Torex October 2006

1935 ICCS MS-64. Light golden toning

1935 ICCS MS-64. Light golden toning

1935 ICCS MS-64. Pale golden toning

1935 PCGS MS-64. Near untoned

1935 PCGS MS-64. Light golden toning

1935 and 1939, both Choice Uncirculated and both with pale golden toning

1935 and 1939, both ICCS MS-63, the 1939 with broken ICCS seal. Plus 1949 ICCS MS-62. Total three pale golden toned pieces

1935 Doubled XXV CCCS MS-62, Hairlines, 1952 Normal Waterlines, Doubled 2 and Doubled HP CCCS MS-62 and 1957 One Waterline ICCS MS-62. Total three pal

1935 and 1950, both ICCS MS-62. Total of two pale toned pieces

1935 CCCS AU-50, Scratch, 1936 CCCS AU-55 and 1937 Doubled HP CCCS MS-60. Lightly toned

1936 ICCS MS-64. A fully struck piece with great lustre and near flawless light golden toned surfaces

1936 ICCS MS-64. A fully struck piece with great lustre and near flawless pale golden toned surfaces

1936 ICCS MS-63. Pale golden toning

1936, 1939, 1946 and 1949. Four lightly toned pieces, all VF-EF or better

1936 JOP ICCS EF-45. This is the Oval Small Initials without the dot after the P. Light-medium toned

1937 Matte ICCS SP-66. This is a fully detailed piece with great lustre and near flawless surfaces that have a medium olive and blue toning. Tied thir

1937 ICCS MS-64. A fully struck piece with great lustre and attractive light golden rim toning. It is tied as the highest graded by ICCS

1937 ICCS MS-63. Light golden toning

1937 Choice Uncirculated. Pale toned

1938 ICCS MS-64. A fully struck piece with great lustre and pale golden toning. It is tied sixth by ICCS

1938 ICCS MS-63. Pale golden toning

1938 ICCS MS-62. Light amber toning

1938 ICCS MS-62. Pale golden toning

1938 CCCS MS-62. Light golden toning

1938 CCCS MS-60. Pale golden toning

1938 CCCS MS-60. Light golden toning

1938 EF Cleaned. Plus 1939, 1950 Arnprior and 1950 Short Waterlines, all AU or better. Total four pale to lightly toned pieces

1938, three pale to lightly toned pieces, all VF or better and cleaned

1939 Matte PCGS SP-66. This is a fully detailed piece with great lustre and near flawless surfaces that have a pale golden toning with light amber acc

1939 ICCS MS-64. A fully struck piece with great lustre and light golden mauve toning accents

1939 ICCS MS-64. A fully struck piece with great lustre and light gold and amber toning

1939 ICCS MS-64. A fully struck piece with great lustre and light-medium olive and blue toning

1939 PCGS MS-64. A fully struck piece with great lustre and pale golden toning

1939 three pale toned pieces, two ICCS and one PCGS, all MS-63

1939 and 1950, both ICCS MS-63. Plus 1949 ICCS MS-64. Three pieces, all pale toned

1945 ICCS MS-60. A fully struck near untoned piece with great lustre

1945 Uncirculated. A fully struck pale toned piece with great lustre

1945 ICCS AU-55. Near untoned

1945 ICCS AU-50. Near untoned

1945 ICCS AU-50. Pale golden toning

1945 VF. Lightly toned

1946 PCGS MS-64. A fully struck piece with great lustre and near flawless surfaces that are attractively toned in light golds on the obverse, while th

1946 ICCS MS-62. Lightly toned

1946 ICCS MS-62. Pale golden toning

1946 CCCS MS-62. Pale golden toning

1946 CCCS MS-60. Golden rim toning

1946 Doubled 9 CCCS MS-60. This is a near untoned piece with re-punched 9

1946 ICCS AU-55. Near untoned

1946 Short Water Lines ICCS MS-60. A strongly lustrous pale golden toned example

1947 Blunt 7 ICCS MS-63. Pale toned