Torex October 2006

1957 Proof-Like Set in Original White RCM Card. The Cent is red, the silver is lightly toned and there are some cameos

1958 Proof-Like Set in Original White RCM Card. The Cent is red, the silver is lightly toned and there are some cameos

1959 Proof-Like Set in Original White RCM Card. The Cent is red, the silver is lightly toned and there are some cameos

1960 Proof-Like Set all ICCS PL-65. The cent is Red, Heavy Cameo and the 50 Cents and Dollar are both designated Cameo

1963, 1964, 1965 Type 1 two sets, 1967 and 1968 No Island. A total of six Proof-Like Sets, all original sealed RCM packs

1967 Specimen Set with Gold

1997 - 2000 Lasqueti Mint China Cloud Proof Set. Four pieces, 1997, 1998, 1999 and 2000 1/2 oz .999 Silver, with Certificate, Set Number 9 of 20

1998 - 2000 Lasqueti Mint China Cloud Brilliant Uncirculated Set. Four pieces: 1998, 1999 and 2000 1/2 ounce .999 Silver and 1998 Dot Copper, with Cer

2001 - 2003 Lasqueti Mint China Cloud Brilliant Uncirculated Set. Three pieces: 2001 (2000 One Dot), 2002 (2000 Two Dot) and 2003 (2000 Three Dot). Al

Half Penny 1942 and 1953 and Penny 1941. Plus Great Britain Penny 1899 and Ireland Penny 1948. A total of five pieces

1/2 Thaler 1815A, VF-EF, lightly toned

25 Schilling 1957 PCGS PR-64. Very attractive light golden and iridescent blue, green and violet rim toning

25 Schilling 1956 Proof, near untoned

40 Reales 1821R, EF and 80 Reales 1826C, Counterstamped, VF

1/2 Cent 1891H NGC SP-65 Brown. Beautiful glossy brown surfaces with traces of red

10 Ore 1889 (h) ICG MS-65. Lightly toned

Krone 1892CS PCGS MS-65. Light golden amber toning accents

5 Centimes lAn 5 BB, Fine, 10 Centimes lAn 8 A, VF, 50 Centimes 1850A VF-EF and 1 Franc 1866A, EF. Plus Haiti 100 Centimes An 26, EF. Total five piece

10 Centimes 1895A NGC MS-66 Red. Fully struck, superbly lustrous and near full red

50 Centimes 1894A PCGS MS-66. A superbly lustrous piece with light-medium olive toning

1 Franc 1823A NGC MS-64. Great lustre and attractive light-medium toning

2 Francs 1832A NGC MS-65. A superbly lustrous piece with attractive light-medium toning

5 Francs AN XI A With Dots, KM-650.1, VF. Pale golden toning

20 Pfennig 1876F PCGS MS-66. Superbly lustrous with pale golden toning

1/2 Mark 1916E NGC PF-67. A superbly lustrous and near flawless piece with light toning

1 Mark 1887A PCGS MS-64. Pale toning

1 Mark 1904G ICG PR-65 DCam. A superbly lustrous and near untoned piece

3 Marks 1911D NGC PF-66. Light toning

5 Marks 1908D PCGS PR-67. A superbly lustrous and near untoned piece with heavy cameos

Thaler 1866 Madona PCGS PR-63. Great lustre beneath medium-dark olive toning

Gulden 1792S, Fine. Medium toning

2 Marks 1904J PCGS MS-67. Great lustre and medium golden olive toning

2/3 Thaler 1764 IDB PCGS MS-62. A strongly lustrous piece with light golden toning

1792 Pattern in Silver of the designs of the 1-1/4 Ducat KM# 284, but of smaller diameter, 20mm 2.1 grams, EF+, hairlined. Pale toned

2 Gulden 1854 NGC MS-66. A fully struck piece with great lustre and near flawless surfaces that are attractively toned in light golden olives

3 Marks 1910 NGC PF-65. A superbly lustrous pale toned piece with heavy cameos

6 Kreuzer 1820 NGC MS-64. Great lustre and attractive light golden amber toning

3 Marks 1911A PCGS PR-66. A superbly lustrous pale toned piece with heavy cameos

1/12 Thaler 1774 Death of Archbishop PCGS MS-65. Strongly lustrous with light golden toning and some darker accents on the reverse

5 Marks 1904A Wedding PCGS PR-64. A superbly lustrous piece with pale toning and heavy cameos

30 Kreuzer 1765SR NGC MS-66. A very strongly struck piece with very attractive light toning and a few adjustment marks on the reverse

2 Pfennig 1869 NGC PR-64 Red. Great lustre and about 95% red

3 Pfennig 1867C PCGS PR-64 Red and Brown. Great lustre and about 75% red

1/2 Groschen 1860A NGC MS-68. A fully struck and superbly lustrous piece with near flawless light golden toned surfaces

1/24 Thaler 1782A PCGS MS-65. Great lustre and light golden toning

2 Marks 1913 NGC MS-66. Great lustre and light golden amber toning

3 Marks 1900A PCGS MS-64. A superbly lustrous and near untoned piece

3 Marks 1909A PCGS PR-64. This piece has great lustre and a light golden toning with medium amber and blue accents

2 Thalers 1842A, F-VF. Medium toning

5 Marks 1908 Jena University ICG MS-66. A superbly lustrous, pale golden toned piece