Magnificient May Auction

Bronze sculpture, Nude with Cymbal, by Ettore Cadorin (Californian, 1876-1952), signed ''E. Cadorin'' lower back, black marble base,...

Palace size Rose and Blue Persian Hamadan, 12' x 18'

Italian carved and paint decorated marble-top dining table, the inset rectangular carerra marble top having inlaid banding with bow tie reserves above

Louis XVI style bureau plat, the rectangular leather top with an embossed gilt writing surface flanked with two pull out extensions having conforming

French Empire mahogany sidechair circa 1810, the curved crestrail with gilt floral and rosette mounts above the padded back and rising on stylized cab

Arts and Crafts floor lamp, the hexagonal mica shade having arrow and wave form borders above the patinated metal base terminating on a circular foote

French Louis XV style giltwood occasional table circa 1900, the shaped inset marble top above a relief carved apron having a scalloped apron centered

Pair of French Louis XV style giltwood carved fauteuils, each having a serpentine crestrail surmounted with a floral carved crest of floral sprays, th

French Louis XV style gilt bronze wall clock circa 1885, the cartel clock having winged putti surmounting the circular dial with inset enamel markers

Polychrome decorated corner cabinet, probably Swedish, the double door cabinet having Feur de Lys medallions surrounding the two door case with shiel

French giltwood carved trumeau mirror circa 1895, the gilt frame surmounted with a period timepiece by J. Charrasse centering the full relief carved c

(lot of 2) Marble clock faces, each executed in Carerra marble and having applied Arabic numerals surrounded by dot and diamond form minute markers, 1

(lot of 4) Standard Electric Time Co. Master Clock, executed in oak and having a 12'' dial with Roman markers, (the paper tape program mecha...

(lot of 3) ''Standard'' Wall clocks, each having a grey metal case surrounding the 12'' dial having Arabic numerals

Continental marble top occasional table circa 1890, executed in the Renaissance Revival style, the honed marble top above a castiron and chrome base h

French Provincial inlaid side cabinet circa 1820, executed in fruitwood, the rectangular top above the panelled case with a scalloped and marquetry in

Primitive oak campaign chest circa 1860, the hinged top with a shield form medallion initialled ''CS'' opening to reveal the tiered ...

Victorian cast iron hall tree circa 1890, having scroll and rosette medallions supporting the eight original hooks and terminating on a scalloped base

Pair of Italian figural andirons circa 1800, each depicting a male figure bearing the Medici crest above a trailing floral reserve terminating at the

Spanish Revival hand wrought iron well head circa 1900, the cruciform crest flanked with S form supports above the rope twist superstructure mounted t

Continental giltwood carved wall mirror, the molded rectangular top fronted with applied spherical roundels above the rectlangular looking glass flank

Pair of Louis XVI style giltwood carved mirrors circa 1850, each having a bold foliate and urn carved crest over a double rectangular frame with mirro

Louis XVI style carved giltwood mirror circa 1860, the elaborate crest having floral reserves flanking the mirrored cartouche continuing to a double m

Rococo style wall mirror circa 1850, the swag and floral carved crest centered with a winged putti medallion surmounting the rectangular bevelled look

(Lot of 2) Monumental leaded glass door panels circa 1920, each having a geometric and starburst pattern framed with the wood moulding, 11'4'...

(Lot of 2) Monumental leaded glass door panels circa 1920, each having a geometric and starburst pattern framed with the wood moulding, 11'4'...

Continental hand woven tapestry circa 1850, depicting a boar hunt, 82''h x 104''w

Chinese inlaid and carved lacquer six-panel folding screen, Republic period, each panel featuring a central reserve of children and beauties frolickin

Framed Chinese scroll, Pavilions Amid Pine Landscape, ink and color on silk, the upper left entitled 'song ju xing', cyclical date 'bi...

Pair of Chinese carved zitan-stained wood plaques with jade inlay, with a seven character colophon picked out of pale sea-green jade inlays reading ...

Chinese hanging scroll, Travelers in an Autumn Landscape, attributed to Zheng Xi (b.1858), ink and color on silk, the upper left bearing the signature

(Lot of 4) Framed Chinese polychrome enamel decorated porcelain plaques, late Qing/Republic period, each featuring a rustic villa set against mountain

(Lot of 2) Asian mother-of-pearl inlaid wooden panels, one depicting farmers working in the field including scenes with an ox plow the field and plant

Pair of Chinese gilt and black lacquered three-panel screens with stone inlaid accents, the central panel depicting a blue bird perched above large bl

Pair of Chinese inlaid wooden panels, one featuring a double gourd-form soapstone vase issuing blossoming peonies near a jade carved with a beauty poi

Framed color lithograph, Maple Leaf with Bird, by Zhang Daqian/Chang Dai-chien (Chinese, 1899-1983), left with colophon and cyclical date 'jiayi...

Japanese modern woodblock print with embossing, work 73-17-B (Kokoro [Heart/Soul]), sealed Haku Maki (1924-2000), edition unknown (not unframed), sig

Framed oil on linen, Abstract Horses, by John Chin Young (Hawaiian/Californian, 1909-1997), signed lower right, sight: 30''h x 48''w...

Framed Balinese painting, pigment on cloth; depicting a masked supplicant before a dancing figure in princely raiment, a musician to the left in front

Unframed Japanese woodblock print, early 19th century, an okubi portrait of Kintaro in the arms of Yama-uba, signed Utamaro-hitsu, with collector...

Unframed Japanese woodblock print, Katsushika Hokusai (1760-1849), from the series Fugaku sanjurokkei, entitled Edo Nihonbashi, early impression with

(Lot of 2) Unframed Japanese woodblock prints, first from a toto meisho series, entitled Sumidagawa, signed Hiroshige (1797-1858), with kiwame censor

Unframed Japanese woodblock print, Utagawa Toyokuni (1769-1825), entitled uki-e (perspective picture) Chushingura sandanme no zu (Treasury of the Loya

(Lot of 4) Unframed Japanese woodblock prints, first a triptych set of three Kabuki actors in a scene from Chushingura, each with notation of role and

(Lot of 2) Unframed Japanese woodblock prints, the first by Utagawa Kunisada (1786-1864), from a Genji series, entitled Ishiyama Genji no ma, wi

(Lot of 4) Unframed Japanese woodblock prints, by Utagawa Kunisada (1786-1864), signed Ichiyosai Toyokuni-ga or Toyokuni-ga and with nanushi censor se

(Lot of 4) Unframed Japanese woodblock prints, by Utagawa Kunisada (1786-1864), each signed Toyokuni-ga, consisting of one okubi-e of an onnagata, wit

(Lot of 4) Unframed Japanese woodblock prints, by Utagawa Kunisada (1786-1864), each featuring a Kabuki actor in role, signed Toyokuni-ga and with ara

(Lot of 5) Unframed Japanese woodblock prints, by Utagawa Kunisada (1786-1864), the first three of oban format: two actors in role, signed Kochoro Kun

Unframed Japanese woodblock diptych set, by Tsukioka Yoshitoshi (1839-92), two sheets originally from a triptych, depicting the battle between the Min

(Lot of 4) Japanese modern woodblock prints: Kyu Homaru, Showa 4 (1929), impressed signature Hiroshi Yoshida, 10.5''h x 15.5''w; Sar...

Framed Japanese woodblock print, Ono no Komachi, with the famous poetess standing in a landscape below one of her famous poems, bearing the signature

Framed Japanese woodblock print, from the series Tokaido gojusan-tsugi no uchi, entitled Okazaki yahagi no hashi (The Yahagi Bridge at Okazaki) [#39],

Framed Japanese woodblock print, from the series Tokaido gojusan-tsugi no uchi, entitled Oiso tora ga ame (Tora's rain at Oiso) [#9], signed Hir...

Framed Japanese woodblock print, from the series Tokaido gojusan-tsugi no uchi, entitled Mitsuke tenryugawa no zu ([Morning mist on] the Tenryu River

(lot of 2) Framed Japanese woodblock prints, each from the series Gojusan-tsugi meisho zue (so-called Vertical Tokaido), including Nihonbashi (#1) and

Japanese modern woodblock print, Azalea Garden [in English] and Tsutsuji no niwa (Azalea Garden) [in Japanese], (Abe #200), left margin with date Show

(lot of 7) Set of Japanese woodblock prints in a cloth portfolio, featuring seven works from an original group of twelve from the series entitled Juni

Unframed Japanese modern woodblock print, by Hideo Hagiwara (1913-2007), entitled Chisana ike [in Japanese] and Little Pond [in English], signed in Ja

Asian ivory figural carving, early 20th century, realistically carved as a South Sea islander walking in a short skirt-like garment and carrying a gib

Chinese ivory carving of a landscape issuing from a clam, late Qing dynasty, well carved and undercut with an imaginary vista with minute figures trav

Chinese ivory carving of a fisherman, the tall slender elderly figure holding up his catch of three fish in his right hand, the left hand holding a ro

Chinese carved ivory scepter, the shaft with two registers carved with a writhing dragon on a cloud scroll ground scattered with an array of birds, se

Chinese fossilized figural ivory group of the Eight Daoist Immortals (baxian), the contoured segment carved and undercut with an imaginary scene issui

Chinese ivory and hardwood insect cage, late Qing/Republic period, of hexagonal design, with each section and the single door composed of four thin iv

Pair of Chinese ivory figures representing the Qianlong emperor and his consort Xiangfei, Republic period, the majestic emperor strokes his beard with

Japanese ivory 'monkey' ball, first half of the 20th century, the entire circular surface well carved and undercut as a large gibbon clutchi...

Chinese ivory figural group, carved with a scholar holding a scroll in hand and clutching a gnarled staff suspending another scroll, accompanied by a

Chinese carved ivory container, the cylindrical body with four meandering dragons writhing amid dense cloud scrolls bounded within lotus petal bands,

Chinese ivory figural carving, Cultural Revolution era, depicting a young girl playing with a drum-like instrument, the facial details and distinctive

Japanese ivory figural carving (okimono), Meiji period, portraying the mythlogical hero Yamato Takeru receiving the famous sword Ame-no-Murakumo-no-Ts

(lot of 2) Japanese contemporary ivory netsuke, mid-20th century, well carved and undercut as two frolicking rabbits, each with inlaid red eyes, unsig

Pair of Chinese ivory birds, each sculpted as a crested long tail bird perched on a gnarled branch accented by flowering prunus (hairline cracks), ivo

Japanese ivory figural netsuke, Taisho/Early Showa period, carved and incised as a hunter attempting to cut the tail of a boar while riding on the bac

Japanese ivory figural carving (okimono), Meiji/Taisho period, depicting a samurai warrior battling a ribbon-tied floral ball, the details heightened

Japanese ivory figural carving (okimono), Meiji/Taisho period, well carved as a Japanese youth seated on the back of a recumbent deer and attempting t

(Lot of 2) Japanese ivory figural netsuke, the first realistically carved as a group of five frolicking rats, each with inlaid eyes and incised detail

Japanese stag antler cane handle, Meiji period, delightfully carved as rocky outcropping surmounted by a humorous karashishi (Chinese lion) with a bus

Chinese tinted ivory carving of a sage, late Qing/early Republic period, fashioned with sincere cheerful face accented by a full beard and a coiffure

(Lot of 3) Chinese miscellaneous ivory items, late Qing/Republic period, consisting of two shoe horns, one carved with a beauty holding a pomegranate

Set of three Chinese spinach jade seals, 20th century, each of the seals with a square plinth incised with text in Chinese seal script and Manchu scri

Japanese contemporary ivory netsuke, mid-20th century, well carved and pierced as two carp swimming along eddies of a stream, the openings serving as

Chinese carved circular ivory box, late Qing/Republic period, the plain cylindrical container fitted with a domical lid carved with a medallion with a

Japanese Mashiko studio ware stoneware plate, mid-20th century, the sloping interior with a cris-cross pattern of whitish-green and dark brown glaze,

Japanese small ivory figural carving (okimono), 1st half of the 20th century, portraying the Ebisu, one of the Seven Gods of Good Fortune holding a gi

Japanese ivory seal-form netsuke, 19th century, of wedge shape surmounted by a karashishi playing with a large ball, the high relief figure with incis

Japanese katana, shinshin-to, blade nagasa 29'' (73cm), shinogi-zukuri, iori-mune, gunomei-midare, ko-maru boshi, the tang with gimei inscri...

(Lot of 5) Selection of Japanese ceramics: a Kita-ware double-lozenge shaped mukozuke executed in the Oribe style with iron oxide and splashes of gree

(Lot of 2) Japanese ivory figural netsuke, Showa period, the first of a humorous blind man attempting to remove a rock from his wooden geta, the incis

Chinese boxwood figure of a celestial maiden, Republic period, probably depicting Guanyin, well carved and undercut standing in long flowing robes wit

Korean celadon glazed stoneware dish with inlaid accents, Goryeo/Koryo era (918-1392), buncheong type, the interior well centered by an abstract bloss

(Lot of 2) Japanese patinated bronze hibachi, each of compressed ovoid shape with a waisted neck and raised on a pedestal foot, the first cast with pa

Chinese pale green jade plaque, of rectangular shape with canted corners and carved to the front with three dragons amid cloud scrolls, the semi-trans

Chinese archaistic patinated metal censer, of fangding-form with each of the rectangular sides cast with taotie masks separated by a flange to the cen

(Lot of 2) Chinese Rose Medallion export porcelain serving dishes, Qing dynasty, consisting of a circular charger and a large punch bowl, each well pa

Pair of Chinese unglazed ceramic figures of bodhisattvas, Northern Qi Period (549-577CE), each columnar figure molded in princely raiment with the rig

Asian gilt bronze figure of a bodhisattva, International Tang-style, depicting Maitreya (Buddha of the Future) seated in a pose of 'royal ease&#...

Sino-Tibetan gilt copper-alloy figure of Vaisravana/Jambala/Duo Wen Tian, the 'God of Wealth' seated in a pose of 'royal ease' on a ...

Chinese patinated metal figure of a warrior deity, the fearsome figure clad in elaborate armor and seated on a roaring tiger, his left hand holding ar

Chinese jade Guanyin figure, carved with soft features framed by a tall chignon, a sacred jewel jewel held in one hand and fronted by a lingzhi spray,