467

VIGANO ( Salvatore ). Otello : gran ballo tragico. Inventato e posto sulle scene del R. Teatro alla

Currency:EUR Category:Antiques / Books & Manuscripts Start Price:10.00 EUR Estimated At:80.00 - 100.00 EUR
VIGANO ( Salvatore ). Otello : gran ballo tragico. Inventato e posto sulle scene del R. Teatro alla

Bidding Over

The auction is over for this lot.
The auctioneer wasn't accepting online bids for this lot.

Contact the auctioneer for information on the auction results.

Search for other lots to bid on...
Auction Date:2012 Oct 19 @ 18:00 (UTC+1)
Location:38 Molesworth Street, Dublin, Dublin, ., Ireland
VIGANO ( Salvatore ). Otello : gran ballo tragico. Inventato e posto sulle scene del R. Teatro alla Scala dal Sigr. Salvatore Vigano , (musica di diversi rinomati autori) ; ridoto per cembalo solo. Dedicato dall' editore alla nobile Siga. Contessa Maddalena Piazzoni Grompo nata Marchesa Estense Salvatico. Milano presso Gio. Ricordi [1818]FIRST EDITION THUS, Plate Nos 433/436, engraved on one leaf and 41-pages, oblong 4to, disbound : in very good state, with an inscription on the title-page dated 1819 The composers named in captions include Rossini, Gallenberg, Brambilla, and Carafa. First performed at Teatro alla Scala on 4 April 1818. Vigano (1769-1821), Italian choreographer, dancer and composer. The most important period of his career began in 1811 with his engagement at La Scala, Milan, where he mostly remained until his death. Prometeo (1813, with music by Beethoven) established his reputation as a choreographer of genius. His dramatic ballets (or ‘choreodramas’) were considered unique in style. Although he took subjects from tragedies, both spoken (Alfieri’s Mirra, 1817 ; Shakespeare’s Othello, 1818) and operatic (La vestale, 1818), he largely reworked them to reflect his view of ballet as a genuine visual and theatrical art form. The dramaturgical disposition of his ballets (as some years later in grand opéra) was based on tableaux instead of narrative structures ; it was this imaginative synthesis of scene, music and choreography which caused Stendhal to describe Viganò’s ‘choreodramas’ as representing ‘the Romantic spirit’ in its highest degree (Grove).ALSO WITH THIS LOT: (1) ASIOLI ( Bonifazio ). Sonetto del Zappi posto in musica accompagnamento di forte-piano. Milano, presso Gio. Ricordi … , circa 1818. Piano vocal score, plate no 445, engraved on 6-pages, oblong 4to, disbound : very good (2) ROSSINI ( Gioachino ). Nell' opera La Gazza Ladra … Cavatina Di piacer mi balza il cor ridotta per cembalo solo dal Sigr. Bartolomeo Grassi. Milano presso Gio. Ricordi … , circa 1818. Plate Number 355, engraved on title-leaf and 5-pages, oblong 4to, disbound : very good (3) VIGANO ( Salvatore ). Variazioni nel ballo Psammi re d'Egitto [by Josef Lipavski] composto dal coreografo Salvatore Vigano e dall' editore dedicate al merito della Signora Antonia Ballerini prima ballerina seria nel R. Teatro della Scala ridotte per piano-forte. Milano, presso Luigi Scotti … Ferdinando Artaria … , circa 1818. Plate No. 48, engraved on title-leaf and 7-pages, oblong 4to, disbound : in very good state Inscription on title-page margin dated 1819. There was another issue printed for Scotti alone which mentions Lipavsky in the title. (4) ROSSINI ( Gioachino ). Sinfonia nell opera La Cenerentola … … ridotta per piano forte. Firenze, Giuseppe Lorenzi, circa 1819. Plate No 217, engraved on title-leaf and 9-pages, oblong 4to, disbound : faint marginal corner stain, but still a very good copy (5) ROSSINI ( Gioachino ). Gran sinfonia nell'opera La gazza ladra … ridotta per forte piano dal. Sigr. P. Piazza dedicata dall' editore alla signora Marianna Pollini. Milan, presso Gio. Ricordi, circa 1819. Plate No 333, engraved on 11-pages, oblong 4to, disbound : in very good state. (6) DONIZETTI ( Gaetano ). L'Elisire d'Amore ... ridotte per piano forte dal Mo. Luigi Truzzi. Milano presso G.Ricordi ... , circa 1840. Engraved on 62 leaves (the 19 separate numbers are paged individually), plate numbers 6204 and later, oblong 4to, original green printed paper wrappers : a very good copy.First performed 1832, the full score was not published till 1916.(7)MUSIC; MILAN PRINTED; BALLET; FLORENCE PRINTED; ; ; ; ; ; ; ;