October 2008 Torex

1937, 1946, 1953 Small Date, 1954, 1955, 1956, 1958, 1959, 1960, 1961, 1964 and 1967. Twelve pale to lightly toned pieces, all AU or better, mostly Un

1938 ICCS MS-64. A strongly lustrous, pale golden toned piece, tied as the fifth highest graded by ICCS

1938 ICCS MS-64. A strongly lustrous, pale golden toned piece, tied as the fifth highest graded by ICCS

1938 ICCS MS-63. Pale golden toned

1938 ICCS MS-63. Pale golden toned

1938 ICCS MS-63. Pale golden toned

1938 and 1954, both ICCS AU-58

1938 ICCS AU-58 and 1955 ICCS AU-55

1939 ICCS MS-65. This is a strongly struck piece with great lustre and an attractive toning in light-medium blues and ambers. It is tied with seven ot

1939 ICCS MS-64. Pale golden toning. It is tied as the ninth highest graded by ICCS

1939 ICCS MS-64. Light golden rim toning. It is tied as the ninth highest graded by ICCS

1939 ICCS MS-64. Light golden rim toning. It is tied as the ninth highest graded by ICCS

1939 ICCS MS-64. Light golden rim toning. It is tied as the ninth highest graded by ICCS

1939 ICCS MS-63. Light golden rim accents

1939, 1941, 1942, 1943, 1945, 1946 and 1950. Seven pale toned Uncirculated pieces

1940 ICCS MS-65. A strongly lustrous piece with near flawless surfaces that have an attractive light-medium multi-coloured toning. It is tied as the h

1940 ICCS MS-64. Pale golden toning

1940 ICCS MS-64. Pale golden toning

1940 ICCS MS-64. Pale golden toning

1940 ICCS MS-64. Pale golden toning

1940 ICCS and PCGS MS-64. Light rim accents

1940, 1941 and 1942. Three pale golden toned pieces, all ICCS MS-63

1940, 1942 two pieces, 1944 Near 4 and 1954 two pieces. Six pale to lightly toned pieces, all ICCS MS-60

1941 ICCS MS-65. This is a rare fully struck piece with great lustre and near flawless pale golden toned surfaces and light amber rim toning. It is ti

1941 ICCS MS-64. A pale golden toned piece that is tied as the ninth highest by ICCS

1941 ICCS MS-64. A pale golden toned piece that is tied as the ninth highest by ICCS

1941, 1942 and 1943 Far 3. Three light golden toned pieces, all ICCS MS-63

1941, 1943 Far 3, 1946, 1947 Curved 7 and 1949, all ICCS AU-50. Plus 1941, 1945 and 1954, all ICCS EF-45. Plus 1940, 1941, 1942 and 1943 Near 3, all I

1942 ICCS MS-64. Pale golden toned. It is tied as the eighth highest graded by ICCS

1942 ICCS MS-64. Pale golden toned. It is tied as the eighth highest graded by ICCS

1942, 1943 Far 3 and 1944 Far 4. Three pale to lightly toned pieces, all ICCS MS-62

1942, 1944 Far 4 and 1944 Near 4. Three pale toned pieces, all ICCS MS-62

1943 Far 3 ICCS MS-64 Cameo. Light rosy gold toning. It is tied as the seventh highest graded by ICCS

1943 Far 3 ICCS MS-64. Light rosy gold toning. It is tied as the seventh highest graded by ICCS

1943 Far 3, 1944 Near 4 and 1945 Far 5. Three pale to lightly toned pieces, all ICCS MS-63

1943 Far 3, 1945 Near 5, 1950 Design in 0, 1951 and 1952, all ICCS MS-63, the 1943 and 1952 with light-medium rim toning, the 1951 lightly toned, the

1944 Near 4 ICCS MS-65. This is a near fully struck piece with great lustre on near flawless pale golden toned surfaces. It is tied as the highest gra

1944 Near 4 ICCS MS-64. A strongly struck piece with great lustre and a pale golden toning

1944 Near 4 ICCS MS-64. A strongly struck piece with great lustre and a pale golden toning

1944 Near 4, 1945 Near 5 and 1956, all ICCS MS-62, the 1944 light-medium toned, the others pale toned

1944 Far 4 ICCS MS-65. This piece has the typical soft strike. It has great lustre and a pale golden toning and it is tied as the highest graded by IC

1944 Far 4 and 1953 Small Date, both ICCS MS-62 Cameo. Plus 1943 Far 3 ICCS MS-60 Cameo and 1945 Far 5 and 1953 Large Date No Shoulder Fold, both ICCS

1945 Near 5 ICCS MS-65, Ex Remick. This is a strongly struck piece with great lustre on near flawless surfaces, which are attractively toned in light

1945 Near 5 ANACS MS-65. This is a strongly struck piece with great lustre on near flawless surfaces, which are attractively toned in light-medium amb

1945 Near 5 ICCS MS-64. Great lustre and rather flawless surfaces with a beautiful light golden mauve toning. It is tied as the second highest graded

1945 Near 5 ICCS MS-64. A strongly struck piece with great lustre and a pale golden toning. It is tied as the second highest graded by ICCS

1945 Far ICCS MS-64. A slightly softly struck piece with great lustre and a pale golden toning. It is tied as the second highest graded by ICCS

1946 ICCS MS-64. Strongly struck with great lustre and near flawless surfaces, beautifully toned in light ambers and blues. It is tied as the fourth h

1946 ICCS MS-64. Strongly struck with great lustre and near flawless surfaces with light amber rim toning. It is tied as the fourth highest graded by

1946 ICCS MS-64. Softly struck with great lustre and near flawless surfaces with pale golden toning. It is tied as the fourth highest graded by ICCS