Torex October 2006

1913 ICCS MS-60. Fully struck and strongly lustrous pale golden toned piece with darker accents

1918 ICCS AU-55. Pale golden toning

1919 ICCS MS-63. Fully struck and strongly lustrous with very attractive light-medium toning

1921 CCCS VF-20. Medium rim toning

1927 ICCS EF-40. Light gold-tan toning

1928 NGC MS-63. A strongly struck piece with great lustre and attractive light-medium toning

1929 ICCS MS-63. Full strike, great lustre and pale golden toning with light blue and amber accents

1930 PCGS MS-65. A well struck piece with great lustre and rather flawless surfaces with an attractive light golden toning. It is tied as the fifth hi

1930 ICCS MS-63. Near fully struck and strongly lustrous with pale golden toning

1931 PCGS MS-63. This is a fully struck and superbly lustrous pale golden toned piece that was struck from freshly refinished dies, which have imparte

1932 ICCS MS-63. A strongly struck and nicely lustrous piece with attractive light golden toning

1933 PCGS MS-63. This is a near fully struck piece with strongly lustrous surfaces that are attractively toned in light golds with ambers toward the r

1933 ICCS MS-62. This is a near fully struck piece with strongly lustrous pale golden toned surfaces. The date is re-punched and this piece appears to

1933, 1935 and 1936. Three pieces, all VF with some residual lustre and lightly toned

1934 ICCS MS-60. Strongly struck with great lustre and pale golden toning

1935 ICCS MS-62. Strongly struck with great lustre and pale golden toning

1936 ICCS MS-63. Fully struck with great lustre and near untoned

1937 ICCS MS-64. Near untoned

1937, 1942, 1943, 1945, 1950 and 1952 Low Relief, all ICCS MS-63 and untoned to lightly toned

1938 ICCS MS-64. Fully struck with great lustre and attractive light golden amber toning

1938 ICCS MS-62. Near untoned

1938 ICCS MS-62 pale toned and 1939 ICCS MS-60 near untoned

1939 ICCS MS-64. Near untoned

1940 ICCS MS-64 Cameo. Pale toned

1941 pale toned and 1944 light rim toning. Two pieces, both ICCS MS-64

1942 NGC MS-66. This is a fully struck piece with great lustre and near flawless surfaces that are beautifully toned in light-medium golden ambers and

1942 and 1956, both ICCS MS-64. Two light-medium toned pieces

1943 light golden toning and 1945 near untoned, both ICCS MS-63 Cameo

1945 ICCS MS-65 PQ. This is a fully struck and superbly lustrous piece with near flawless surfaces that are beautifully toned in light golds with mauv

1946 ICCS MS-64. Light golden toning

1947 ICCS MS-62. Lightly toned

1947 Dot ICCS EF-40. A very sharp and near untoned piece with much remaining lustre

1947 Maple Leaf near untoned and 1949 light-medium toned obverse, both ICCS MS-64

1947 Maple Leaf ICCS MS-62 and 1948 ICCS MS-60. Two near untoned pieces

1948 ICCS MS-63. Pale golden toning

1949 PCGS SP-66. A superbly lustrous and untoned piece that is among the ten highest by PCGS

1949 PCGS MS-66. This is a fully struck piece with great lustre and an attractive medium multicoloured toning. It is tied as the second highest by PCG

1949 ICCS MS-64. Lightly toned

1951 High Relief ICCS SP-64. Superbly lustrous and near flawless with medium magenta toning

1951 Low Relief PCGS PL-66. Superbly lustrous and virtually flawless untoned surfaces with a nice cameo. It is tied as the fifth highest by PCGS

1951 Low Relief ICCS PL-64. Near untoned

1951 Low Relief ICCS PL-64. Near untoned

1952 High Relief PCGS MS-63. Pale toned

1953 Shoulder Fold ICCS PL-64 Cameo. Light amber rim toning

1953 Shoulder Fold ICCS MS-64 Cameo. Plus 5 Cents 1953 Shoulder Fold ICCS MS-64

1953 Shoulder Fold ICCS MS-63 Heavy Cameo, 1955 ICCS MS-64 and 1961 ICCS MS-64 Heavy Cameo and 1968 Silver ICCS MS-64. Untoned to pale toned

1953 Shoulder Fold and 1954, both ICCS MS-63 Cameo and both near untoned

1954 PCGS PL-64. Pale golden toning

1954 ICCS PL-64 Cameo and 1957 ICCS PL-65. Two pale toned pieces

1955 ICCS PL-67 Ultra Heavy Cameo. This is a superbly lustrous and near flawless piece with pale golden toning. It is tied as the highest graded by IC