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William Crozier-NORTH STAR AND VENUS, 1982

Currency:EUR Category:Art / General - Paintings Start Price:0.00 EUR Estimated At:15,000.00 - 20,000.00 EUR
William Crozier-NORTH STAR AND VENUS, 1982

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Auction Date:2012 May 21 @ 18:00 (UTC+1)
Location:Serpentine Hall, RDS, Anglesea Road entrance, Dublin, Dublin, ., Ireland
William Crozier-NORTH STAR AND VENUS, 1982

oil on canvassigned lower right; with typed label of The Scottish Gallery [Edinburgh & London] on reverse
42 by 45in., 106.68 by 114.3cm.
Orientation of Image: L

Provenance: The Scottish Gallery, Edinburgh & London

Exhibited:

Literature:

Notes: This nocturnal landscape was painted after a period spent in New York in 1979 which had a profound effect on Crozier's work. It shows the impact of the vigorous colours and design of modernist art, such as that found in the work of Henri Matisse and Edvard Munch, on the artist.
The composition is dominated by the strong green of the ground. Above the high horizon line two tiny circles of red and white indicate the planet Venus and the North Star. The scene is intensified by the dark ambiguous forms of the shadows cast by the tree and other unseen elements across the ground. Small lines and dots of pale blue and red enliven the surface suggesting the effect of starlight on the landscape. From a simple motif of a tree at night, Crozier creates a complex and evocative landscape in the grand tradition of modernist painting.
Dr. Róisín Kennedy
April 2012Jim O'Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond and Pat Connor. He was an early supporter and friend of Tony O'Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented here, although some, for example those by Patrick Collins and Gerard Dillon, come from an earlier generation. This outstanding collection represents the powerful imprint of a true collector who was guided not only by his trained eye for quality but by a passion for interesting and authentic artworks.