June Auction

Baragwanath King, (1864-1939) "DERWENTWATER, PIKES, PEAK AND FRIAR'S CRAG", watercolours, signed lower left, 46cm x 72cm, (18in x 28.3...

Harold Copping (1863-1932) "NO ROOM AT THE INN", watercolours, signed lower left, entitled verso, 72cm x 51.5cm, (28.3in x 20.3in), in was...

English School, (late 19th century) A SET OF THREE COASTAL SHIPPING SCENES, watercolours, 20cm x 35cm, (8in x 13.7in), in gilt card mounts and ebonise

Paul Marny, (1829-1914) COCKINGTON FORGE, DEVON, watercolours, signed lower left, entitled in a later hand verso, 39cm x 59cm, (15.3in x 23.2in), in

Alfred Heaton Cooper, (1864-1929) A MISTY LAKESCENE WITH FIGURES ON A JETTY, one inside a rowing boat, watercolours, signed lower right, 36cm x 52.5cm

Reuben Ward Binks, (1865-c.1950) TWO ENGLISH SETTERS IN A MARSHY LANDSCAPE, gouache, signed lower right, 34.5cm x 47cm, (13.5in x 18.5in), in card mou

William Taylor Longmire, (1841-1914) RYDAL LAKE, watercolours, signed and dated 1870 lower right, 25.5cm x 42cm, (10in x 16.5in), unframed Est.
...

Albert Rosser, (20th century) FRIAR'S CRAG, DERWENTWATER, watercolours, signed lower right, 21.5cm x 26.5cm, (8.5in x 10.4in), in card mount, fr...

Edith Rawnsley (nee Fletcher), (Wife of Canon Rawnsley, together joint founders of the Keswick School of Industrial Art) EIGHT POCKET SKETCHBOOKS OF T

Arthur Willett, (1868 -c.1940) NEAR BARMOUTH, a moorland path, watercolours, signed lower left, entitled in a later hand verso, 30cm x 48cm, (11.8in x

H**** Linton, (late 19th/early 20th century) ALGIERS, watercolours, signed lower left, entitled lower right, 22cm x 53cm, (8.5in x 21in), in card moun

F*** Candela (late 19th/early 20th century) SEVILLE, watercolours, signed and entitled lower left, 39.5cm x 20.5cm, (15.5in x 8in), in card mounts and

Edward Vernon Utterson, (1776-1852) A CONTINENTAL CANAL SCENE WITH FIGURES, watercolours, signed with initials lower right, 25cm x 19cm, (10in x 7.5in

English School, (late 18th/early 19th century) A CONTINENTAL TOWN SCENE WITH FIGURES, ink and watercolours, unsigned, 32.5cm x 25cm, (12.5in x 10in),

Hubert Von Herkomer, (1849-1914) WOMAN AND CHILD, the latter holding flowers, watched by doves, watercolours, signed with initials and dated 1901 lowe

Hugh Carter, (1837-1903) THE CRAFTY OLD WOMAN, depicted hiding behind a wall, with club in hand, about to catch a courting couple unawares, watercolou

Richard Baker (b.1822, Exh. 1843-54) A YOUNG WOMAN SPINNING WOOL, a sheepdog reclining at her feet, watercolours, signed and dated Feby 20th 1850 low

William Taylor Longmire, (1841 -1914) OXENFELL AND ELTERWATER, watercolours, signed and dated 1875 lower right, 24cm x 35cm, (9.5in x 13.8in), in card

William Taylor Longmire, (1841 - 1914) LITTLE LANGDALE, watercolours, signed and dated 1873 lower right, 24cm x 35cm, (9.5in x 13.8in), in card mount

Miss E****Mary Cross (Norwich, Exh. 1904-11) A PAIR OF UPLAND VIEWS, one depicting a steading with sheep grazing, watercolours, signed lower left, 30c

Emily Nicholson, (fl. 1842-69) FIGURES ON A WOODLAND PATH, watercolours, signed lower left, 33.5cm x 27cm, (13in x 10.5in), in card mount and modern g

Emily Nicholson, (fl. 1842-69) A WOODLAND RIVERBANK, watercolours, signed with initials lower left, 33cm x 22.5cm, (13in x 8.8in), in card mount and

J***L***Mypes, (early 20th century) CATTLE IN A WOODLAND CLEARING, watercolours, signed lower right, 25cm x 17.5cm, (9.8in x 7in), in card mounts and

Edwin Earp, (19th-20th centuries) A NORTH-ITALIAN LAKE SCENE WITH CLIFF-TOP HOUSES, watercolours, signed lower left, 25cm x 54.5cm, (9.8in x 21.3in),

Thomas Charles Leeson Rowbotham, (1823-1875) A LAKESIDE VILLAGE STREET SCENE, watercolours, signed and dated 1859 lower left, 31cm x 49cm, (12.2in x 1

General C***B*** Walter Fane, (Exh. 1859-1884) CORSICA FROM NICE AT SUNRISING, watercolours, entitled, signed with initials (G.W.) and dated 1876 lowe

English School, (20th century) OUTSIDE THE COTTAGE, watercolours, unsigned, 29cm x 20cm, (11.2in x 8in), in card mounts and modern gilt frame under gl

J*** Morris, R.B.A. (late 19th/early 20th century) “BY LOCH OICH” and “BY LOCH LENNHE,” A PAIR, watercolours, signed lower right, 27cm x 39.5cm, (10.5

Julian C*** Brewer (Plymouth, Exh.1855-1876) A PAIR OF OVAL PORTRAITS OF AN OFFICER AND HIS WIFE, he in red dress jacket, pencil and watercolours heig

Thomas Miles Richardson II, (1813-1890) “ON THE RHINE,” watercolours, signed with monogram lower right, 23cm x 36cm, (9in x 14.2in), in entitled and n

Thomas Miles Richardson II, (1813-1890) “BEN CRUACHAN FROM ABOVE CHADISH, “a man carrying firewood, watercolours, signed and dated 1865 lower left, 22

Thomas Miles Richardson II, (1813-1890) A PAIR OF CIRCULAR WATERCOLOURS, one depicting a family walking along a village lane, the other a couple walki

James Hardy, Junior, (1832-1889) “THE YOUNG ANGLER,” watched by two young girls, watercolours, signed and dated [18]67 lower left, 12.5cm x 17.5cm, (

James Hardy, Junior, (1832-1889) “HAPPY DAYS,”” four children fishing, watercolours, signed lower right, 17.5cm x 12.5cm, (7in x 5in), in a card mount

Herbert Maxon Cook, (1844-1920) AN OLD SUSSEX COTTAGE NEAR ARUNDEL,” a young woman with basket walking by, watercolours, signed lower right, entitled

Emily Nicholson, (fl.1842-1869) AN ESTUARY SCENE with figures, watercolours, signed lower left, 24.5cm x 44.5cm,(9.6in x 17.5in), in washlined card mo

Emily Nicholson, (fl.1842-1869) FISHERMEN ON A RIVER BRIDGE, watercolours, signed lower left, 16.5cm x 34.5cm, (6.5in x 13.5in), in washlined card mou

William Taylor Longmire, (1841-1914) BLEA TARN, watercolours, signed and dated 1875 lower right, 24cm x 34.5cm, (9.5in x 13.5in), in gilt-lined card m

William Taylor Longmire, (1841-1914) FAR EASEDALE NEAR GRASMERE, WESTMORLAND, watercolours, signed and dated 1895 lower right, 30cm x 40cm, (11.8in x

Sir Charles John Holmes, (1868-1936) “TEMPLE NEWSHAM WOODS,” watercolours, entitled, signed and dated 1931 lower right, 25cm x 34cm, (10in x 13.3in),

Sir Charles John Holmes, (1868-1936) AN ESTUARY SCENE, watercolours, unsigned, 25cm x 34cm, (10in x 13.3in), in washlined card mount and modern frame

George Lorraine Stampa, (1875-1951) A FARMER AND PIGS, ink on pasteboard, signed and dated 1900, 26cm x 17.5cm, (10.2in x 7in), unframed (foxing) Es

Attributed to John Atkinson Grimshaw, (1836-1893) A QUAY SCENE AT SUNSET, with carriages, pastel, bearing initials in pencil lower left, 15cm x 20.8cm

Anthony Harper, (fl. mid 20th century) STUDY OF "CHUFF" A RECUMBENT CHOW, on a step, pastel on grey paper, signed and dated 1946 lower rig...

"Wilk", (J.W. (Bill) Wilkinson), (1906-1994)/"ONE FOR THE ROAD?", Johnnie Richardson with hounds, pen and watercolours, entitled...

"Wilk", (J.W. (Bill) Wilkinson), (1906-1994) "WAT THEM TWO'S ONLY HERE FOR T'BEER", Tommy Mahoney, Steve Walker and Tomm...

"Wilk", (J.W. (Bill) Wilkinson), (1906-1994) "GOODBYE RYDAL!", Dick Peel, Johnnie Richardson, George Graham and Phil Davidson wi...

"Wilk", (J.W. (Bill) Wilkinson), (1906-1994) "A' DUNT THINK IT'LL BE SI'FAR IN", Phil Davidson and Johnnie Richardso...

"Wilk", (J.W.(Bill) Wilkinson, (1906-1994) "AN JUST LIKE AN OOAR GREAT LEADERS, SMEUKS A PIPE, AN' WHEN REEK STARTS TA FLEE, SUM ...

"Wilk", (J.W. (Bill) Wilkinson), (1906-1994) 'WHA'S TERRIER DID TA PUT IN?", Johnnie Richardson and Barry Todhunter with houn...