October 2008 Torex

1946 ICCS MS-64. Softly struck with great lustre and near flawless surfaces with pale golden toning. It is tied as the fourth highest graded by ICCS

1946 ICCS MS-63. Pale golden toning

1946 Design in 6 ICCS AU-50. A near fully lustrous, pale golden toned piece

1946 Design in 6 ICCS AU-50. A near fully lustrous, pale golden toned piece

1946 Design in 6, EF. Pale golden toning

1947 Straight 7 ICCS MS-64. A typical soft strike with great lustre and near flawless pale golden toned surfaces. It is tied as the highest graded by

1947 Straight 7 ICCS MS-63. Pale golden toning

1947 Straight 7 ICCS MS-63. Pale golden toning

1947 Straight 7 ICCS MS-63. Pale golden toning

1947 Straight 7 and 1947 Curved 7, both Uncirculated and both pale golden toned

1947 Curved 7 ICCS MS-64. Near fully struck with great lustre and near flawless pale toned surfaces. It is tied as the highest graded by ICCS

1947 Curved 7 ICCS MS-63. Pale toned

1947 Curved 7 ICCS MS-62. Pale toned

1947 Curved 7 and 1947 Maple Leaf, Straight 7, both AU and both pale toned

1947 Maple Leaf Straight 7, ICCS MS-65. A slightly soft strike with great lustre on near flawless pale golden toned surfaces. It is tied with two othe

1947 Maple Leaf Straight 7 ICCS MS-64. This piece has great lustre and a light golden toned reverse. It is tied as the fourth highest graded by ICCS

1947 Maple Leaf Straight 7 ICCS MS-64. This piece has great lustre and a very pale golden toning. It is tied as the fourth highest graded by ICCS

1947 Maple Leaf Straight 7 PCGS MS-64. This piece has great lustre and a very pale golden toning. It is tied as the fifth highest graded by PCGS

1947 Maple Leaf Straight 7, ICCS MS-63

1947 Maple Leaf Straight 7, ICCS MS-62

1947 Maple Leaf Straight 7, ICCS MS-60

1947 Maple Leaf Curved 7, ICCS EF-40. With the typical soft strike, this very pale golden toned piece is tied as the sixth highest graded by ICCS

1947 Maple Leaf Curved 7 ICCS EF-40 Weak Strike. With the typical soft strike, this very pale golden toned piece is tied as the sixth highest graded b

1947 Maple Leaf Curved 7 ICCS VF-30. A pale golden toned piece with a typical soft strike

1947 Maple Leaf Curved 7 ICCS VF-20. A pale golden toned piece with a stronger than normal strike

1947 Maple Leaf Curved 7 ICCS VF-20. A pale golden toned piece with a typical soft strike

1947 Maple Leaf Curved 7 ICCS VF-20; Cleaned. A pale golden toned piece with a typical soft strike

1947 Maple Leaf Curved 7 ICCS F-15. A pale golden toned piece with a typical soft strike

1948 ICCS MS-64. Great lustre and near untoned. It is tied as the eighth highest graded by ICCS

1948 ICCS MS-64. Great lustre and near untoned. It is tied as the eighth highest graded by ICCS

1948 ICCS MS-64. Great lustre and near untoned. It is tied as the eighth highest graded by ICCS

1948 Very Choice Uncirculated, with the ICCS MS-64 certificate from which it was cut. Very pale golden toning

1948 ICCS MS-63. Very pale golden toning

1948 ICCS VF-30. Light golden toning

1948, 1947 Maple Leaf Straight 7 and 1943 Far 3, all ICCS VF-30. Plus 1947 Curved 7 ICCS VF-20. Total four pale to lightly toned pieces

1948 and 1950 No Design in 0, both VF. Plus 1939, 1945, 1946, 1947 Straight 7and 1949 Hoof Over 9, all EF. Total seven lightly toned pieces

1949 ICCS MS-65. Very strongly struck with great lustre and near flawless untoned surfaces. It is tied as the fourth highest graded by ICCS

1949 ICCS MS-64. Pale golden toning

1949 ICCS MS-64. Pale golden toning

1949 ICCS MS-64. Pale golden toning

1949 lightly toned and 1950 pale toned. Two pieces, both PCGS MS-63

1949 Hoof Over 9 ICCS MS-64. Great lustre and a typical soft strike with near flawless pale golden toned surfaces. It is the solo highest graded by IC

1950 Design in 0 ICCS MS-65. A well struck piece with great lustre and near flawless and near untoned surfaces It is tied with six as the highest grad

1950 Design in 0 ICCS MS-64. A very pale toned piece that is tied as the eighth highest by ICCS

1950 Design in 0 ICCS MS-64. A very pale toned piece that is tied as the eighth highest by ICCS

1950 Design in 0, 1951 and 1952. Three near untoned to pale toned pieces, all ICCS MS-64

1950 No Design in 0 ICCS and PCGS MS-64. Great lustre and nice light amber rim toning. It is tied as the second highest by each of ICCS and PCGS

1950 No Design in 0 ICCS MS-63. Pale toned

1950 No Design in 0 ICCS MS-63. Pale toned

1950 No Design in 0 ICCS MS-63. Pale toned