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property from the collection of DAKIS JOANNOU DAN FLAVIN (1933-1996) UNTITLED (

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:200,000.00 - 300,000.00 USD
property from the collection of DAKIS JOANNOU DAN FLAVIN (1933-1996) UNTITLED (
property from the collection of DAKIS JOANNOU DAN FLAVIN (1933-1996) UNTITLED ("MONUMENT" FOR V. TATLIN) cool white fluorescent light 96 x 32 x 5 in. (243.8 x 82 x 13 cm) executed in 1968 this work is number two from an edition of five and is accompanied by a Certificate of Authenticity signed by the artist Estimate: - $200,000-300,000 PROVENANCE Donald Young Gallery, Chicago Galerie Jean Bernier, ATHENS EXHIBITED ATHENS, Galerie Jean Bernier, Dan Flavin, 1991 ATHENS, Athens School of Fine Arts, EVERYTHING THAT'S INTERESTING IS NEW: THE DAKIS JOANNOU COLLECTION, January 20-April 20, 1996 LITERATURE Donald Young Gallery, Chicago, in collaboration with the Leo Castelli Gallery, New York, "Monuments" for V. Tatlin from Dan Flavin, 1964-1982, 1989, pl. 49 (sketch) J. Deitch, EVERYTHING THAT'S INTERESTING IS NEW: THE DAKIS JOANNOU COLLECTION, 1996, p. 101 (illustrated) From 1963 through 1982 Dan Flavin's work was preoccupied by his "monuments" for V. Tatlin, which are dedicated to Vladamir Tatlin (1885-1953), hero of the Russian avant-garde. Flavin admired Tatlin, whose unrealized spiral tower, The Monument to the Third International (1919-1920), embodied the revolution's utopian socialist ideals. Unlike Flavin's other neon sculptures, the "monuments" are exclusively white. Flavin intentionally used white because it has long been a symbol of purity in art, and is the traditional color of the church and its religious ceremonies. Formally, the "monuments" salute Tatlin's artistic struggle. Visually, through the white fluorescent light, these sculptures memorialize Tatlin's spirit. "My concern for the thought of the Russian artist-designer was prompted by the man's frustrated, insistent attitude to attempt to combine artistry and engineering. The pseudo Monuments, structural designs for clear but temporary cool white fluorescent lighting, were to honor the artist ironically."-Dan Flavin, 1972 (Donald Young Gallery, "Monuments" for V. Tatlin from Dan Flavin, 1964-1982, 1982)