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WALKER EVANS, (American, 1903-1975), ROADSIDE GAS STATION, Lunn Gallery "Walker Evans" stamp with...

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:15,000.00 - 20,000.00 USD
WALKER EVANS, (American, 1903-1975), ROADSIDE GAS STATION, Lunn Gallery  Walker Evans  stamp with...
WALKER EVANS
(American, 1903-1975)
ROADSIDE GAS STATION
Lunn Gallery "Walker Evans" stamp with pencil notations: "I" (American Photographs exhibition, 1938) and "24" on verso
inscribed "#1624" in pencil on verso
gelatin silver print
image: 45/8 x 611/16 in. (11.7 x 17 cm)
paper: 51/16 x 615/16 in. (12.8 x 17.6 cm)
1929
ESTIMATE: $15,000-20,000
PROVENANCE
Argus Ltd., NEW YORK, November 4, 1978, Lot 321
LITERATURE
Walker Evans, AMERICAN PHOTOGRAPHS, NEW YORK, Museum of Modern Art, 1938, part I, pl. 8 (illustrated)
Walker Evans, AMERICAN PHOTOGRAPHS, NEW YORK, East River Press, 1975, p. 21 (illustrated)
WALKER EVANS 1903/1974, Valencia, Conselleria de Cultura, Educaci= i Ciencia de la Generalitat Valenciana, 1983, p. 62 (illustrated)
Gilles Mora and John Hill, WALKER EVANS: LA SOIF DU REGARD, Paris,
+ditions du Seuil, 1993, p. 26 (illustrated, also p. 165, fig. 90)
Gilles Mora and John Hill, WALKER EVANS: THE HUNGRY EYE, NEW YORK,
Harry N. Abrams, 1993, p. 26 (illustrated, also p. 165, fig. 90)
Maria Morris Hambourg, et al., WALKER EVANS, NEW YORK, Metropolitan
Museum of Art, 2000, pl. 22 (illustrated)
Peter Galassi, WALKER EVANS & COMPANY, NEW YORK, Museum of Modern Art,
2000, p. 94, cat. no. 89 (illustrated)
Luc Sante, WALKER EVANS 55, London, Phaidon, 2001, p. 31 (illustrated)
Among Walker Evans's earliest photographs, the present work established some of the dominant themes of his oeuvre. Evans maintained a lifelong obsession with signs and typography, which he photographed as well as collected. In the present work he isolated a portion of a billboard, delighting in the
contrasting layers of commercial signage and hand-painted letters. This photograph helps carry an automotive theme through AMERICAN PHOTOGRAPHS.The preceding picture depicts an automobile junkyard, while the following plate captures a crudely painted sign of a couple in a car.