LOT Phillips de Pury & Company  /  Veronica’s Revenge  / 

76

UNTITLED NO. 119

Currency:USD Category:Everything Else / Other Start Price:NA Estimated At:40,000.00 - 60,000.00 USD
UNTITLED NO. 119
<b>Artist: </b>Cindy Sherman
<b>Birth: </b>(b. 1954)
<b>Medium: </b>color photograph
<b>Dimensions: </b>17 x 35 1/2 in. (43.2 x 90.2 cm)
<b>Details: </b>executed in 1983 ;
<b>Provenance: </b>
<b>Exhibited: </b>TOKYO, Lafouret Museum, THE NEXT WAVE OF AMERICAN WOMEN VOL. 2,CINDY SHERMAN, April 23-May 4, 1984, n.p. (another example exhibited; illustrated) ; hartford, Wadsworth Atheneum, CINDY SHERMAN, January 18-March 9, 1986, n.p. (another example exhibited; illustrated in exhibition brochure) ; NEW YORK, Whitney Museum of American Art; Boston Museum of Art and Dallas Museum of Art, CINDY SHERMAN, July 9-October 4,1987, n.p., no. 79 (another example exhibited; illustrated) ; Hamburg Deichtorhallen, May 25-July 30, 1995; Malmö Konsthall, August 26-October 22, 1995 and the Kunstmuseum Lucerne, December 8, 1995-February 11, 1996, CINDY SHERMAN: PHOTOGRAPHIC WORKS 1975-1995, n.p., no. 57 (another example exhibited; illustrated) ; LUXEMBOURG, Musée National d’Histoire et d’Art Casino Luxembourg, VERONICA’S REVENGE, March 6-April 25, 1999 ; PONTEVERDA, Congrescos e Exposicions de Ponteverda, VERONICA’S REVENGE, October 4-November 27, 1999 ; SYDNEY, Museum of Contemporary Art, VERONICA’S REVENGE, November 16, 2000-March 4, 2001 ; The Museum of Contemporary Art, Los Angeles; Chicago, Museum of Contemporary Art; PRAGUE, Galerie Rudolfinum; LONDON, Barbican Art Gallery; capc, Musée d’art Contemporain de Bordeaux; Sydney, Museum of Contemporary Art and TORONTO, Art Gallery of Ontario, CINDY SHERMAN RETROSPECTIVE, February 1998-January 2000, p. 120, no. 89 (another example exhibited; illustrated) ; SOUTH HAMPTON, The Parrish Art Museum, REPRESENTING A SHOW OF IDENTITIES, March-April 2000 (another example exhibited)
<b>Literature: </b>P. Schjeldahl and I. M. Danoff, CINDY SHERMAN, NEW YORK, 1984, n.p., no. 79 (illustrated) ; A. Grundberg, “Self-Portraits Minus Self,” THE NEW YORK TIMES BOOK REVIEW, July 22, 1984, p. 11 (untitled 119 detail illustrated) ; S. Rogers-Rafferty, JENNY HOLZER, CINDY SHERMAN: PERSONAE, CINCINATTI, 1986, p. 20 (illustrated) ; J. Gambrell, “Marginal Acts,” ART IN AMERICA, March 1984, p. 117 (illustrated) ; P. Schjeldahl and L. Phillips, CINDY SHERMAN, NEW YORK, 1987, n.p., no. 79 (illustrated) ; N. Fuku, “A Woman of Parts,” ART IN AMERICA, May 29, 1987, p. 78 (illustrated) ; R. Kraus, CINDY SHERMAN 1975-1993, NEW YORK, 1993, pp. 112-113 (illustrated) ; Z. Felix and M. Schwander, CINDY SHERMAN: PHOTOGRAPHIC WORK 1975-1995, MUNICH, 1995, n.p., no. 57 (illustrated) ; A. Cruz, E. Smith and A. Jones, eds., CINDY SHERMAN RETROSPECTIVE, CHICAGO, 1997, p. 157, no. 120 (illustrated)
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