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WALKER EVANS, (American, 1903-1975), PENNY PICTURE DISPLAY, SAVANNAH, GEORGIA, signed "Walker Eva...
Currency:USD
Category:Everything Else / Other
Start Price:NA
Estimated At:100,000.00 - 150,000.00 USD
NOT SOLD (BIDDING OVER)
0.00USD+ applicable fees & taxes.
This item WAS NOT SOLD. Auction date was 2003 Apr 25 @ 19:00UTC-05:00 : EST/CDT
WALKER EVANS
(American, 1903-1975)
PENNY PICTURE DISPLAY, SAVANNAH, GEORGIA
signed "Walker Evans" in pencil on overmat
gelatin silver print
85/8 x 7 in. (21.9 x 17.8 cm)
1929
ESTIMATE: $100,000-150,000
PROVENANCE
Robert Schoelkopf, NEW YORK
LITERATURE
Walker Evans, AMERICAN PHOTOGRAPHS, NEW YORK, Museum of Modern Art,
1938, pt. I, pl. 2 (variant illustrated, minus top row of portraits)
John Szarkowski, LOOKING AT PHOTOGRAPHS: 100 PICTURES FROM THE COLLECTION OF THE MUSEUM OF MODERN ART, NEW YORK, The Museum of Modern Art. 1973, p. 117 (illustrated)
WALKER EVANS: PHOTOGRAPHS FOR THE FARM SECURITY ADMINISTRATION, 1935-1938, NEW YORK, Da Capo Press, 1973, no. 229 (illustrated)
WALKER EVANS: SELECTED PHOTOGRAPHS, NEW YORK, Double Elephant Press, 1974, pl. 7 (illustrated)
WALKER EVANS: FIRST AND LAST, NEW YORK, Harper & Row, 1978, no. 127 (illustrated)
Lloyd Fonvielle, WALKER EVANS, Millerton, New York, Aperture, 1979, p. 89 (illustrated)
Jerry L. Thompson and John T. Hill, WALKER EVANS AT WORK, NEW YORK, Harper & Row, 1982, cover and p. 139 (variants illustrated)
WALKER EVANS 1903/1974, Valencia, Conselleria de Cultura, Educaci= i Ciencia de la Generalitat Valenciana, 1983, p. 120 (illustrated)
Walker Evans, AMERICAN PHOTOGRAPHS, NEW YORK, The Museum of Modern Art, 1988, Part I, no. 2 (illustrated)
Michael Brix and Birgit Mayer, eds., WALKER EVANS: AMERIKA, Munich,
Schirmer/Mosel, 1990, p. 256, cat. no. 121 (illustrated)
Gilles Mora and John Hill, WALKER EVANS: LA SOIF DU REGARD, Paris,
+ditions du Seuil, 1993, p. 135 (illustrated, also variant cropping on
p. 169, fig. 77)
Gilles Mora and John Hill, WALKER EVANS: THE HUNGRY EYE, NEW YORK,
Harry N. Abrams, 1993, p. 135 (illustrated, also variant cropping on p.
169, fig. 77)
Judith Keller, WALKER EVANS: THE GETTY MUSEUM COLLECTION, Malibu, 1995, p. 161, no. 517 (illustrated also variants illustrated as nos. 518 and 519)
Ellen Fleurov, WALKER EVANS: SIMPLE SECRETS, Atlanta, High Museum of
Art, 1998, p. 150, cat. no. 52 (illustrated, also detail illustrated on
p. 89, cat. no. 51)
Maria Morris Hambourg, et al., WALKER EVANS, NEW YORK, Metropolitan
Museum of Art, 2000, pl. 66 (variant cropping illustrated, minus top
row of portraits)
Peter Galassi, WALKER EVANS & COMPANY, NEW YORK, Museum of Modern Art,
2000, p. 175, cat. no. 205 (illustrated)
Luc Sante, WALKER EVANS 55, London, Phaidon, 2001, p. 37 (illustrated)
A milestone in the history of art and photography, the present work recalls nineteenth-century carte de visite portraits, while also looking ahead to Pop and Conceptual art of the later twentieth century. PENNY PICTURE DISPLAY combines Evans's fascination with vernacular imagery and typography with an interest in conceptual ideas. On the surface, it is a document of a photographer's display in a small southern city in the 1930s. Yet it also tackles the challenge of depicting the entire populace of a small town in one picture. The second plate in Evans's book, AMERICAN PHOTOGRAPHS, the present work follows an image of an old photo studio. The third plate in the book depicts two young men looking in different directions. There is a crowd of out-of-focus faces in the background. This sequence creates a provocative dialogue about photography and representation.
Auction Location:
United States
Previewing Details:
Wednesday April 16 - Wednesday April 23
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