICCS EF-40; Polished. Pale golden toned

1898 ICCS VF-20. Pale golden toned

1898 ICCS F-15. Light-medium toned

1898 F-VF. Light-medium toned

1899 ICCS VF-20. Lightly toned

1899 ICCS VF-20. Lightly toned

1899 ICCS VF-20. Lightly toned

1899 F-VF. Lightly toned

1899 ICCS F-12. Lightly toned

1899 ICCS VG-10. Lightly toned

1900 PCGS VF-35. Lightly toned

1900 ICCS VF-30. Pale golden toned

1900 ICCS F-15. Light-medium toning

1900 ICCS F-12. Lightly toned

1900 Fine, planchet flaw. This is a lightly toned piece with a small lamination on the obverse

1901 ICCS AU-58. This is a very sharp and near fully lustrous piece with pale golden surfaces with light amber accents. It is tied as the fourth highe

1901 PCGS EF-40. Light golden gray toning

1901 ICCS VF-20. Pale toned

1901 ICCS F-15. Pale toned

1901 Fine. Lightly toned

1901 About Good. Plus 1910 Edwardian Leaves, 1916, 1917, 1918 and 1919, all VG. Plus 1920. 1929, 1931 and 1934, all Fine and 1936 VF. Total eleven lig

1902 PCGS MS-64. This is a fully struck piece with great lustre on near flawless surfaces that are very attractively toned in light golden ambers with

1902 ICCS EF-40. Pale golden toning

1902 ICCS VF-30. Light mauve gray toning

1902 ICCS VF-30. Light golden toning

1902 and 1903H, both VF Cleaned

1903H ICCS MS-64. This is a fully struck and superbly lustrous piece with stunningly beautiful toning in light golden mauves that are superbly framed

1903H ICCS EF-45. This is a very sharp piece with much remaining lustre and a beautiful light-medium toning in golden magentas, blues and ambers

1903H ICCS EF-40. Pale golden toning

1903H ICCS VF-20. Light golden toning

1903H ICCS VF-20. Pale golden toning

1904 ICCS AU-50. A very sharp pale golden toned piece with considerable remaining lustre

1904 ICCS EF-45. This is a very sharp piece with much remaining lustre and a pale golden toning

1904 ICCS VF-30. Pale golden toning

1904 F-VF lightly cleaned. Light-medium toned

1905 ICCS VF-30 . A sharp piece with some remaining lustre and a pale golden toning

1905 ICCS VF-20. Pale golden toning

1905 ICCS F-12. Pale golden toning

1905 ICCS VG-8. Pale golden toning

1905 ICCS G-6. Pale golden toning

1906 ICCS EF-45. Light golden rim toning

1906 ICCS EF-45. Pale golden gray toning

1906 ICCS VF-30. Light golden toning

1906 pale toned and 1907 light-medium olive toning, both ICCS VF-20

1906 and 1907, both pale toned VF

1907 ICCS EF-40. Pale golden toning

1907 ICCS VF-30. Pale golden toning

1907 ICCS VF-30. Light golden toning

1908 ICCS MS-63. This is a very well struck piece with great lustre and a very pale golden toning

1908 ICCS VF-20. Light golden toning

1909 ICCS MS-64. This is a fully struck piece with great lustre on rather flawless surfaces that are attractively toned in light-medium golden olives

1909 ICCS EF-45. This is a very sharp example with an attractive light golden toning

1909 ICCS VF-20. Pale golden toning

1910 Victorian Leaves ICCS MS-62. This is a fully struck and nicely lustrous piece with a light olive toning

1910 Victorian Leaves ICCS VF-30. Pale toned

1910 Victorian Leaves ICCS VF-20. Pale toned

1910 Edwardian Leaves ICCS MS-63. This is a fully struck and strongly lustrous piece with a very pale golden toning. It is tied as the fifth highest o

1910 Edwardian Leaves ICCS EF-40. A sharp, lightly toned piece with considerable remaining lustre

1910 Edwardian Leaves ICCS VF-30. Pale tone

1910 Edwardian Leaves ICCS VF-30. Pale tone

1910 Edwardian Leaves ICCS VF-30. Pale tone

1910 Edwardian Leaves ICCS VF-30. Pale tone

1911 ICCS MS-65. This is a fully struck and superbly lustrous piece with near flawless surfaces that are attractively toned in medium-dark magentas, g

1911 ICCS AU-50. A very sharp piece with much remaining lustre and a pale golden toning

1911 ICCS VF-30. Pale golden toning

1911 ICCS VF-20. Pale golden toning

1911 two pieces, both lightly toned VG-Fine

1912 ICCS MS-65. This is a very strongly struck piece with superbly lustrous and near flawless surfaces that are beautifully toned in light golden mau

1912 ICCS MS-63. This is a fully struck and strongly lustrous piece with a pale golden toning. It is tied as the sixth highest graded by ICCS

1912 ICCS EF-40. Pale golden toning

1912 ICCS VF-30. Pale golden toning

1913 ICCS MS-65. This is a fully struck and superbly lustrous piece with near flawless surfaces that are beautifully toned with pale golden centres fr