19

Tony O'Malley-POND REVERIE I, 1994

Currency:EUR Category:Art / General - Paintings Start Price:0.00 EUR Estimated At:25,000.00 - 35,000.00 EUR
Tony O'Malley-POND REVERIE I, 1994

Bidding Over

The auction is over for this lot.
The auctioneer wasn't accepting online bids for this lot.

Contact the auctioneer for information on the auction results.

Search for other lots to bid on...
Auction Date:2012 May 21 @ 18:00 (UTC+1)
Location:Serpentine Hall, RDS, Anglesea Road entrance, Dublin, Dublin, ., Ireland
Tony O'Malley-POND REVERIE I, 1994

oil on boardsigned, titled and dated on reverse; with typed Taylor Galleries exhibition label also on reverse
48 by 48in., 121.92 by 121.92cm.
Orientation of Image: P

Provenance: Taylor Galleries, Dublin

Exhibited: 'Tony O'Malley', Taylor Galleries, Dublin, April - May, 1996, catalogue no. 9


Literature: Ed. Lynch, Brian, Tony O'Malley, Scolar Press in Association with the Butler Gallery, Kilkenny, 1996, p. 290 (full page illustration)

Notes: This work is part of a series of pond paintings made by O'Malley over the later years of his life. In 1977 he and his wife Jane had bought a cottage at Physicanstown in Co. Kilkenny which became their permanent home in 1990. The garden was carefully cultivated and its pond provided the inspiration for an ongoing cycle of works that signal the stability of O'Malley's domestic surroundings and its impact on his artwork. Thinly painted on board Pond Reverie I explores the changing effects of sunlight on water. Reflections of light on the surface and on the fish and plant life below are picked out in bright oranges and blues. Flecks of impasto across the composition along with dots of flickering colourful forms suggest the vigorous organic life of the pond and create a rich and absorbing work of art.
Dr. Róisín Kennedy
April 2012
Jim O'Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond and Pat Connor. He was an early supporter and friend of Tony O'Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented here, although some, for example those by Patrick Collins and Gerard Dillon, come from an earlier generation. This outstanding collection represents the powerful imprint of a true collector who was guided not only by his trained eye for quality but by a passion for interesting and authentic artworks.