June Auction

May Newcome, (Keswick,late 19th/early 20th century) "SUNSHINE AND SHOWER", STY HEAD TARN, CUMBERLAND, oil on canvas, signed lower left, en...

C***R***Doyly John, (1906-1993) THE PATH TO THE BEACH, oil on board, signed lower right, 40cm x 50cm, (15.75in x 19.7in), framed Est.£200/300

William Lakin Turner, (1867-1936) “KING'S HOWE, GRANGE BRIDGE, NR. KESWICK,” oil on panel, signed lower right, entitled and signed in sepia ink ...

Sidney Watts, (late 19th century) ULLSWATER, oil on canvas, signed lower left, 40cm x 60.5cm, (15.7in x 23.5in), in gilt frame Est.£150/200

C*** Wyte Potter, (Exh. 1905-10) “GLENCOYNE BAY AND FELL ULLSWATER" oil on oak panel, signed lower left, entitled on the panel verso, 35.5cm x ...

Richard Herd (Whitehaven, c.1835-1910) “EAGLE CRAG, BORROWDALE,“ oil on canvas, entitled, signed and dated 1896 to stretcher, 27cm x 37.5cm, (10.5in x

English School, (late 19th century) A PAIR OF RIVER SCENES, oil on panel, 36cm x 24.5cm, (14in x 9.5in), in modern gilt frame under glass Est....

N*** Willis Pryce, (late 19th century) THIRLMERE AND DERWENTWATER, A PAIR of Lake District scenes, signed lower left, 24.5cm x 37cm, (9.6in x 14.6in),

E****Heaton, (late 19th/early 20th century) HIGHLAND CATTLE WATERING IN A GLEN, oil on canvas, signed lower right, 49.5cm x 75cm, (19.5in x 29.5in), i

After Robert Gemmell Hutchinson, (1855-1936) THE TOY BOAT, children playing at the sea edge, oil on canvas, indistinctly signed (A.Riuty?) lower right

English School, (second half 19th century) A BROWN HACKNEY HORSE, oil on canvas, 29.5cm x 40cm, (11.6in x 15.75in), in gilt slip and elm frame Est.&...

English School (mid 19th century) A SADDLED CHESTNUT HUNTER IN A STABLE, watched by a small white dog, oil on panel, bearing erroneous signature of ...

English School, (early 19th century) CATTLE AND SHEEP IN A LANDSCAPE, oil on panel, 14cm x 19cm, (5.5in x 7.5in), in gilt slip and ebonised frame unde

Attributed to Max Lieberman, (1847-1935) PORTRAIT OF A YOUNG GIRL, possibly the artist's grand- daughter, oil on canvas, initials scratched into...

Clarence H*** Roe, (1850-1909) “BEN VENNE AND LOCH ACHRAY FROM "KEUN ARHOEID", a stag and doe by the lochside, oil on canvas, signed lower...

Clarence H*** Roe, (1850-1909) A STAG WATERING IN A HIGHLAND RIVER, oil on canvas, signed lower right, 49.5cm,x 75cm, (19.5in x 29.5in), in carved wo

Edward Horace Thompson, (1879-1949) RYDAL WATER THE LION AND LAMB BEYOND, oil on canvas, signed and dated 1911 lower left, traces of original handwrit

Sir Charles John Holmes, (1868-1936) “ABER RHYDDNANT, “oil on canvas, signed with initials and dated 1931 lower centre recto, entitled, named and date

J*** Walter Hadland, (Exh.1906) "RATLER", A ROUGH HAIRED BEAGLE, oil on panel, signed and dated [19]05 lower right, inscribed in pencil on...

British School, (19th century) A SHETLAND OR FELL PONY with sheep in an upland setting, oil on canvas, unsigned, 37cm x 44.5cm, (14.5in x 17.5in), in

William Mitchell of Maryport, (c.1806-1900) A SCOTCH STAG HOUND, after Landseer, depicted head only in profile facing left, oil on canvas, signed and

William Mitchell of Maryport, (c.1806-1900) ODIN, A ST. BERNARD, after Landseer, oil on canvas, signed and dated 1890 lower left, and entitled "...

Abraham Cooper, (1787-1868) TWO OIL PORTRAITS; THE ARTIST'S WIFE, and THE ARTIST'S NURSE AND SON, both oil on mahogany panel, the former ent...

Frank Moss Bennett, R.A., (1874-1953) “A COURTYARD AT CHIPPING CAMPDEN,” oil on board, entitled and dated 'Aug 35' in pencil verso, 33.5cm x...

Frank Moss Bennett, (1874-1953) A VIEW OF SULGRAVE MANOR, oil on board, signed with initials and entitled "SULGRAVE" lower right, inscribe...

Frank Moss Bennett, (1874-1953) MONTACUTE, a view of the main archway, oil on board, 33.5cm x 23cm, (13.2in x 9in), in named swept gilt frame Est....

Charles Dudley, (19th Century) TWO GUNDOGS IN A LAKELAND UPLAND SETTING, approaching quarry, oil on canvas, signed lower right, 49.5cm x 74.5, (19.5in

English School (early 19th century) BOATING ON A RIVER, a cottage and bridge beyond, oil on panel, unsigned (with erroneous label "J.M.W.TURNER...

"Braaq", (Brian A*** Shields), (modern), after Laurence Stephen Lowry, (1887-1976) BY THE CANAL, an industrial landscape with numerous fig...

Andreas Schelfhout, (1787-1870) UNLOADING THE CATCH, two fishing boats, one moored, with figures gathered at the shoreline, oil on oak panel, signed a

Frank Hider, (1861-1933) "THE PASSING STORM", a choppy sea with small sailing boats, seen from cliff top, oil on canvas, signed lower righ...

Robert Watson, (fl.c. 1877-1920) HIGHLAND CATTLE WATERING, oil on canvas, signed and dated 1909 lower right, 88.5cm x 70.5cm, (34.8in x 27.75in), in p

William J*** Fairlie, (Exh. 1853-1865) OFF MARYPORT HARBOUR, CRIFFEL BEYOND, sailing ships on a choppy sea, oil on board, signed and dated 1859 lower

William E*** Pettingale, (fl.late 19th century) IN ROUNDHAY PARK, LEEDS, oil on canvas signed lower left, entitled verso, 24cm x 34.5cm, (9.5in x 13.

A*** Jaques (?), (late 19th century) FIGURES IN A CORNFIELD, oil on board, indistinctly signed lower right, 18.5cm x 28.5cm, (7.3in x 11.2in), in gilt

Edwin Alfred Pettitt, (1840-1912) GLENCOE, oil on board, signed lower right, entitled lower left, 17cm x 24cm, (6.7in x 9.5in), in gilt slip and gilt

George Henry Jenkins, (1843-1914) "NEAR SHEEPSTON BRIDGE - SKETCH FROM NATURE", cattle beside a boulder-strewn stream, oil on panel, signe...

Phillip Naviasky, (1894-1982) PORTRAIT OF MILLIE [HIS WIFE], oil on plyboard, signed upper right, 40cm x 32.5cm, (15.75in x 12.75in), in ebonised woo

John Falconar Slater, (1857-1937) HAYTIMING, a carthorse and chickens by a cart and haystack, oil on canvas, signed lower left, 49.5cm x 59.5cm, (19.5

A***Rowland Knight, (19th century) "CAUGHT - A LEAP FOR SAFETY" A SALMON HOOKED ON A FLY, oil on canvas, signed lower right, faintly entit...

English School, (mid 19th century) SAILING SHIPS OFF THE WHITBY COAST, oil on canvas, unsigned, 35.5cm x 51cm, (14in x 20in), in a boxwood-strung maho

James Henry Crossland, (1852-1904) TWO FIGURES IN A BLUEBELL WOOD, oil on canvas, signed lower left, 70cm x 90.5cm,(27.5in x 35.5in), in gilt slip and

Albert Woods, (Exh. 1892-1937) STILL LIFE WITH A VASE OF FLOWERS, oil on board, 35cm x 25cm, (13.8in x 9.8in), in gilt slip and named gilt frame Est

C*** Vincent Holder, (Exh. 1913-14; d. 1916) PORTRAIT OF A YOUNG BOY IN A BLUE JACKET, depicted full-length standing beside a chair, oil on canvas, si

Continental School, (19th century) LADY IN A PINK GOWN, walking along a woodland path, oil on mahogany panel, indistinctly signed (V.Lacuelard/V.Lacue

Wilson. AN 18TH-CENTURY LAKELAND RIVER SCENE WITH AN ANGLER AND HIS DOG, oil on oak panel, bearing signature "Richard Wilson" lower right...

Paul Paul, (1865-1937) "CATTLE ON THE FORESHORE", oil on panel, signed lower right, entitled verso, 22cm x 39.5cm, (8.6in x 15.5in), in gi...

Scottish School, (late 19th century) "OUT ON THE LOCHARY IN THE TROSSACHS", oil on board, indistinctly signed with monogram lower left (JS...

John Henry Boel, (fl.c. 1900) A PAIR OF LAKE SCENES, probably the Lake District, oil on canvas, signed and dated 1900, 18cm x 38.5cm, (7in x 15.2in),

After David Wilkie, (1785-1841) THE RABBIT ON THE WALL, oil on canvas, unsigned, 59.5cm x 49cm, (23.5in x 19.3in), in a later carved wooden frame, sol